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Aldous Huxley

 
Who2 Profiles:

Aldous Huxley, Writer

  • Born: 26 July 1894
  • Birthplace: Godalming, Surrey, England
  • Died: 22 November 1963 (cancer)
  • Best Known As: The author of Brave New World

Aldous Huxley was an English writer whose most famous work is the 1932 novel Brave New World. Born into a family of distinguished intellectuals on both sides of the family, he graduated from Oxford in 1916 and went to work as a writer. He published poems and worked odd jobs in the early 1920s, until his first novels, Crome Yellow (1921) and Antic Hay (1923), earned him a reputation among the London literati as a gifted and witty cynic. Brave New World warned that a future utopia based on technology and social control would be a nightmare, a theme that resonated with readers in Europe and the U.S. During the 1930s Huxley bolstered his reputation as an essayist, and his intellectual pursuits turned increasingly to Eastern mysticism. He moved to the United States in 1937 and settled in southern California, where he worked as a screenwriter (including the 1940 adaptation of Jane Austin's Pride and Prejudice) and studied eastern religions with Gerald Heard and Swami Prabhavananda. He also experimented with hallucinogens, specifically mescaline and LSD. His writings about his experiences, The Doors of Perception (1954) and Heaven and Hell (1956), helped make him a counterculture hero in the 1960s. On his deathbed from cancer, he reportedly had his wife inject him with LSD during his final moments. His other novels include Eyeless in Gaza (1936), Time Must Have a Stop (1944) and Island (1962).

Huxley's famous ancestors included, on his mother's side, poet Matthew Arnold, and, on his father's side, Thomas Henry Huxley, famous champion of Charles Darwin... An eye ailment left Huxley blind for part of his college career, and he was plagued by poor eyesight off and on his entire life... He died on the same day as John F. Kennedy and C.S. Lewis.

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Britannica Concise Encyclopedia:

Aldous Leonard Huxley

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Aldous Huxley, 1959.
(click to enlarge)
Aldous Huxley, 1959. (credit: Robert M. Quittner/Black Star)
(born July 26, 1894, Godalming, Surrey, Eng. — died Nov. 22, 1963, Los Angeles, Calif., U.S.) British novelist and critic. Grandson of T.H. Huxley and brother of Julian Huxley, he was partially blind from childhood. He is known for works of elegant, witty, pessimistic satire, including Crome Yellow (1921) and Antic Hay (1923), which established him as a major novelist, and Point Counter Point (1928). The celebrated Brave New World (1932) is a nightmarish vision of a future society that expresses his distrust of trends in politics and technology. Beginning with Eyeless in Gaza (1936), his works reveal a growing interest in Hindu philosophy and mysticism. Later works include the nonfiction The Devils of Loudun (1952) and The Doors of Perception (1954), about his experiences with hallucinogens.

For more information on Aldous Leonard Huxley, visit Britannica.com.

Gale Encyclopedia of Biography:

Aldous Leonard Huxley

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The novels, short stories, and essays of the English author Aldous Leonard Huxley (1894-1963) explore crucial questions of science, religion, and philosophy.

Aldous Huxley was born into a family of intellectual prominence. His father, Leonard, was the son of T. H. Huxley, the famous proponent of Darwinism when it was first finding acceptance; his mother, Julia, was the niece of the poet and critic Matthew Arnold. Aldous attended Eton on a scholarship and specialized in biology, intending to become a doctor, but he contracted keratitis and soon was almost blind. However, he learned to read Braille and continued his studies under tutors. When one eye recovered enough so that he could read with a magnifying glass, he turned to English literature and philosophy at Oxford, taking a degree in 1915.

After World War I Huxley engaged in literary journalism and was on the staff of the Athenaeum, edited by John Middleton Murry. For the greater part of 1923-1930 he lived in Italy; after 1926 he spent much time there with D. H. and Frieda Lawrence. Lawrence was a strong influence on Huxley, particularly in his mistrust of intellect and trust in vital promptings.

Huxley's early period was characterized by skeptical, brilliant portraits of a decadent society. This was the period of the novels Crome Yellow (1921), Antic Hay (1923), and Point Counter Point (1928), in which the characterizations of D. H. and Frieda Lawrence as the Mark Rampions are practically the only favorable ones. Huxley's disgust with much of the modern world became explicit in Brave New World (1932) and Eyeless in Gaza (1936).

In 1938 Huxley encountered the Bates method of eye training and moved to southern California, where facilities for it were unusually good. He said of the method that it demonstrated in that particular sphere "the possibility of becoming the master of one's circumstances…. Similar techniques for controlling other unfavorable circumstances have been independently developed…. All these techniques, however, are secondary … to a great central technique. This central technique, which teaches the art of obtaining freedom from the fundamental human disability of egotism, has been repeatedly described by the mystics of all ages and countries. It is with the problem of personal, psychological freedom that I now find myself predominantly concerned."

