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Art Encyclopedia:

Alessandro Tiarini

(b Bologna, 20 March 1577; d Bologna, 8 Feb 1668). Italian painter and draughtsman. He was the godson of the painter Lavinia Fontana and received his first training in Bologna under her father, Prospero Fontana, until the latter's death in 1597. After an unsuccessful attempt to enter the Carracci Academy, he studied for a brief period with Bartolommeo Cesi. Forced to leave Bologna because of a lawsuit, Tiarini then went to Florence, where he is documented between 1599 and 1606. There he attracted the attention of Domenico Passignano, who introduced him to the circle of Florentine proto-Baroque painters then advocating a return to a more naturalistic style of figure painting. In 1602 Tiarini took part in the fresco decoration of the cloister of S Antonio in the monastery of S Marco, under the supervision of Bernardino Poccetti and Jacopo da Empoli. Shortly afterwards he is documented as receiving several commissions throughout provincial Tuscany, including Pescia, which he visited between 1602 and 1604. These pictures, such as the Adoration of the Shepherds (c. 1605; Florence, Pitti), reveal a wide range of stylistic influences, not only from Tuscany but also from Venice and Bologna (where he may have returned for brief visits).

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Wikipedia: Alessandro Tiarini

Alessandro Tiarini (March 20 1577 - February 8, 1668) was an Italian Baroque painter of the Bolognese School.

He was born in Bologna. His mother died when he was a child, and he was raised by an aunt, and early on they tried, unsuccessfully to guide him towards becoming a cleric[1]. He was the godson of painter Lavinia Fontana and initially apprenticed in Bologna under her father Prospero Fontana, and subsequently with Bartolomeo Cesi. He was not inducted into the Carracci Academy. Forced to flee from Bologna, due to what Malvasia and Amorini describe as a quarrel leading to the death of the other party. He moved to Florence, where he painted frescoes, façade decorations, and altarpieces (1599-1606) including an Adoration of the Shepherds (Pitti Palace). In Florence, he mainly worked under Domenico Passignano, but also Bernardino Poccetti and Jacopo da Empoli.

He was lured back to Bologna and Reggio Emilia, by Ludovico Carracci. His Grieving over a dead Jesus is in the Pinacoteca Nazionale in Bologna. His masterpiece in Bologna was a series of frescoes for the Brami Chapel in the sanctuary of Basilica della Ghiara. He also painted in Cremona (1623-24). In 1628, where he painted the Story of Gerusalemme Liberata for the Farnese Palazzo del Giardino in Parma. He also painted the Raising of cross for the Oratorio della Buona Morte in Reggio, a work now presently displayed in the Galleria Estense of Modena. His closest pupils were Francesco Carbone and Luca Barbieri.


References

  1. ^ Amorini p72
  • Francis P. Smyth and John P. O'Neill (Editors in Chief (1986). in National Gallery of Art, Washington DC: The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries, 538-542. 
  • Marchese Antonio Bolognini Amorini (1843). Vite de Pittori ed Artifici Bolognesi. Tipografia Governativa alla Volpe ed Nobili, Bologna, pages 72-93. 

 
 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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