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Alfred Waterhouse

 
Art Encyclopedia: Alfred Waterhouse

(b Aigburth, Liverpool, 19 July 1830; d Yattendon, Berks, 22 Sept 1905). English architect, furniture designer and painter. In financial terms he was probably the most successful architect of the 19th century, and his office, of a dozen or so full-time staff, was able to produce large quantities of high-quality drawings with speed and efficiency. His skill in planning was recognized at an early stage, but appreciation of his stylistic achievement has been slower. He was influenced by Ruskin and A. W. N. Pugin, as well as by the more practical approach of George Gilbert Scott, but he developed his own approach to the composition of forms and a preference for bold simple ornament to match the increasing scale of his buildings. He did not confine himself to a single style but was adept in Gothic and, later, free Renaissance styles, and he developed a preference for the neo-Romanesque. He distinguished between carved or moulded ornament on plain stone and decorative materials such as veined marble, which he generally left unornamented. His concern for hard-wearing surface materials led him to adopt terracotta as a facing material, in which he was both a pioneer and protagonist. His sensitive handling of materials approached the aims of the Arts and Crafts Movement, but he always accepted that building was an industrial process. His buildings are characterized by sound planning and bold and picturesque outline, with particular attention given to the skyline in urban buildings.

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Architecture and Landscaping: Alfred Waterhouse
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(1830–1905)

English architect. A master of rational planning, he made his reputation as the designer of several important secular buildings, starting with the Gothic Revival Assize Courts, Manchester (demolished), which he won in competition (1858–9), and gained the approbation of Ruskin. He consolidated his position by almost winning the competition to design the Royal Courts of Justice, London (1866–7—the buildings were erected to designs by Street), and by his success in the competition (1867–8) to design the brilliantly planned Gothic Revival Town Hall in Manchester (1869–77). Waterhouse designed numerous university buildings including the Master's Lodge and Broad-Street Front, Balliol College, Oxford (1866–9—Gothic Revival), the French Renaissance Revival Tree Court, Gonville and Caius College, Cambridge (1868–70), and the Gothic Owen's College (now the University), Manchester (1869–88). Interested in experimentation, he used hard terracottas, bricks, and faïences, as in the Natural History Museum, London (1873–81—much influenced by German (especially Rhineland) Romanesque architecture), the Gothic Prudential Assurance Building, Holborn, London (1878–1906), and the Free Rundbogenstil Congregationalist Churches at Lyndhurst Road, Hampstead (1883), and King's Weigh House, Duke Street, Mayfair, London (1889–91). His National Liberal Club, London (1885–7), was in a mixture of Romanesque and Italian and French Renaissance styles, said at the time to reflect the uneasy pot-pourri of disparate opinions within the Liberal Party. The spectacular Eaton Hall, Cheshire (1870–83), seat of the Dukes of Westminster, was demolished in 1961, and was his largest country-house. He also designed the Tudor Revival Blackmoor House and Gothic Revival Church, Blackmoor, Hants. (1868–72). His son, Paul (1861–1924), studied with him, became his partner in 1891, completed his father's University College Hospital, Gower Street, London, and added the Medical School and Nurses' Home (1905). Paul Waterhouse's other works included the Whitworth Hall, University of Manchester (1902) and New Buildings, College Road, University of Leeds (1907–8). Paul Waterhouse was succeeded in the practice by his son, Michael (1889–1968).

Bibliography

  • Axon (1878)
  • C.Cunningham (2001)
  • C.Cunningham & Waterhouse (1992)
  • D&M (1985)
  • Eastlake (1970)
  • J. Fawcett (ed.) (1976)
  • Girouard (1990)
  • A. S. Gray (1985)
  • Hitchcock (1977)
  • Maltby et al. (1983)
  • Oxford Dictionary of National Biography (2004)
  • Placzek (ed.) (1982)
  • Sheppard (ed.) (1975)
  • Jane Turner (1996)
  • Waterhouse (1867)

The full bibliography for this book is available to download as a pdf file.
Download the bibliography for A Dictionary of Architecture and Landscape Architecture (PDF: 1.2MB)