Huxley's The Perennial Philosophy (1945) was in a sense a documentation of this statement. Through its initial statement of somatic psychology, it illustrated well the modern interest in psychological necessity. But Huxley's most famous dramatization of the possibility of dehumanizing kinds of control through the use of conditioning, drugs, and economic necessity was Brave New World. In a sequel, Brave New World Revisited, he considered ways of solving the threat of the so-called population explosion.

Huxley's "mystical" phase is linked to his long association with Gerald Heard. Huxley's most successful later work was The Devils of Loudon (1952), which dealt with the hysteria that swept a French Ursuline convent in the 17th century and the martyrdom of a priest. All along, of course, Huxley had shown interest in any means of liberation from the bondage of the ego, and his The Doors of Perception (1954), dealing with the drug mescaline, can be seen as an interesting anticipation of the interest more than a decade later in the psychedelic experience. He said that he had helped his wife, Maria, die by using the medieval Ars moriendi, and it is said that while he was dying, his mind was "liberated" by drugs.

Of Huxley's general direction, Charles J. Rolo (1947) said: "When Huxley came of age, human behavior, it seemed to the modernist, was entirely explicable in terms of Libido, Instinct, glandular function or conditioned reflex…. While repudiating the Gods and Goods, Huxley implicitly continued to search for them, applying to the task an integrity that bit like acid through illusion, sentimentality and convention. All his work is a quest for values in the face of scepticism." Jocelyn Brooke (1954) found Huxley, "despite the homogeneity of his writings …, a strangely paradoxical figure: an intellectual who profoundly distrusts the intellect, a sensualist with an innate loathing for the body, a naturally religious man who remains an impenitent rationalist."

Further Reading

A good introduction and survey is The World of Aldous Huxley: An Omnibus of His Fiction and Non-fiction over Three Decades, edited with an introduction by Charles J. Rolo (1947). A brief survey of Huxley's career is in Jocelyn Brooke, Aldous Huxley (1954). See also David S. Savage, Mysticism and Aldous Huxley: An Examination of Heard-Huxley Theories (1947), and the essay by M. Lebowitz in John Crowe Ransom, ed., The Kenyon Critics: Studies in Modern Literature from the Kenyon Review (1951). Other studies of Huxley include John A. Atkins, Aldous Huxley: A Literary Study (1956; rev. ed. 1967); Julian S. Huxley, ed., Aldous Huxley, 1894-1963: A Memorial Volume (1965); and Laura Archera Huxley, The Timeless Moment: A Personal View of Aldous Huxley (1968).

Columbia Encyclopedia:

Aldous Leonard Huxley

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Huxley, Aldous Leonard, 1894-1963, English author; grandson of Thomas Henry Huxley. Educated at Eton and Oxford, he traveled widely and during the 1920s lived in Italy. He came to the United States in the 1937 and settled in California. On the verge of blindness from the time he was 16, Huxley devoted much time and energy in an effort to improve his vision. He began his literary career writing critical essays and symbolist poetry, but he soon turned to the novel. Crome Yellow (1921), Antic Hay (1923), Those Barren Leaves (1925), and Point Counter Point (1928) are brittle, skeptical pictures of a decadent society. Brave New World (1932), the most popular of his novels, presents a nightmarish, dystopian civilization in the 25th cent. It was followed by Eyeless in Gaza (1936), After Many a Summer Dies the Swan (1939), Ape and Essence (1948), The Devils of Loudon (1952), and The Genius and the Goddess (1955). Marked by an exuberance of ideas and comic invention, his novels reflect, with increasing cynicism, his disgust and disillusionment with the modern world. His later writings, however, reveal a strong interest in mysticism and Eastern philosophy. His fascination with mind-expansion and experimentation with LSD prompted the writing of The Doors of Perception (1954), a long essay extremely popular in the drug-oriented 1960s and still one of his most-read books. Huxley's other works include collections of short stories, of which Mortal Coils (1922) is representative, and essays, including End and Means (1937) and Brave New World Revisited (1958).

Bibliography

See R. S. Baker and J. Sexton, ed., Complete Essays (6 vol., 2000-2002); memoir by his wife, L. A. Huxley (1968); J. Sexton, ed., Aldous Huxley: Selected Letters (2007); biographies by S. Bedford (2 vol., 1973-74), G. A. Nance (1989), and N. Murray (2003); studies by P. Thody (1973), K. M. May (1973), G. Cockshott (1980), P. E. Firchow (1984), and M. Schubert (1986); R. W. Clark, The Huxleys (1968).

(1894-1963)

Eminent British novelist whose brief volumes The Doors of Perception (1954) and Heaven and Hell (1956) pioneered discussions on the relationship between drug experience and mysticism. Huxley was born in Godalming, England, on July 27, 1894, grandson of a famous biologist. He was educated at Eton and at Balliol College, Oxford University (B.A., 1916). He suffered from defective vision and about 1935 began special eye-training exercises according to the system of W. H. Bates. These involved special visualization techniques. Huxley found a remarkable improvement in vision and describes his experiences in his book The Art of Seeing (1942).

