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Art Encyclopedia:

Alighiero Boetti

(b Turin, 16 Dec 1940; d Rome, April 1994). Italian conceptual artist and writer. According to his own mythologized account, his fascination with the qualities of ordinary materials began during childhood. Although the extent of any orthodox artistic training remains unrecorded, by 1964 he was making objects and silhouette paintings of familiar items, influenced by such Turinese contemporaries as Michelangelo Pistoletto and Mario Merz. His first one-man show (1967; Turin, Gal. Stein) included large objects made from materials such as corrugated cardboard, whose very ordinariness undermined orthodox notions of art. From the outset he participated in ARTE POVERA exhibitions and Happenings, in which a generation of Italian conceptual artists reinvented a world then in political turmoil. Boetti's self-reflexive brand of Arte Povera was typified by his notional 'twinning': by cutting a second image of himself into a photographic self-portrait (Twins, 1968; see 1986-7 exh. cat., p. 19) and by inserting 'e' ('and') between his names, stimulating a dialectic exchange between these two selves. Boetti's major project of the 1970s was The 1000 Longest Rivers of the World. He published the randomly poetic results in a catalogue and inscribed them on a related canvas (1970-77; see Boetti, 1978, p. 41). Several other alphabetical or sequential pieces explored esoteric signs and language as classifier. International travels broadened his vision, reflected in Map (1971; see Boetti, 1978, p. 37), with countries filled with their flags, and in the group of brightly coloured tapestry squares, each containing a letter, made by traditional means in Afghanistan. The random massing of the 100 versions of ORDINE DISORDINE (each 175*175 mm, 1973; artist's col.) was most effective in summarizing a world vision of polarities. During the 1980s the chaos of mass culture was suggested in larger tapestries crammed with heterogeneous details.

See the Abbreviations for further details.



 
 
Wikipedia: Alighiero Boetti

Alighiero Boetti (a/k/a Alighiero e Boetti), (b. 1940, Turin; d. 1994, Rome) is an Italian conceptual artist, considered to be a member of the art movement Arte Povera.

Career

Alighiero Boetti, an autodidact, was a prolific artist, whose career began in the early 1960s, when he was associated with other Italian artists who have become known under the label Arte Povera, a term coined by Italian art critic Germano Celant. Boetti worked with a wide array of materials, tools, and techniques, including cement, cloth, electric light, wood, pall pen (Biro), and even the postal system. Some of Boetti's artistic strategies are considered typical for the Arte Povera (literally, "poor art") movement, namely the use the most modest of materials and techniques to create works of art, so as to take art off its pedestal of attributed "dignity". Boetti also took a keen interest in the relationship between chance and order, in various systems of classification (grids, maps, etc.), and non-Western traditions and cultural practices.

An example of his Arte Povera work is Yearly Lamp (1966), a light bulb in a wooden box, which randomly switches itself on for eleven seconds each year. This work focuses both on the transformative powers of energy, and on the possibilities and limitations of chance - the likelihood of a viewer being present at the moment of illumination is remote.

Boetti disassociated himself from the Arte Povera movement in the early 1970s, without, however, completely abandoning some of its democratic, anti-elitist, strategies. He renamed himself as a dual persona Alighiero e Boetti (“Alighiero and Boetti”) reflecting the opposing factors presented in his work: the individual and society, error and perfection, order and disorder.

Boetti often collaborated with other people, both artists and non-artists, giving them significant freedom in their contributions to his works. For instance, one of the better known types of his works consists of colored letters embroidered in grids ("arrazzi") on canvases of varying sizes, the letters upon closer inspection reading as short phrases in Italian, for instance Ordine e Disordine ("Order and Disorder" or: "Order is Disorder") or Fuso Ma Non Confuso ("I fuse but I don't confuse"), or similar truisms and wordplays. To create these pictures, Boetti worked with artisan embroiderers in Afghanistan and Pakistan, to whom he gave his designs but increasingly handed over the process of selecting and combining the colors and thus deciding the final look of the work.

Similarly, in the lavori biro ball pen paintings, he would invite friends and acquaintances, to fill large colored sections of the work by ball pen, typically alternating between a man and a woman.

Perhaps best known is his series of large embroidered maps of the world, also created in collaboration with Afghan and Pakistani crafts-workers. The maps delineate the political boundaries of the countries, with each of them being embroidered with the design of its national flag. A chief example of this series, Mappa del Mondo, 1989 ("Map of the World, 1989"), is on view in the permanent collection of the Museum of Modern Art in New York (see Key Works).

Select Exhibitions

Alighiero Boetti 1965 - 1994 - Galleria Civica d'Arte Moderna e Contemporanea, Turin, Italy, 1996. Also at Musée d'Art Moderne, Villeneuve s'Ascq, and Museum moderner Kunst Stiftung Ludwig, Vienna. Catalogue

Alighiero Boetti: Mettere al mondo il mondo ("Bringing the World into the World") - Museum für Moderne Kunst, Frankfurt am Main, Germany, and Galerie Jahrhunderthalle Hoechst, Germany, 1998. Catalogue, edited by Rolf Lauter (see Literature)

Zero to Infinity, Arte Povera 1962-1972 - Tate Modern, London, 2001 [1], Walker Center for the Arts, Minneapolis, MI, 2002 [2]

When 1 is 2: The Art of Alighiero e Boetti - Contemporary Arts Museum, Houston, TX, 2002. Catalogue (see Literature)

Key Works (Selection)

  • Mappa del Mondo, 1989 ("Map of the World, 1989"), Afghan embroidery on fabric, Collection of the Museum of Modern Art, New York [3] (image)
  • Tutto ("Everything"), 1993, Afghan embroidery on fabric, collection of the Museum of Modern Art in Frankfurt am Main, Germany [4] (no image available).

Literature

  • Rolf Lauter, Alighiero e Boetti: Mettere il mondo al mondo (Hatje Cantz Verlag, 1988, in German, catalogue for exhibtion Mettere al mondo il mondo).
  • Annelie Pohlen, Alighiero e Boetti - 1965 bis 1991, (Bonner Kunstverein, 1992, in German)
  • Jean-Christophe Ammann, Alighiero e Boetti - 1965-1994 (Edizioni Mazzotta, 1996, in Italian)
  • Collaboration Parkett No. 24 (art magazine, Parkett Verlag Zurich, Switzerland, 1990, in German and English).
  • Paola Morsiani and Barry Schwabsky (eds.), When 1 is 2: The Art of Alighiero e Boetti, 2002, 112 pages, 33 color, 40 black-and-white reproductions. ISBN 0-936080-75-2

External links

Wikiquote has a collection of quotations related to:
  • Website of the Alighiero Boetti Foundation (Fondazione Alighiero Boetti), in Italian: [5]
  • Website of the Alighiero Boetti Archives (Archivio Alighiero Boetti), in English and Italian: [6]
  • Unofficial website devoted to Alighiero e Boetti and his work, in Italian: [7]
  • More examples of Alighiero e Boetti's work, including lavori biro and embroideries, from the website of the Sperone Westwater Gallery in New York: [8]pms:Alighiero Boetti

 
 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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