Alternative comedy

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Alternative comedy

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Alternative comedy is a term that originated in the 1980s for a style of comedy[1][2] that makes a conscious break with the mainstream comedic style of an era,[3] and typically avoids relying on a standardised structure of a sequence of jokes with punch lines. Patton Oswalt defines it as "comedy where the audience has no pre-set expectations about the crowd, and vice versa. In comedy clubs, there tends to be a certain vibe—alternative comedy explores different types of material."[4]

Contents

United Kingdom

The Official History of London's Comedy Store credits comedian and author Tony Allen[5] with coining the term, though in his autobiography, the late Malcolm Hardee claims to have coined the term in 1978[6].

Alternative comedy came to describe an approach to stand-up comedy that was neither racist nor sexist but free-form and devised by the performers themselves. This style won out in a 'civil war' [7] against more traditional comedians who had initially played London's Comedy Store, Soho, from its opening in May 1979.

Traditional club comics of the time had been reliant on trite jokes which often targeted women and minority groups.[8] The alternative that developed was more like comedy's answer to punk.[9]

Alexi Sayle, the Comedy Store's first MC, provided angry character comedy satirising the left. Fellow-MC Tony Allen broke the taboos of personal and sexual politics while actor Keith Allen confronted audiences in a fearless series of 'put-ons' and was a big influence on the early cabaret scene that was about to emerge.[10]

From of these onstage battles, Tony Allen and Alexi Sayle founded "Alternative Cabaret",[11] with other Comedy Store regulars. Their aim was to establish several alternative comedy clubs in London in addition to their flagship venue at The Elgin, Ladbroke Grove, from August 1979. Its core members were Jim Barclay, Andy De La Tour and Pauline Melville, stand ups who shared a background in radical fringe theatre.[12]

The pair also brought alternative stand up to the Edinburgh Festival for the first time in August 1980[13] with "Late Night Alternative", at the Heriot Watt Theatre.[14] Returning with a full show in 1981, 'Alternative Cabaret' was the critical comedy hit of that year.[8] The Comedy Store now began advertising itself as 'The Home of Alternative Comedy' [15] with 'Alternative Cabaret' listed by London's weekly Entertainment Guide, Time Out as its main show.[16]

Those tours established the idea of running comedy shows in small venues around London, and thus sowed the seeds of the network of pub-based gigs that grew in the capital and across the UK throughout the 1980s.[7]

The new comedy got its own section, 'Cabaret', in Listings magazines, first in 'City Limits' followed by 'Time Out' on 21 January 1983.[17] Other organisations, comics and entrepreneurs including, Maria Kempinska's Jongleurs and Roland and Clare Muldoon's CAST/New Variety added more regular venues bringing the number of gigs per week from 24 in '83 to 69 by 1987.[18]

Just about every major British stand up comedian in the last thirty years started their career in alternative comedy clubs, including Ben Elton, Jo Brand, Jack Dee, Lee Evans, Eddie Izzard, Harry Hill, Peter Kay, Jimmy Carr and Ross Noble.[19]

Meanwhile, other comics had left the Store with Peter Richardson to form The Comic Strip performing 'Comedy Cabaret' featuring double acts and sketch comedy, at The Boulevard Theatre, Soho in October 1980.

The Comic Strip included Manchester University and Drama School graduates Rik Mayall, Ade Edmondson, Nigel Planer and French and Saunders and aimed their talents at television. Ben Elton, who then became The Store's next MC also became co-writer of BBC2's TV hit The Young Ones - as author William Cook noted, "After The Young Ones made him Alternative Comedy's hidden voice, Saturday Live (Channel 4) made him its most visible face."[5] As 'The Comic Strip Presents..', the team altogether made 42 TV Movies for Channel 4 and the BBC.

If Tony Allen, nicknamed by comics and critics as 'The Godfather of Alternative Comedy'[8] "was the theory of anarchic comedy" wrote comic Arthur Smith, "then Malcolm Hardee was its cock-eyed embodiment".[8] Hardee was the much loved MC at the Tunnel Palladium, The Mitre, Deptford 1984-89 whose audience were famous for their vocal participation and wit. There he influenced the early careers of Vic Reeves and Bob Mortimer, Simon Day, Chris Lynam, Martin Soan, Harry Enfield and many others to whom he gave their first gigs. He also found fame himself as part of 'The Greatest Show on Legs' which had been started by Martin Soan, his part in the legendary 'The Balloon Dance' as well as his many shows at The Edinburgh Festival.[20]

Canada

Toronto has historically been a locus of alternative comedy. The ALTdot COMedy Lounge has been running since the 1980s, and alternative acts that made their start there include The Kids in the Hall, Corky and the Juice Pigs, Jason Rouse, Sean Cullen, Shaun Majumder, The Minnesota Wrecking Crew, Ron Sparks, Levi MacDougall, Tim Polley, Harland Williams, The BOOM Show, Asiansploitation, The Sketchersons and many more.