He went on to write a number of critically hailed novels, short stories, and essays, including Crome Yellow (1921), Antic Hay (1923), Point Counter Point (1928), Eyeless in Gaza (1936), and Ape and Essence (1949). His prophetic novel Brave New World (1932) rose above all his writings as a particularly effective statement against modern forms of totalitarianism and of the threat posed to individual liberty by technology.

Through Huxley's early friendship with novelist D. H. Lawrence he began to be interested in mystical perception, and toward the end of his life this interest deepened and mellowed his later writings. After a period of living in southern France the Huxleys eventually settled in Los Angeles. After Huxley's wife Maria died in 1955, he married Laura Archera. Huxley himself died on November 22, 1963 (the same day President Kennedy was assassinated).

Huxley's developing interest in occult themes is indicated by his books The Devils of Loudon (1952), The Doors of Perception (1954), and Heaven and Hell (1956). Huxley had met occultist Aleister Crowley in Berlin in 1930 and through him was familiar with the effects of mescaline, but it was not until summer 1953 that Huxley took the four-tenths of a gram of mescaline that resulted in his own enthusiasm for the possibilities of hallucinogens. Huxley's discussions of consciousness-expanding drugs were drawn upon by such apostles of the psychedelic revolution as Timothy Leary and Richard Alpert, but Huxley himself opposed indiscriminate drug-taking. According to his brother, the famous biologist Sir Julian Huxley, he realized "that LSD would not bring liberation and understanding to everyone, and in his last book, Island, he points out its potential danger … though his warnings were not heeded."

Sources:

Huxley, Aldous. Aldous Huxley's Hearst Essays. New York: Garland Publishing, 1994.

——. The Devils of Loudon. London: Chatto & Windus, 1952.

——. The Doors of Perception. New York: Harper, 1954.

——. Heaven and Hell. New York: Harper, 1956.

——. Island. London: Chatto & Windus, 1962.

——. Moksha: Writings on Psychedelics and the Visionary Experience. New York: Stonehill, 1977.

Quotes By:

Aldous Huxley

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Quotes:

"I have discovered the most exciting, the most arduous literary form of all, the most difficult to master, the most pregnant in curious possibilities. I mean the advertisement. It is far easier to write ten passably effective Sonnets, good enough to take in the not too inquiring critic, than one effective advertisement that will take in a few thousand of the uncritical buying public."

"There are confessable agonies, sufferings of which one can positively be proud. Of bereavement, of parting, of the sense of sin and the fear of death the poets have eloquently spoken. They command the world's sympathy. But there are also discreditable anguishes, no less excruciating than the others, but of which the sufferer dare not, cannot speak. The anguish of thwarted desire, for example."

"Which is better: to have fun with fungi or to have Idiocy with ideology, to have wars because of words, to have tomorrow's misdeeds out of yesterday's miscreeds?"

"If we could sniff or swallow something that would, for five or six hours each day, abolish our solitude as individuals, atone us with our fellows in a glowing exaltation of affection and make life in all its aspects seem not only worth living, but divinely beautiful and significant, and if this heavenly, world-transfiguring drug were of such a kind that we could wake up next morning with a clear head and an undamaged constitution -- then, it seems to me, all our problems (and not merely the one small problem of discovering a novel pleasure) would be wholly solved and earth would become paradise."

"The most valuable of all education is the ability to make yourself do the thing you have to do, when it has to be done, whether you like it or not."

"Every man who knows how to read has it in his power to magnify himself, to multiply the ways in which he exists, to make his life full, significant and interesting."

See more famous quotes by Aldous Huxley

AMG AllMovie Guide:

Aldous Huxley

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Biography

Distinguished British author Aldous Huxley is best known for penning Brave New World. He also wrote many other novels, short stories and essays. In the late '30s he became a Hollywood screenwriter, staying through the mid-1940s and collaborating on numerous scripts such as Jane Eyre (1944). ~ Sandra Brennan, Rovi
Wikipedia on Answers.com:

Aldous Huxley

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Aldous Huxley
Blurry monochrome head-and-shoulders portrait of Aldous Huxley, facing viewer's right, chin a couple of inches above hand
Born Aldous Leonard Huxley
26 July 1894(1894-07-26)
Godalming, Surrey,
England
Died 22 November 1963(1963-11-22) (aged 69)
Los Angeles, California,
United States
Resting place Compton, Surrey,
England
Occupation Writer (fiction & non-fiction)
Notable work(s) Brave New World,
Island, Point Counter Point,
The Doors of Perception,
The Perennial Philosophy



Signature

Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was an English writer and one of the most prominent members of the famous Huxley family. Best known for his novels including Brave New World and a wide-ranging output of essays, Huxley also edited the magazine Oxford Poetry, and published short stories, poetry, travel writing, and film stories and scripts. Huxley spent the later part of his life in the United States, living in Los Angeles from 1937 until his death.