 
Columbia Encyclopedia: Alfred Waterhouse
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Waterhouse, Alfred, 1830-1905, English architect. He won competitions for the Manchester assize court (1859) and the Manchester city hall (1868). This work placed him in the forefront of the Victorian Gothic revival. His most important work, the Natural History Museum, South Kensington, in a modified Romanesque style, was notable for its revival of the use of terra-cotta. Waterhouse also executed important buildings for Balliol College, Oxford; Pembroke College, Cambridge; Prudential Assurance Company, Holborn, London; and the City and Guilds College, South Kensington (1881).
Wikipedia: Alfred Waterhouse
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Alfred Waterhouse
Elliott & Fry12.jpg
Alfred Waterhouse
Personal information
Name Alfred Waterhouse
Nationality British
Birth date 19 July 1830(1830-07-19)
Birth place Liverpool, UK
Date of death 22 August 1905 (aged 75)
Place of death Yattendon, Berkshire, UK
Work
Significant buildings Natural History Museum, London
Manchester Town Hall

Alfred Waterhouse (19 July 1830 – 22 August 1905) was a British architect, particularly associated with the Victorian Gothic revival. He is perhaps best known for his design for the Natural History Museum in London, although he also built a wide variety of other buildings throughout the country. Financially speaking, Waterhouse was probably the most successful of all Victorian architects. Though expert within Gothic and Renaissance styles, Waterhouse never limited himself to a single architectural style.

Contents

Early life

Waterhouse was born on the 19th July 1830 in Aigburth, Liverpool, the son of wealthy mill-owning Quaker parents. His brothers were accountant Edwin Waterhouse, co-founder of the Price Waterhouse partnership that now forms part of PriceWaterhouseCoopers,and solicitor Theodore Waterhouse, who founded the firm of Waterhouse & Co. that continues to practise in the City of London.[1][2]

Alfred Waterhouse was educated at the Quaker run Grove School in Tottenham near London. He studied architecture under Richard Lane in Manchester, and spent much of his youth travelling in Europe and studying in France, Italy and Germany. Upon his return to England, Alfred set up his own architectural practice in Manchester.[1]

Manchester practice

Illustration of the Manchester Assize courts from Charles Eastlake's History of the Gothic Revival.

Waterhouse continued to practise in Manchester for 12 years, until moving his practice to London in 1865. Waterhouse's earliest commissions were for domestic buildings, but his success as a designer of public buildings was assured in 1859 when he won the open competition for the Manchester Assize Courts (now demolished). This work not only showed his ability to plan a complicated building on a large scale, but also marked him out as a champion of the Gothic cause.[3]

In 1860, he married Elizabeth Hodgkin (1834-1918), the sister of the historian Thomas Hodgkin.[4]

Waterhouse had connections with wealthy Quaker industrialist through schooling, marriage and religious affiliation. Many of these Quaker connections commissioned him to design and build country mansions, especially in the areas near Darlington. Several of these were built for members of the Backhouse family, founders of Backhouse's Bank, a forerunner of Barclays Bank. For Alfred Backhouse, Waterhouse built Pilmore Hall (1863), now known as Rockliffe Hall, in Hurworth-on-Tees. In the same village he built The Grange (1875), now known as Hurworth Grange Community Centre, which Alfred Backhouse had commissioned as a wedding gift for his nephew, James. E. Backhouse. Another Backhouse family mansion designed and built by Waterhouse was Dryderdale Hall (1872), near Hamsterley, which many might recognize as the home of Cyril Kinnear in the movie Get Carter.[5]

London practice

In 1865, Waterhouse was one of the architects selected to compete for the Royal Courts of Justice. The new University Club of New York was undertaken in 1866. In 1868 and nine years after his work on the Manchester Assize Courts, another competition secured for Waterhouse the design of Manchester Town Hall, where he was able to show a firmer and more original handling of the Gothic style. The same year he was involved in rebuilding part of Caius College, Cambridge; this was not his first university work, for he had already worked on Balliol College, Oxford in 1867, and the new buildings of the Cambridge Union Society, in 1866.[3]

At Caius, out of deference to the Renaissance treatment of the older parts of the college, this Gothic element was intentionally mingled with classic detail, while Balliol and Pembroke College, Cambridge, which followed in 1871, are typical of the style of his mid career with Gothic tradition tempered by individual taste and by adaptation to modern needs. Girton College, Cambridge, a building of simpler type, dates originally from the same period (1870), but has been periodically enlarged by further buildings. Two important domestic works were undertaken in 1870 and 1871 respectively — Eaton Hall in Cheshire for the Duke of Westminster, and Heythrop Hall, Oxfordshire, the latter a restoration of a fairly strict classic type.[3]

The Natural History Museum has an ornate terracotta facade typical of high Victorian architecture.

