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Alfred Cortot

 
Artist: Alfred Cortot
 
Alfred Cortot
  • Country: France
  • Born: September 26, 1877 in Nyon, Switzerland
  • Died: June 15, 1962 in Lausanne, France

Biography

Pianist Alfred Denis Cortot's father was French and his mother Swiss. He studied at the Paris Conservatory with Decambes and others, winning first prize in piano in 1896. He made his debut the same year in Beethoven's Third Piano Concerto. Soon he became widely acclaimed as a performer of Beethoven concertos, appearing as a soloist in two prominent Parisian concert series. In 1898 he went to Bayreuth to study Wagner's music and was hired as a choral coach and then as an assistant conductor. Cortot brought Wagner to Paris, leading the first Paris performance of Götterdämmerung (May 1902), and a remarkable performance of Tristan und Isolde the next month. Also in 1902 he established his own concert series, the Association des Concerts A. Cortot. Although it lasted only two years, it did a lot towards breaking down the conservative French resistance to Wagner, particularly with a concert performance of Parsifal, and even the first French performances of Beethoven's Missa Solemnis and Brahms' Requiem. He also served contemporary French music by premiering works of Roussel, Magnard, and others.

In 1904 he became the conductor of the Concerts Populaires at Lille, and the following year he joined with cellist Pablo Casals and violinist Jacques Thibaud to form one of the greatest of permanently established piano trios, one which became a model of its type, touring frequently. This drew him back to the piano, which he had never given up despite his fame as a conductor. In 1907 he joined the faculty of the Paris Conservatory, teaching piano, but remained very active as a piano soloist and chamber music player. He gave up that position in 1917, feeling that his busy concert schedule had made it impossible to devote sufficient uninterrupted periods to teaching. In 1919 he founded the Ecole Normale de Musique, assembling a faculty of famous musicians. As the director, he taught a summer course in interpretation, which became famous. He continued a career performing piano around the world, including lecture recitals, and also guest conducted many orchestras. He also continued to premiere new French piano music. Cortot was a skillful and scholarly editor of great piano music, famous for his editions of most of Chopin's piano music. Cortot's teacher was a student of Chopin, and the grace of his Chopin performances, especially, remains breathtaking and should be recommended to all students of the piano; he also had a remarkable way with the music of Robert Schumann.

In 1943 Cortot founded the Chamber Music Society of the Paris Conservatory Concerts. However, his admiration for German culture served him ill when Germany occupied France between from 1940 to 1944, and he appeared to cooperate with them willingly. This led to his being shunned after the war both in France and elsewhere. By the time he returned to the concert stage, some years later, it was clear that his memory was failing. His main legacy remains in the records he made in the 1920s and 1930s. In addition, he was an avid collector and amassed, among other items, a large quantity of autograph scores and printed music. After his death, this collection was divided among several important libraries and universities; it remains an interesting view into the mind of a musician who was both a living link to Romantic Paris and a key figure of the twentieth century. ~ Joseph Stevenson, All Music Guide

Discography

Frédéric Chopin: Piano Works

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Alfred Cortot Plays Weber

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Alfred Cortot Plays Short Works

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Alfred Cortot: César Franck; Claude Debussy

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Alfred Cortot

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Alfred Cortot

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World of Chopin, Vol. 1

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Schumann: Piano Concerto In A Minor/Carnaval, Op.9/Debussy: Children's Corner/La Cathédrale Engloutie

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Alfred Cortot Plays Cesar Franck

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Chopin, Schubert, Liszt and others

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Chopin: Sonata No. 3 in B minor, Op. 58; 14 Watlzes

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Alfred Cortot

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Grand Piano: Chopin, Liszt, Beethoven, Skriabin, Saint-Saëns & Chabrier

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The Schumann Recordings (1927-1937)

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The Piano Library-Alfred Cortot

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Schubert/Mendelssohn: Piano Trios

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Schubert/Mendelssohn: Piano Trios

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Schubert: Piano Trio in Bf D898, Op99; Schumann: Piano Trio in Dm No1, Op63

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Cortot Plays Chopin

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Cortot Plays Chopin

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Chopin: Waltz in Df Op64/1, B164/1; Sonatas for piano No2

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Alfred Cortot: The Complete Acoustic Victor Recordings

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Alfred Cortot: The Complete Acoustic Victor Recordings

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Cortot plays Schumann, Vol. 2

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Alfred Cortot Plays Liszt

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Alfred Cortot: Victor Recordings of 1919-1926