Aldous Huxley was a humanist, pacifist, and satirist, and he was latterly interested in spiritual subjects such as parapsychology and philosophical mysticism.[1][2] He is also well known for advocating and taking psychedelics.

Contents

Early life

Aldous Huxley was born in Godalming, Surrey, UK, in 1894. He was the third son of the writer and schoolmaster Leonard Huxley and his first wife, Julia Arnold, who founded Prior's Field School. Julia was the niece of poet and critic Matthew Arnold and the sister of Mrs. Humphrey Ward. Aldous was the grandson of Thomas Henry Huxley, the zoologist, agnostic and controversialist ("Darwin's Bulldog"). His brother Julian Huxley and half-brother Andrew Huxley also became outstanding biologists. Aldous had another brother, Noel Trevelyan (1891–1914), who committed suicide after a period of clinical depression.[3]

Huxley began his learning in his father's well-equipped botanical laboratory, then continued in a school named Hillside. His teacher was his mother who supervised him for several years until she became terminally ill. After Hillside, he was educated at Eton College. Huxley's mother died in 1908 when he was 14. In 1911, he suffered an illness (keratitis punctata) which "left [him] practically blind for two to three years".[4] Aldous's near-blindness disqualified him from service in the First World War. Once his eyesight recovered sufficiently, he was able to study English literature at Balliol College, Oxford. In 1916 he edited Oxford Poetry and later graduated (B.A.) with first class honours. His brother Julian wrote,

I believe his blindness was a blessing in disguise. For one thing, it put paid to his idea of taking up medicine as a career ... His uniqueness lay in his universalism. He was able to take all knowledge for his province.[5]

Following his education at Balliol, Huxley was financially indebted to his father and had to earn a living. He taught French for a year at Eton, where Eric Blair (later to become George Orwell) and Stephen Runciman were among his pupils, but was remembered as an incompetent and hopeless teacher who couldn’t keep discipline. Nevertheless, Blair and others were impressed by his use of words.[6] For a short while in 1918, he was employed acquiring provisions at the Air Ministry.

Significantly, Huxley also worked for a time in the 1920s at the technologically-advanced Brunner and Mond chemical plant in Billingham, Teesside, and the most recent introduction to his famous science fiction novel Brave New World (1932) states that this experience of "an ordered universe in a world of planless incoherence" was one source for the novel.[7]

Huxley-Arnold Family Tree (partial)
Thomas Arnold 1795–1842
Mary Penrose 1791–1873
George Huxley
Matthew Arnold 1822–1888
Tom Arnold 1823–1900
Thomas Henry Huxley 1825–1895
Ann Heathorn 1825–1915
Mary Augusta Ward 1851–1920
Julia Arnold 1862–1908
Leonard Huxley 1860–1933
Rosalind Bruce 1890–1994
Jessie Huxley 1856–1927
Trevelyan Huxley 1891–1914
Julian Huxley 1887–1975
Maria Nys 1899–1955
Aldous Huxley 1894–1963
Laura Archera 1911–2007
David Bruce Huxley 1915–1992
Andrew Huxley
1917–
Richenda Pease 1925–2003
Matthew Huxley 1920–2005

Career

Huxley completed his first (unpublished) novel at the age of 17 and began writing seriously in his early 20s. His first published novels were social satires, beginning with Crome Yellow (1921).

Bloomsbury set

Left to right: Bloomsbury Group members – Lady Ottoline Morrell, Maria Nys, Lytton Strachey, Duncan Grant, and Vanessa Bell.

During the First World War, Huxley spent much of his time at Garsington Manor, home of Lady Ottoline Morrell, working as a farm labourer. Here he met several Bloomsbury figures including Bertrand Russell and Clive Bell. Later, in Crome Yellow (1921) he caricatured the Garsington lifestyle. In 1919 he married Maria Nys, a Belgian woman he met at Garsington; they had one son. The family lived in Italy part of the time in the 1920s, where Huxley would visit his friend D. H. Lawrence. Following Lawrence's death in 1930, Huxley edited Lawrence's letters (1933).

Works of this period included important novels on the dehumanising aspects of scientific progress, most famously Brave New World, and on pacifist themes (for example, Eyeless in Gaza). In Brave New World Huxley portrays a society operating on the principles of mass production and Pavlovian conditioning. Huxley was strongly influenced by F. Matthias Alexander and included him as a character in Eyeless in Gaza.

Starting from this period, Huxley began to write and edit non-fiction works on pacifist issues, including Ends and Means, An Encyclopedia of Pacifism, and Pacifism and Philosophy, and was an active member of the Peace Pledge Union.[8]

The U.S.

