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Alphonse Bertillon

 
Biography: Alphonse Bertillon

The French criminologist Alphonse Bertillon (1853-1914) was the inventor of the first scientific method of identifying criminals.

Alphonse Bertillon was born in Paris on April 24, 1853. He was the son of Louis Adolphe Bertillon, a physican and statistician. Because of Alphonse's poor scholarship, his father sent him to Great Britain, where he was forced to rely on his own resources. Returning to France, he was inducted into the army.

In 1879, having completed his service, he took a minor clerk's job with the Paris Prefecture of Police. One of his duties was to copy onto small cards the recorded descriptions of the criminals apprehended each day. Bertillon realized that the short descriptions he was laboriously re-recording were practically useless for the purpose of identifying recidivists, or criminal repeaters. He had a general familiarity with anthropological statistics and anthropometric techniques because of the work of his father and his elder brother Jacques, a doctor and statistician. Bertillon devised a system of identification of criminals which relies on 11 bodily measurements and the color of the eyes, hair, and skin. He added standardized photographs of the criminals to his anthropometric data. He first described his system in Photography: With an Appendix on Anthropometrical Classification and Identification (1890). The Bertillon system proved successful in distinguishing first-time offenders from recidivists, and it was adopted by all advanced countries.

It is commonly believed that Bertillon was the first to recognize the value of fingerprints. He was not; that achievement must be associated with Sir Francis Galton, Edward Henry, and Juan Vucetich. However, Bertillon was the first on the Continent to use fingerprints to solve a crime.

In 1888 the Department of Judicial Identity was created for the Paris prefecture of Police, and Bertillon became its head. He invented many techniques useful to criminologists. His use of photography was especially effective, and he did much to improve photographic techniques in criminology. Around the turn of the century, fingerprinting began to replace the Bertillon system and has now superseded it throughout the world.

Bertillon died on Feb. 13, 1914, in Paris. His anthropometric method of identifying recidivists represented a first step toward scientific criminology. It is said that his work played an important role in inspiring greater confidence in police authorities and in establishing a more favorable sense of justice toward the end of the 19th century.

Further Reading

An overly imaginative but useful work on Bertillon is Henry T. F. Rhodes, Alphonse Bertillon, Father of Scientific Detection (1956). Background studies placing Bertillon's work in perspective include George W. Wilton, Fingerprints: History, Law and Romance (1938); Charles E. Chapel, Fingerprinting: A Manual of Identification (1941); and Frederick R. Cherrill, The Fingerprint System at Scotland Yard (1954).

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Photography Encyclopedia: Alphonse Bertillon
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Bertillon, Alphonse (1853-1914), French photographer who worked for the Paris police from 1879 to 1914 and pioneered the use of full-face and profile portraits for identification purposes. He was trained in physical anthropology, and many of his ideas were forged in 19th-century debates about degeneration and the ‘criminal type’ to which Francis Galton and Cesare Lombroso (1836-1909) also contributed.

Until Bertillon, despite initiatives in several countries (usually involving commercial or commercial-type pictures), no police or judicial service had a systematic method for using photographs as part of their records. Initially Bertillon was less interested in photography than he was in anthropometry. He recognized that the main problems in identification of criminals lay not in making good photographic likenesses, but in being able to classify or compare them. Bertillonage, as it came to be known, offered from 1883 a simple card-based system complemented by a systematic photographic technique of strict uniformity which could be practised throughout the judicial system. The card listed a range of physical characteristics including cranial measurements, ear, lip, and nose shape, iris colour, and, from 1892, fingerprints, to supplement exact one-seventh scale photographs. This system went much further than previous ones in solving problems of ageing, disguise, and data retrieval. A related procedure was applied to crime scenes, which Bertillon evolved from the photometric methods developed in the 1890s for military surveying and mapping. Though Bertillon's card system was widely used, and his handbook, La Photographie judiciaire (1890), became a classic, his personal reputation suffered from foolhardy involvement as a handwriting ‘expert’ in the Dreyfus Affair (1894-1906). After Zola's famous ‘J’accuse' article of 1895, his questionable judgement became a cause célèbre.

— Peter Hamilton

Bibliography

  • Rhodes, H. T. F., Alphonse Bertillon: Father of Scientific Detection (1956).
  • Hamilton, P., and Hargreaves, R., The Beautiful and the Damned: The Creation of Identity in Nineteenth-Century Photography (2001)
WordNet: Alphonse Bertillon
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Note: click on a word meaning below to see its connections and related words.

The noun has one meaning:

Meaning #1: French criminologist (1853-1914)
  Synonym: Bertillon


Wikipedia: Alphonse Bertillon
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Alfonso Bertillon

Born April 24, 1853(1853-04-24)
Paris, France
Died February 13, 1914 (aged 60)
Münsterlingen, Switzerland
Occupation law enforcement officer and biometrics researcher
Parents Louis Bertillon (father)

Alphonse Bertillon (April 24, 1853February 13, 1914) was a French police officer and biometrics researcher who created anthropometry, an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals. Before that time, criminals could only be identified based on unreliable eyewitness accounts. The method was eventually supplanted by fingerprinting,[1] but "his other contributions like the mug shot and the systematisation of crime-scene photography remain in place to this day."[2]

Bertillon was born in Paris.[3] He was a son of statistician Louis-Adolphe Bertillon and younger brother of the statistician and demographer Jacques Bertillon.