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Alfred Cortot Plays French Concertos

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Cortot plays Schumann, Vol. 1

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Alfred Cortot Plays Chopin, Liszt, Ravel, Schumann

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Beethoven: Archduke Piano Trio; Schubert: Piano Trio No. 1

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Bach: Brandenburg Concertos

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Alfred Cortot plays Chopin

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Alfred Cortot plays Chopin

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Chopin Masterworks

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Chopin: 24 Preludes, Op. 28; 4 Ballades

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Alfred Cortot Plays Schumann

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Chopin: Piano Concerto n. 2, Op. 21

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Schumann: Symphonic Etudes Op13; Kreisleriana Op16

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Legendary Artists: Alfred Cortot

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Schumann: Solo Piano Works

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Chopin: 4 Ballades, Tarantelle and 14 Waltzes

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Harold Wayne Collection, Vol. 9

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Chopin: Etudes, Opp. 10 & 25; 4 Impromptus

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Schumann: Piano Concerto in Am Op54; Chopin: Concerto for piano in Fm

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Alfred Cortot

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Alfred Cortot 2

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Alfred Cortot 2

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Cortot Plays Chopin

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Cortot Plays Chopin

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Chopin: Préludes; Impromptus; Barcarolle; Berceuse

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Chopin: Préludes, Op. 28; 14 Waltzes

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Cortot Plays Chopin: The Legendary 1925-29 Recordings

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Art of Alfred Cortot

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Romantic Piano Favorites

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Chopin: Preludes & Ballades

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Schumann: Kinderszenen; Carnaval; Kreisleriana

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Alfred Cortot: The Late Recordings, Vol. 1

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Debussy: Préludes; Franck: Piano Works

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Schumann: Kinderszenen; Kreisleriana; Carnaval

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Chopin: Piano Concerto No. 2; Sonatas 2 & 3

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Alfred Cortot Plays Schumann: Etudes Symphonique

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Cesar Franck: Piano Works

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Complete Etudes Op 10 & Op 25

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Alfred Cortot: The Master Classes

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The Late Recordings, Vol. 2

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Chopin: Préludes; Impromptus; Barcarolle; Berceuse

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The Munich Recitals, 1955/1956

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Alfred Cortot: The Late Recordings, Vol. 3

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Beethoven: "Archduke" Trio; Schubert: Piano Trio

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Alfred Cortot: The Master Pianist [Box Set]

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Schumann: Piano Concerto; Kreisleriana

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Music Encyclopedia: Alfred (Denis) Cortot
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(b Nyon, 26 Sept 1877; d Lausanne, 15 June 1962). French pianist and conductor. At the Paris Conservatoire he studied first with Decombes, one of Chopin's last pupils, and soon appeared as soloist at the Colonne and Lamoureux concerts. After study at Bayreuth he conducted early French performances of Wagner and from 1902 gave concerts with the Societé de Festivals Lyriques, becoming a leading figure in French musical life. In 1905 the Cortot-Thibaud-Casals trio was formed. In 1919 he founded the Ecole Normale de Musique in Paris, where his interpretation courses became legendary. As a pianist he was remarkable for his understanding of Romantic music, especially Schumann and Chopin; he was also an ardent champion of new French music. He edited Chopin's piano music and was an avid and systematic collector.



 
Columbia Encyclopedia: Alfred Denis Cortot
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Cortot, Alfred Denis (älfrĕd' dənē' kôrtō') , 1877–1962, French pianist and conductor. Among his appearances as a conductor were those at Bayreuth (1898–1901). He joined the faculty of the Paris Conservatory in 1907 and in 1919 founded the École normale de Musique, Paris. For many years he played trios with Jacques Thibaud and Pablo Casals. As a pianist he was a noted interpreter of Schumann and Chopin.
 
Wikipedia: Alfred Cortot
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Alfred Cortot

Alfred Denis Cortot (26 September 1877 – 15 June 1962) was a Franco-Swiss pianist and conductor. He is one of the most popular 20th century musicians, especially renowned for his poetic insight in Romantic period piano works, particularly those of Chopin and Schumann.