In 1937, Huxley moved to Hollywood, with his wife Maria, son Matthew, and friend Gerald Heard. He lived in the U.S., mainly in southern California, until his death, but also for a time in Taos, New Mexico, where he wrote Ends and Means (published in 1937). In this work he examines the fact that although most people in modern civilisation agree that they want a world of "liberty, peace, justice, and brotherly love", they have not been able to agree on how to achieve it.

Heard introduced Huxley to Vedanta (Upanishad-centered philosophy), meditation, and vegetarianism through the principle of ahimsa. In 1938 Huxley befriended J. Krishnamurti, whose teachings he greatly admired. He also became a Vedantist in the circle of Hindu Swami Prabhavananda, and introduced Christopher Isherwood to this circle. Not long after, Huxley wrote his book on widely held spiritual values and ideas, The Perennial Philosophy, which discussed the teachings of renowned mystics of the world. Huxley's book affirmed a sensibility that insists there are realities beyond the generally accepted "five senses" and that there is genuine meaning for humans beyond both sensual satisfactions and sentimentalities.

Huxley became a close friend of Remsen Bird, president of Occidental College. He spent much time at the college, which is in the Eagle Rock neighbourhood of Los Angeles. The college appears as "Tarzana College" in his satirical novel After Many a Summer (1939). The novel won Huxley that year's James Tait Black Memorial Prize for fiction.[9] Huxley also incorporated Bird into the novel.

During this period Huxley earned some Hollywood income as a writer. In March 1938, his friend Anita Loos, a novelist and screenwriter, put him in touch with Metro-Goldwyn-Mayer who hired Huxley for Madame Curie which was originally to star Greta Garbo and be directed by George Cukor. (The film was eventually filmed by MGM in 1943 with a different director and stars.) Huxley received screen credit for Pride and Prejudice (1940) and was paid for his work on a number of other films, including Jane Eyre (1944).

However, his experience in Hollywood was not a success. When he wrote a synopsis of Alice in Wonderland, Walt Disney rejected it on the grounds that "he could only understand every third word".[10] Huxley's leisurely development of ideas, it seemed, was not suitable for the movie moguls, who demanded fast, dynamic dialogue above all else. For Dick Huemer, during the 1940s, Huxley went to the first of a five meetings' session to elaborate the script of Alice in Wonderland but never came again.[11] For author John Grant, although the movie's character the Caterpillar displays some characteristics familiar from Huxley's discussion of his experiments with hallucinogens, Huxley's contribution to the movie is nonexistent.[12]

On 21 October 1949, Huxley wrote to George Orwell, author of Nineteen Eighty-Four, congratulating him on "how fine and how profoundly important the book is". In his letter to Orwell, he predicted:

Within the next generation I believe that the world's leaders will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging them and kicking them into obedience.[13]

Post World War II

After the Second World War, Huxley applied for United States citizenship. His application was continuously deferred on the grounds that he would not say he would take up arms to defend the U.S. He claimed a philosophical, rather than a religious objection, and therefore was not exempt under the McCarran Act.[14] He withdrew his application. Nevertheless, he remained in the country; and in 1959 he turned down an offer of a Knight Bachelor by the Macmillan government. During the 1950s Huxley's interest in the field of psychical research grew keener, and his later works are strongly influenced by both mysticism and his experiences with psychedelic drugs.

In October 1930, the English occultist Aleister Crowley dined with Huxley in Berlin, and to this day rumours persist that Crowley introduced Huxley to peyote on that occasion.[citation needed] He was introduced to mescaline (considered to be the key active ingredient of peyote) by the psychiatrist Humphry Osmond in 1953.[15] Through Dr. Osmond, Huxley met millionaire Alfred Matthew Hubbard who would deal with LSD on a wholesale basis.[16] On 24 December 1955, Huxley took his first dose of LSD. Indeed, Huxley was a pioneer of self-directed psychedelic drug use "in a search for enlightenment", famously taking 100 micrograms of LSD as he lay dying. His psychedelic drug experiences are described in the essays The Doors of Perception (the title deriving from some lines in the book The Marriage of Heaven and Hell by William Blake), and Heaven and Hell. Some of his writings on psychedelics became frequent reading among early hippies.[17] While living in Los Angeles, Huxley was a friend of Ray Bradbury. According to Sam Weller's biography of Bradbury, the latter was dissatisfied with Huxley, especially after Huxley encouraged Bradbury to take psychedelic drugs.

Association with Vedanta

Beginning in 1939 and continuing until his death in 1963, Huxley had an extensive association with the Vedanta Society of Southern California, founded and headed by Swami Prabhavananda. Together with Gerald Heard, Christopher Isherwood, and other followers he was initiated by the Swami and was taught meditation and spiritual practices.

In 1944 Huxley wrote the introduction to the "Bhagavad Gita: The Song of God",[18] translated by Swami Prabhavanada and Christopher Isherwood, which was published by The Vedanta Society of Southern California.