After being expelled from the Imperial Lycée of Versaille, Bertillon drifted through a number of jobs in England and France, before being conscripted into the French army in 1875. Several years later, he was discharged from the army with no real higher education, so his father arranged for his employment in a low-level clerical job at the Prefecture of Police in Paris. Thus, Bertillon began his police career on March 15, 1879 as a department copyist.

Being an orderly man, he was dissatisfied with the ad hoc methods used to identify captured criminals who had been arrested before. This motivated his invention of anthropometrics. His road to fame was a protracted and hard one, as he was forced to do his measurements in his spare time. He used the famous La Santé Prison in Paris for his activities, facing jeers from the prison inmates as well as police officers.

Frontispiece from Bertillon's Identification anthropométrique (1893), demonstrating the measurements needed for his anthropometric identification system.

In 1882 Bertillon decided to show a criminal identification system known as anthropometry but later also known as Bertillonage in honor of its creator. In this system the person was identified by measurement of the head and body, individual markings - tattoos, scars - and personality characteristics. The measurements were made into a formula that would apply to only one person and would not change. He used it in 1884 to identify 241 multiple offenders, and the system was quickly adopted widely by American and British police forces. Part of its benefit was that by arranging the records carefully, it would be very easy to sift through a large number of records quickly given a few measurements from the person to be identified. While it might not always give an exact match, it would allow one to narrow the pool of possible people and then to compare the person with a photograph.

The system was eventually found to be flawed, however, because often two different officers made their measurements in slightly different ways and would not obtain the same numbers. Measurements could also change as the criminal aged. It also could identify two individuals as the same person, unlike fingerprinting. Allegedly, in 1903, a man named Will West, arrested in Kansas, was found with anthropometrics to have been previously arrested, but fingerprinting—first used to secure a conviction in the modern era in the case of an Argentine murder of 1897—seemed the only way to differentiate the two records.

The system was widely used by French police and in other European countries. In France it was popular enough that it was widely used even after the advent of fingerprinting. One audacious member of the Bonnot gang sent police his fingerprints because he knew they did not have them, just his physical measurements.

Bertillon was a witness for the prosecution in the Dreyfus Affair in 1894 and again in 1899. He testified as a handwriting expert and claimed that Alfred Dreyfus had written the incriminating documents. However, he was not a handwriting expert, and his convoluted and flawed evidence was a significant contributing factor to one of the most infamous miscarriages of justice - the condemnation of the innocent Dreyfus - to life imprisonment on Devil's Island. Bertillon was by many accounts regarded as extremely eccentric. According to Maurice Paleologue, who observed him at the second court-martial, Bertillon was "certainly not in full possession of his faculties". Paleologue goes on to describe Bertillon's argument as "a long tissue of absurdities", and writes of "his moonstruck eyes, his sepulchral voice, the saturnine magnetism" which made him feel that he was "in the presence of a necromancer". [4]

Bertillon also standardized the criminal mug shot and the evidence picture. He developed "metric photography", which he intended to use to reconstruct the dimensions of a particular space and the placement of objects in it. Crime scene pictures were taken before the scene was disturbed in any way. He used mats printed with metric frames that were mounted along the side of the photographs. Photographs pictured front and side views of a particular object.

Bertillon also created many other forensics techniques, including forensic document examination, the use of galvanoplastic compounds to preserve footprints, ballistics, and the dynamometer, used to determine the degree of force used in breaking and entering.

Bertillon died February 13, 1914 in Münsterlingen, Switzerland.

Bertillon is referenced in the Sherlock Holmes story The Hound of the Baskervilles, in which one of Holmes's clients refers to Holmes as the "second highest expert in Europe" after Bertillon. Also, in The Naval Treaty, speaking of the Bertillon system of measurements Holmes himself "...expressed his enthusiastic admiration of the French savant". In the Arsène Lupin story The Escape of Arsène Lupin by Maurice Leblanc, Lupin escapes by exploiting the same flaws in anthropometry that led to its eventual disuse.

Bertillon is also referenced in the Caleb Carr novel The Alienist. The Isaacson brothers, who are detectives, mention that they are trained in Bertillon system.

Illustration from "The Speaking Portrait" (Pearson's Magazine, Vol XI, January to June 1901) demonstrating the principles of Bertillon's anthropometry.

Notes

  1. ^ As reported in, "A Fingerprint Fable: The Will and William West Case". http://www.scafo.org/library/110105.html
  2. ^ Kirsten Moana Thompson, Crime Films: Investigating the Scene. London: Wallflower Press (2007): 10
  3. ^ Henry T.F. Rhodes, Alphonse Bertillon: Father of Scientific Detection. New York: Abelard-Schuman (1956): 27
  4. ^ Maurice Paleologue, My Secret Diary of the Dreyfus Case, Secker and Warburg, 1957 (page 197)

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Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Photography Encyclopedia. The Oxford Companion to the Photograph. Copyright © 2005 by Oxford University Press. All rights reserved.  Read more
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