Waterhouse received, without competition, the commission to build the Natural History Museum in South Kensington (1873–1881), a design which marks an epoch in the modern use of architectural terracotta and which was to become his best known work. Waterhouse's other works in London included the National Liberal Club (a study in Renaissance composition), University College Hospital, the Surveyors' Institution in London's Great George Street (1896), and the Jenner Institute of Preventive Medicine in Chelsea (1895).[3]

From the late 1860s, Waterhouse lived in the Reading area and was responsible for several significant buildings there. These included his own residences of Foxhill House (1868) and Yattendon Court (1877), together with Reading Town Hall (1875) and Reading School (1870). Foxhill House is still in use by the University of Reading, as are his Whiteknights House (built for his father) and East Thorpe House (built in 1880 for Alfred Palmer).[1]

For the Prudential Assurance Company, Waterhouse designed many offices, including their Holborn Bars head office in Holborn and branch offices in Southampton, Nottingham and Leeds. He also designed offices for the National Provincial Bank in Piccadilly (1892) and in Manchester. The Liverpool Infirmary was Waterhouse's largest hospital; and St. Mary's Hospital in Manchester, the Alexandra Hospital in Rhyl, and extensive additions at the Nottingham General Hospital, also involved him. He was involved in a series of works for the Victoria University of Manchester, of which he was made LL.D. in 1895.[3]

Holborn Bars

Other educational buildings designed by Waterhouse include Yorkshire College, Leeds (1878), the Victoria Building for the Liverpool University College (now University of Liverpool) (1885), St Paul's School in Hammersmith (1881-4; demolished 1968); and the Central Technical College in London's Exhibition Road (1881).[3]

Among works not already mentioned are the Cambridge Union building and subsequently a similar building for the Oxford Union; Strangeways Prison; St Margaret's School, Bushey; the Metropole Hotel in Brighton; Hove Town Hall; Knutsford town hall; Alloa Town Hall; St. Elisabeth's church in Reddish; Heaton Park Congregational Church in Prestwich, Darlington town clock, covered market hall and Backhouse's Bank (now Barclay's Bank); the King's Weigh House chapel in Mayfair, Hutton Hall in Yorkshire, St. Mary's Church in Twyford, Hampshire (1878) shows interestingly similar patterning to the Natural History Museum and was designed at the same time.[3]

Recognition

Waterhouse became a fellow of the Royal Institute of British Architects in 1861, and was President from 1888 to 1891. He obtained a grand prix for architecture at the Paris Exposition of 1867, and a "Rappel" in 1878. In the same year he received the Royal Gold Medal of the Royal Institute of British Architects, and was made an associate of the Royal Academy, of which body he became a full member in 1885 and treasurer in 1898. He was also a member of the academies of Vienna (1869), Brussels (1886), Antwerp (1887), Milan (1888) and Berlin (1889), and a corresponding member of the Institut de France (1893). After 1886 he was constantly called upon to act as assessor in architectural competitions, and was a member of the international jury appointed to adjudicate on the designs for the west front of Milan Cathedral in 1887. In 1890 he served as architectural member of the Royal Commission on the proposed enlargement of Westminster Abbey as a place of burial.[3]

Later life

A memorial to Waterhouse at Yattendon, Berkshire.

Waterhouse retired from architecture in 1902, having practised in partnership with his son, Paul Waterhouse, from 1891. He died at Yattendon Court on the 22 August 1905.[1][3]

See also

References

External links


 
 

 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Architecture and Landscaping. A Dictionary of Architecture and Landscape Architecture. Copyright © 1999, 2006 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Alfred Waterhouse" Read more