From 1941 through 1960 Huxley contributed 48 articles to Vedanta and the West, published by the Society. He also served on the editorial board with Isherwood, Heard, and playwright John van Druten from 1951 through 1962.

Huxley also occasionally lectured at the Hollywood and Santa Barbara Vedanta temples. Two of those lectures have been released on CD: Knowledge and Understanding and Who Are We from 1955.

After the publication of The Doors of Perception, Huxley and the Swami disagreed about the meaning and importance of the LSD drug experience, which may have caused the relationship to cool, but Huxley continued to write articles for the Society's journal, lecture at the temple, and attend social functions.

Eyesight

With respect to details about the true quality of Huxley's eyesight at specific points in his life, there are differing accounts. Around 1939, Huxley encountered the Bates Method for better eyesight, and a teacher, Margaret Corbett, who was able to teach him in the method. In 1940, Huxley relocated from Hollywood to a 40-acre (160,000 m2) ranchito in the high desert hamlet of Llano, California, in northernmost Los Angeles County. Huxley then said that his sight improved dramatically with the Bates Method and the extreme and pure natural lighting of the southwestern American desert. He reported that for the first time in over 25 years, he was able to read without glasses and without strain. He even tried driving a car along the dirt road beside the ranch. He wrote a book about his successes with the Bates Method, The Art of Seeing, which was published in 1942 (US), 1943 (UK). It was from this period, with the publication of the generally disputed theories contained in the latter book, that a growing degree of popular controversy arose over the subject of Huxley’s eyesight.

It was, and to a noticeable extent still is, widely held that, for most of his life, since the illness in his teens which left Huxley nearly blind, that his eyesight was exceedingly poor (despite the partial recovery which had enabled him to study at Oxford). For instance, some ten years after publication of The Art of Seeing, in 1952, Bennett Cerf was present when Huxley spoke at a Hollywood banquet, wearing no glasses and apparently reading his paper from the lectern without difficulty: "Then suddenly he faltered—and the disturbing truth became obvious. He wasn't reading his address at all. He had learned it by heart. To refresh his memory he brought the paper closer and closer to his eyes. When it was only an inch or so away he still couldn't read it, and had to fish for a magnifying glass in his pocket to make the typing visible to him. It was an agonising moment."[19]

On the other hand, Huxley's second wife, Laura Archera Huxley, would later emphasise in her biographical account, This Timeless Moment: "One of the great achievements of his life: that of having regained his sight." Here, she portrays the accomplishment as both metaphorical and considerably physiological in nature, attributing that which she cites J. Krishnamurti as naming the spirit of "freedom from the known", which she suggests that Huxley applied, non-exhaustively, in writing The Art of Seeing and utilising the Bates Method. After revealing a letter she wrote to the Los Angeles Times disclaiming the label of Huxley as a "poor fellow who can hardly see" by Walter C. Alvarez, she tempers this: "Although I feel it was an injustice to treat Aldous as though he were blind, it is true there were many indications of his impaired vision. For instance, although Aldous did not wear glasses, he would quite often use a magnifying lens."[20] Laura Huxley proceeds to elaborate a few nuances of inconsistency peculiar to Huxley's vision. Her account, in this respect, is discernibly congruent with the following sample of Huxley's own words from The Art of Seeing. "The most characteristic fact about the functioning of the total organism, or any part of the organism, is that it is not constant, but highly variable." Nevertheless, the topic of Huxley’s eyesight continues to endure similar, significant controversy, regardless of how trivial a subject matter it might initially appear.[21]

Personal life

He married Maria Nys (10 September 1899 – 12 February 1955), a Belgian he met at Garsington, in 1919. They had one child, Matthew Huxley (19 April 1920 – 10 February 2005), who had a career as an author, anthropologist, and prominent epidemiologist.[22] In 1955, Maria died of breast cancer.

In 1956 he married Laura Archera (1911–2007), also an author. She wrote This Timeless Moment, a biography of Huxley. In 1960 Huxley himself was diagnosed with laryngeal cancer, and in the years that followed, with his health deteriorating, he wrote the Utopian novel Island,[23] and gave lectures on "Human Potentialities" at the Esalen Institute, which were fundamental to the forming of the Human Potential Movement.

Death

On his deathbed, unable to speak, Huxley made a written request to his wife Laura for "LSD, 100 µg, intramuscular". According to her account of his death[24] in This Timeless Moment, she obliged with an injection at 11:45 am and another a couple of hours later. He died aged 69, at 5:20 pm on 22 November 1963, several hours after the assassination of John F. Kennedy. Huxley's ashes were interred in the family grave at the Watts Cemetery, home of the Watts Mortuary Chapel in Compton, a village near Guildford, Surrey, England.[25]

Media coverage of Huxley's passing was overshadowed by the assassination of President John F. Kennedy, on the same day, and the death of the Irish author C. S. Lewis, who also died on 22 November. This coincidence was the inspiration for Peter Kreeft's book Between Heaven and Hell: A Dialog Somewhere Beyond Death with John F. Kennedy, C. S. Lewis, & Aldous Huxley. Huxley's literary legacy continues to be represented by the literary agency headed by Georges Borchardt.