United States

New York City

In New York City, much of what is called alternative or "downtown comedy"[21] is performed outside of traditional comedy clubs in theaters, such as Upright Citizens Brigade Theatre (UCB), Magnet Theater and the Peoples Improv Theater (PIT), as well as cabarets that host comedy only occasionally. The comedians at these shows offer character-based humour or surreal humour as opposed to observations of everyday life or more polemical themes.[21] In addition, many alternative comics use unusual presentation styles, such as (Demetri Martin, Slovin and Allen) opting to play music, give Powerpoint presentations or act out sketches.[21] A few alternative comics such as Todd Barry also perform in mainstream comedy venues.

Warren St. John said that the "inspiration" for alternative comedy in New York City is the Upright Citizens Brigade. The group originally formed at the Upright Citizens Brigade Theatre in Chelsea in 1999.[21] Four years later, in 2003, several performers at the UCB spun off their own theater, and formed the PIT. St. John also argues that one reason that unusual comics can succeed in New York City is that they don't have to tour part time, as many of them also work as writers on local comedy television shows such as The Daily Show and The David Letterman Show.[21]

References

  1. ^ Thomas, David (Friday, March 5, 1982). "Micro-epic of The Black Hole". The Times: p. v. "At a time when "alternative comedy" is increasingly showing itself to be little other than a more aggressive version of the old comedy, the National Theatre of Brent are offering a style that is entirely original." 
  2. ^ Lisa Selin Davis (November 10, 2003). "The Brooklyn Paper: SERIOUS FUN". The Brooklyn Paper. http://www.brooklynpaper.com/stories/26/45/26_45piehole.html. Retrieved 2009-10-30. "Alternative comedy is nothing new. The term gained fame in 1980s Britain, when out-of-the-ordinary sitcoms like "The Young Ones" or "Absolutely Fabulous" popped up, and continued in America with unorthodox sketch comedy groups such as Manhattan’s Upright Citizen’s Brigade. But, according to [Andrea Rosen of the "Pie Hole Comedy Show" in Brooklyn, New York], alternative comedy predates all of those acts. "Mel Brooks was an alternative comic," said Rosen, citing his famous 2000-Year-Old Man routine. "So is Steve Martin." And Rosen’s influences also include old masters like filmmaker Woody Allen, who started his career as a standup. "There’s a whole world of alternative comedy rooms, in bars and basements."" 
  3. ^ Jeremy Tunstall (1993). Television Producers. Routledge. p. 127. ISBN 0-415-09471-2. http://books.google.com/books?id=b0RG7GBW7ooC&pg=PA127&lpg=PA127&dq=%22alternative+comedy%22+define. "'Alternative' comedy is inevitably difficult to define, not least because it tends, after an interval, to join the mainstream." 
  4. ^ "Patton Oswalt". Panorama Magazine. AltCom!. May 5, 2008. http://www.altcomfestival.com/pressArticle6.php. Retrieved 2009-10-30. 
  5. ^ a b Cook, William (2001). The Comedy Store. Little, Brown & Company. ISBN 0-316-85792-0. 
  6. ^ Hardee, Malcolm; Fleming, John (1996). I Stole Freddie Mercury's Birthday Cake. Fourth Estate. ISBN 0-09-188924-3. 
  7. ^ a b Double, Oliver (1997). Stand Up, On Being a Comedian. Methuen Drama. ISBN 0-413-70320-7. 
  8. ^ a b c d Connor, John (1990). Ten Years of Alternative Comedy. PAPERMAC. ISBN 0-333-54171-5. 
  9. ^ Smith, Arthur (2009). My Name is Daphne Fairfax. Random House. p. 145. ISBN 978-0-09-951965-2. 
  10. ^ Smith, Arthur (2009). My Name is Daphne Fairfax. Random House. ISBN 978-0-09-951965-2. 
  11. ^ Calcott, Andrew (2006). The Rough Guide to British Cult Comedy. Penguin Books Ltd. ISBN 1-84353-618-8. 
  12. ^ Rosenthal, Peter; Rosenthal, Peter Wilmot, Roger (1989). Methuen Drama. ISBN 978-0-413-17390-4. 
  13. ^ Sayle, Alexi (2003). My Favourite Year. Sunday Independent Aug 3. 
  14. ^ http://www.alexeisayle.me/about-me/
  15. ^ Out, Time (1981). London Listings. Time Out Ltd January 1st page 60. 
  16. ^ Out, Time (1981/82). London Listings. Time Out Ltd December 4th 1st page 81. 
  17. ^ Out, Time (1981/82). London Listings. Time Out Ltd Jan 21st page 69. 
  18. ^ Out, Time (1981/82). London Listings. Time Out Ltd January 21, Cabaret, Fringe, Drama 1983. 
  19. ^ Double, Oliver (2005). Getting The Joke. Methuen. ISBN 0-413-77476-7. 
  20. ^ Hardee, Malcolm; Fleming, John (1996). I Stole Freddie Mercury's Birthday Cake. Fourth Estate. ISBN 0-09-188924-3. 
  21. ^ a b c d e Warren St. John (Published: January 29, 2006). "Alternative Comedy - New York Times". Nytimes.com. http://www.nytimes.com/2006/01/29/fashion/sundaystyles/29Comedy.html?ex=1296190800&en=81d9e77f927d8fc5&ei=5090&partner=rssuserland&emc=rss. Retrieved 2008-11-07. 

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