Contents

Early life and education

Born in Nyon in the French-speaking part of Switzerland to a French father and a Swiss mother, Cortot studied at the Paris Conservatoire with Émile Descombes (an associate of Chopin) (as did Maurice Ravel), and with Louis Diémer, taking a premier prix in 1896. He made his debut at the Concerts Colonne in 1897, playing Beethoven's Piano Concerto No. 3. Between 1898 and 1901 he was a choral coach and subsequently an assistant conductor at the Bayreuth Festival. In 1902 he conducted the Paris premiere of Götterdämmerung by Wagner. He formed a concert society to perform Wagner's Parsifal, Beethoven's Missa solemnis, Brahms' German Requiem, and new works by French composers.

Career

In 1905, Cortot formed a trio with Jacques Thibaud and Pablo Casals, which established itself as the leading piano trio of its era, and probably of any era. From 1907 to 1923 Cortot taught at the Paris Conservatoire, where his pupils included Clara Haskil, Yvonne Lefébure, Dinu Lipatti, Vlado Perlemuter, and even Marguerite Monnot, French composer of most of the best songs of Édith Piaf and of the 1956 stage musical Irma la Douce. In 1919 he founded the École Normale de Musique de Paris. His courses in musical interpretation were legendary. Extremely widely traveled as a pianist, he also appeared as guest conductor of many orchestras. He died in Lausanne, Switzerland.

World War II

Controversially, he supported the German occupation in France during the Second World War (he played in Nazi-sponsored concerts, for example), serving as High Commissioner of the Fine Arts for the Vichy regime[1], and befriending Hitler's friend, architect, and (after 1942) Minister of Armaments and War Production Albert Speer[citation needed]. His Vichy connections, in particular, led to him being declared persona non grata after the Liberation. The motives for his wartime activities have been disputed; they may have arisen from nothing more than his lifelong championship of Teutonic musical culture. Moreover his wife, Clothilde Breal, daughter of the linguist, Michel Breal, was of Jewish origin and Clothilde Breal's cousin, Lise Bloch, was married to Léon Blum, the first Jew to become President du Conseil or Prime Minister in France. Cortot and the Blums maintained a close friendship. At any rate, he was banned from performing publicly for a year[1] and his public image in France suffered greatly (though he continued to be well received as a recitalist in other countries, notably Italy and England).

Contribution

As one of the most celebrated piano interpreters of Chopin and Schumann, Cortot made editions of both those composers' music which were notable for his own meticulous commentary on technical problems and matters of interpretation. He had famous memory lapses in concert (particularly notable from the 1940s onwards, when non-musical matters were very much on his mind) and occasionally left wrong notes on his records. Such finger slips are in stark contrast to the technically flawless performances of his celebrated student, Dinu Lipatti. However, when Cortot was in form, which more often than not he was, he showed a brilliant technique which could handle almost any kind of pianistic firework. This gift is evident in his legendary recordings of Liszt's Sonata in B minor and Saint-Saëns' Etude en Forme de Valse.

Cortot also wrote a good deal of didactic prose, including a piano primer: Rational Principles of Pianoforte Technique. This book contains many finger exercises to aid in the development of various aspects of piano playing technique. It was originally written in French but has long since been translated into other languages.

Technical flaws notwithstanding, Cortot was among the very greatest musicians of the century, and represented the end of an era. He is considered the last exponent of a personal, subjective style that deprecated precise technique in favour of intuition, interpretation and authentic spirit. This approach was replaced by the modern "scientific" way of playing, which places logic and precision at the forefront and equates authenticity with metronomic and literal "interpretations".[citation needed] Cortot's recordings and musical annotations have seldom been out of print.

In his early years (approx. 1920-1930) Cortot recorded a number of piano rolls for the Aeolian/ Duo-Art company, since 78rpm discs were not always satisfactory in quality or maximum duration of the recording. Once he performed a Liszt Rhapsody weaving his own playing live at the piano with its mechanical reproduction. With eyes closed some critics could not distinguish between the two. In later years Cortot of course switched to disc technology; and he recorded right up to 1957, only five years before his death. By then he made errors even more often, but retained his specially eloquent phrasing and the free, romantic performing manner for which he was famous.

Notes

  1. ^ a b David Dubal booklet to Nimbus Records release of Duo-Art piano rolls [1]

Bibliography

  • Cortot, Alfred, La musique française de piano, 1930–48
  • —, Cours d’interprétation, 1934 (Studies in Musical Interpretation, 1937)
  • —, Aspects de Chopin, 1949 (In Search of Chopin, 1951)
  • Gavoty, Bernard, Alfred Cortot, 1977 (French)
  • Manshardt, Thomas, Aspects of Cortot, 1994

External links

Recordings


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Alfred Cortot" Read more