Awards

Film adaptations of Huxley's work

Selected works

Novels

Short story collections

Poetry collections

  • Oxford Poetry (magazine editor) (1916)
  • The Burning Wheel (1916)
  • Jonah (1917)
  • The Defeat of Youth and Other Poems (1918)
  • Leda (1920)
  • Selected Poems (1925)
  • Arabia Infelix and Other Poems (1929)
  • The Cicadas and Other Poems (1931)
  • Collected Poems (1971, posthumous)

Essay collections

Screenplays

Travel books

Children's fiction

Drama

  • The Discovery (adapted from Francis Sheridan, 1924)
  • The World of Light (1931)
  • Mortal Coils – A Play. (Stage version of The Gioconda Smile, 1948)
  • The Genius and the Goddess (stage version, co-written with Betty Wendel, 1958)
  • The Ambassador of Captripedia (1967)
  • Now More Than Ever (Huxley's lost play discovered in 2000 in the University of Münster, Germany's Department of English Literature)

Articles written for Vedanta and the West

  • Distractions (1941)
  • Distractions II (1941)
  • Action and Contemplation (1941)
  • An Appreciation (1941)
  • The Yellow Mustard (1941)
  • Lines (1941)
  • Some Reflections of the Lord's Prayer (1941)
  • Reflections of the Lord's Prayer (1942)
  • Reflections of the Lord's Prayer II (1942)
  • Words and Reality (1942)
  • Readings in Mysticism (1942)
  • Man and Reality (1942)
  • The Magical and the Spiritual (1942)
  • Religion and Time (1943)
  • Idolatry (1943)
  • Religion and Temperament (1943)
  • A Note on the Bhagavatam (1943)
  • Seven Meditations (1943)
  • On a Sentence From Shakespeare (1944)
  • The Minimum Working Hypothesis (1944)
  • From a Notebook (1944)
  • The Philosophy of the Saints (1944)
  • That Art Thou (1945)
  • That Art Thou II (1945)
  • The Nature of the Ground (1945)
  • The Nature of the Ground II (1945)
  • God In the World (1945)
  • Origins and Consequences of Some Contemporary Thought-Patterns (1946)
  • The Sixth Patriarch (1946)
  • Some Reflections on Time (1946)
  • Reflections on Progress (1947)
  • Further Reflections on Progress (1947)
  • William Law (1947)
  • Notes on Zen (1947)
  • Give Us This Day Our Daily Bread (1948)
  • A Note on Gandhi (1948)
  • Art and Religion (1949)
  • Foreword to an Essay on the Indian Philosophy of Peace (1950)
  • A Note on Enlightenment (1952)
  • Substitutes for Liberation (1952)
  • The Desert (1954)
  • A Note on Patanjali (1954)
  • Who Are We? (1955)
  • Foreword to the Supreme Doctrine (1956)
  • Knowledge and Understanding (1956)
  • The "Inanimate" is Alive (1957)
  • Symbol and Immediate Experience (1960)

Audio Recordings on CD

Other

  • Pacifism and Philosophy (1936)
  • An Encyclopedia of Pacifism (editor, 1937)
  • Grey Eminence (1941)
  • The Devils of Loudun (1953)
  • The Politics of Ecology (1962)
  • Selected Letters (2007)

References

  1. ^ Thody, Philipe (1973). Huxley: A Biographical Introduction. Scribner. ISBN 0289701880. 
  2. ^ David King Dunaway (1998) Aldous Huxley recollected: an oral history p.90. Rowman Altamira, 1998
  3. ^ Holmes, Charles Mason (1978) Aldous Huxley and the Way to Reality. Greenwood Press, 1978, p. 5
  4. ^ Huxley, Aldous (1939). "biography and bibliography (appendix)". After Many A Summer Dies The Swan (1st Perennial Classic Ed.). Harper & Row, Publishers. p. 243. 
  5. ^ Julian Huxley 1965. Aldous Huxley 1894–1963: a Memorial Volume. Chatto & Windus, London. p. 22
  6. ^ Crick, Bernard (1992). George Orwell: A Life. London: Penguin Books. ISBN 014014563X. 
  7. ^ Baggini, Julian (2009) Atheism, A Brief insight Sterling Publishing Company, Inc., 2009
  8. ^ "Aldous Huxley". Peace Pledge Union. http://www.ppu.org.uk/people/huxley.html. Retrieved 15 May 2011. 
  9. ^ Haugrud Reiff, Raychel (2003) Aldous Huxley: Brave New World p.103. Marshall Cavendish, 2009
  10. ^ Clark, Ronald William (1968). The Huxleys. New York: McGraw-Hill. p. 295. ISBN 0434135801. 
  11. ^ David Koenig, Mouse Under Glass, p.82
  12. ^ John Grant, The Encyclopedia of Walt Disney's Animated Characters, p.233.
  13. ^ Huxley, Aldous (1969). Grover Smith. ed. Letters of Aldous Huxley. London: Chatto & Windus. ISBN 070111312X. 
  14. ^ J Derbyshire (2003). What Happened to Aldous Huxley?. The New Criterion. http://www.charlestonvt.com/Holly/BCL/MCV%20Aldous%20Huxley/Originals/Derbyshire_WhatHappened.ORG.pdf 
  15. ^ Martin, Douglas. Friday, 22 August 2008 "Humphry Osmond, 86, Who Sought Medicinal Value in Psychedelic Drugs, Dies". New York: New York Times
  16. ^ Stevens, Jay (1998). Storming heaven: LSD and the American dream. Grove Press. pp. 47–64. ISBN 0802135872. http://books.google.com/?id=rKlGAdNUDAkC&pg=PA47&dq=Storming+heaven+Noonday+Sun#v=onepage&q=. "All sorts of crazy things started happening..." 
  17. ^ Cain, Chelsea (2004). The Hippie Handbook: How to Tie-Dye a T-Shirt, Flash a Peace Sign, and Other Essential Skills for the Carefree Life. Chronicle Books. p. 167. ISBN 9780811843201. 
  18. ^ Isherwood, Christopher; Swami Prabhavananda; Aldous, Huxley (1987). Bhagavad Gita: The Song of God. Hollywood, Calif: Vedanta Press. ISBN 978-0-87481-043-1. 
  19. ^ From Bennet Cerf’s column in The Saturday Review, 12 April 1952, quoted in Gardner, Martin (1957). Fads and Fallacies in the Name of Science. Dover Publications. ISBN 0-486-20394-8. 
  20. ^ Huxley, Laura (1968). This Timeless Moment. New York: Farrar, Straus & Giroux. ISBN 0890879680. 
  21. ^ Rolfe, Lionel (1981) Literary L.A. p.50. Chronicle Books, 1981. University of California
  22. ^ "Author, NIMH Epidemiologist Matthew Huxley Dies at 84". 17 February 2005 Washington Post
  23. ^ Peter Bowering Aldous Huxley: A Study of the Major Novels, p. 197, Oxford University Press, 1969
  24. ^ "Account of Huxley's death on Letters of Note". Lettersofnote.com. 2010-03-25. http://www.lettersofnote.com/2010/03/most-beautiful-death.html. Retrieved 2011-12-19. 
  25. ^ Aldous Huxley at Find a Grave
  26. ^ Chevalier, Tracy (1997). Encyclopedia of the Essay. Routldge. p. 416. ISBN 1-57958-342-3. 
  27. ^ Bradshaw, David (1993). "Introduction". Aldous Huxley's "Those Barren Leaves" (Vintage Classics Edn., 2005). Vintage, Random House, 20 Vauxhall Brigade Road, London. xii. 
  28. ^ "Eyeless in Gaza" (1971)
  29. ^ listing in Allmusic.com
  30. ^ Note on lecturing in Santa Barbara
  31. ^ listing in Allmusic.com
  32. ^ Note on lecturing in Santa Barbara

Further reading

  • Atkins, John. Aldous Huxley: A Literary Study, J. Calder, 1956
  • Bedford, Sybille. Aldous Huxley: A Biography, Harper and Row, 1974, rev. ed., Ivan R. Dee, 2002 ISBN 1566634547
  • Dunaway, David King. Huxley in Hollywood, HarperCollins 1990, ISBN 0385415915
  • Huxley, Aldous. The Human Situation: Aldous Huxley Lectures at Santa Barbara 1959, Flamingo Modern Classic, 1994, ISBN 0006547327
  • Huxley, Laura Archera. This Timeless Moment, Celestial Arts, 2001, ISBN 0890879689
  • Meckier, Jerome. Aldous Huxley: modern satirical novelist of ideas, Firchow and Nugel editors, LIT Verlag Berlin-Hamburg-Münster, 2006, ISBN 3825896683
  • Murray, Nicholas. Aldous Huxley, Macmillan, 2003, ISBN 0312302375
  • Rolo, Charles J. (ed.). The World of Aldous Huxley, Grosset Universal Library, 1947.
  • Sexton, James (ed.). Aldous Huxley: Selected Letters, Ivan R. Dee, 2007, ISBN 1566636292
  • Sawyer, Dana. Aldous Huxley, Crossroad Publishing Co., 2002, ISBN 0824519872
  • Watt, Conrad (ed.). Aldous Huxley, Routledge, 1997, ISBN 0415159159

External links


 
 
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