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Amaterasu

 
 

(East Asian mythology)

The Japanese sun goddess. Her myths are the most important of the indigenous faith, Shinto, ‘the way of the gods.’ This folk tradition is fundamentally not so much a religion as a set of ancient beliefs and observances which have remained comparatively unchanged over the past millennium, despite the importation of Confucianism and Buddhism. Amaterasu is the East Asian sister of Inanna, the Sumerian goddess of fertility and love.

The chief legend is that of the drawing forth of the radiant goddess from a heavenly rock-dwelling during a critical moment for the world. Her retreat had been brought about by the misbehaviour of her brother Susanowo, the storm god. Although his realm was the sea, the ‘swift, impetuous deity’ neglected his duties there and caused every sort of disturbance and tumult on land, previously ruled by Amaterasu with benevolence and wisdom. In spite of his sister's entreaties Susanowo destroyed rice-fields, uprooted trees, and even tore down sacred buildings. As a final provocation, he broke a hole in the roof of her weaving-hall, frightened to death her ladies, and drove the sun goddess herself into a cave. It was only after Amaterasu had closed the entrance of her sanctuary, making the door fast and immovable, that the gods realized the enormity of Susanowo's arrogance. He was responsible for the permanent disappearance of the sun–without its benign rays the universe was finished. Darkness covered the world, evil spirits ran riot, and panic seized the heavenly host.

On the bed of the tranquil river of heaven,ama-no-yasu-gawara, a conference of the gods decided that they must induce Amaterasu to return. Many things of divine efficacy were produced, such as a mirror, a sword, and cloth offerings. A great tree was set up and decorated with jewels; cocks were placed near the entrance of the cave that they might keep up a perpetual crowing; bonfires were lighted and a dance was performed, with loud musical accompaniment. So amusing and spirited was the dancer, a goddess named Uzume, that ‘the eight million divinities’ present laughed and laughed, till the air was filled with their noise and the great plain of heaven shook.

The sun goddess in the cave heard the merriment and was curious to know what was going on outside. Slightly opening the door of her sanctuary, she asked how it was that the gods could find the heart to laugh in the darkness. With subtle cunning Uzume replied: ‘We rejoice and are glad because there is a more illustrious deity than the sun goddess.’ While she was speaking, two gods carried forward the mirror and respectfully showed it to Amaterasu, who was immediately astonished by her own reflection. As she gazed, a powerful god widened the opening, took her hand, and draw her out. Whereupon another stretched a rope of straw, called the shimenawa, across the cave's entrance, saying: ‘Never shall you enter again.’ So Amaterasu reappeared. The universe was once more brightly illuminated, evil forces shrank away, and order and peace returned to earth. Thereafter the sun was only absent at night, as the shimenawa prevented Amaterasu from disappearing forever.

This triumph of the sun goddess over the storm god secured her rule of the world, and the belief in her as the foremost deity was associated with the tradition that the ruling family descended from the sun goddess. She was the highest manifestation of Kunitokotachi, the unseen, transcendent yet immanent, spirit of the universe. The idea of the sun as a goddess, instead of as a god, is rare and it may be a survival from the most archaic stage of world mythology. In the timidity of Amaterasu, her distress at the depredations of Susanowo, and her flight from his unyielding hostility, we can discern something of the tenderness felt by the original Japanese towards the gift of light. Amaterasu was the beautiful goddess, benign, compassionate, meek; the deity who delighted to pour down on her favourite islands the life-giving rays of the sun.

Japanese print of Amaterasu, the Shinto sun goddess, emerging from the cave
Japanese print of Amaterasu, the Shinto sun goddess, emerging from the cave

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Dictionary: A·ma·te·ra·su   (ä'mä-tĕ-rä') pronunciation
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n.

The central Shinto deity, a sun goddess believed to be the ancestor of the Japanese royal family.


 
Asian Mythology: Amaterasu
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Considered to be the prime ancestor of the Japanese emperor, the Sun Goddess Amaterasu-ō-Mikami, queen of the kami (see kami) or the forces of Nature, is honored especially at her temple at Ise, Japan. As the Rising Sun, she gives spiritual power to her people. Amaterasu had a brother named Susanowo (see Susanowo). When Susanowo, the storm god, visited his sister in Heaven, he produced five gods by biting her necklaces and blowing a cloud over them. Amaterasu had created three goddesses by breaking her brother's sword, chewing on the pieces, and blowing a cloud over them. When later, in a drunken fury, Susanowo disrupted and destroyed much of Heaven and Earth and Amaterasu's home, the goddess hid in a cave, depriving the world of her light and warmth and causing the death of plants and animals. The gods and goddesses after several failed attempts to lure Amaterasu back into the world, asked the goddess Ama no Uzume to dance in front of the cave. She did so lasciviously, dropping her clothes in the process, that the gods were overcome with such loud laughter that Amaterasu became curious and opened the door to her cave. In so doing she noticed the reflection of herself in a mirror the gods had hung outside her door. Overcome by her own beauty, she left her cave to examine herself more closely, allowing the gods to rope off the door. Thus the world was bright and warm again, and life returned to it. It is said that in later years Amaterasu gave her jewels and mirror to her grandson Ninigi who went down to earth as the first ruler. Her brother Susanowo was banished from Heavens (see Izumo Cycle).

 
Wikipedia: Amaterasu
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The Sun goddess emerging out of a cave, bringing sunlight back to the universe
Shinto
Shinto
This article is part of a series on Shinto
Beliefs
Kami · Polytheism · Animism ·
Matsuri · Ritual purity · Mythology
Notable Kami
Amaterasu · Ame-no-Uzume · Inari ·
Izanagi · Izanami · Susanoo ·
Kotoamatsukami · Tsukuyomi
Scripture
Kojiki · Fudoki · Rikkokushi ·
Shoku Nihongi · Jinnō Shōtōki
See also
Japan · Japanese Buddhism ·
List of Shinto shrines
Glossary of Shinto

Shinto Portal
 v • d • e 

Amaterasu (天照?), Amaterasu-ōmikami (天照大神/天照大御神?) or Ōhiru-menomuchi-no-kami (大日孁貴神?) is, in Japanese mythology, a sun goddess and perhaps the most important Shinto deity ( kami?). Her name, Amaterasu, means literally "(that which) illuminates Heaven". She was born from the left eye of Izanagi as he purified himself in a river and went on to become the ruler of the Higher Celestial Plain (Takamagahara).

She is also said to be directly linked in lineage to the Imperial Household of Japan and the Emperor, who are considered descendants of the kami themselves.

Contents

History

Story of Amaterasu

The banner of the Sun Disc and Amaterasu waved in Boshin War in 1868

Amaterasu is described in the Kojiki as the sun goddess who was born from Izanagi's left eye. She was also accompanied by her siblings Susanoo, the storm deity, and Tsukuyomi, the moon deity, who were born from Izanagi's nose and right eye respectively. In the Kojiki, Amaterasu is described as the goddess from which all light emanates and is often referred to as the sun goddess because of her warmth and compassion for the people who worshipped her. Some other myths state that Amaterasu was born from water.

Most of her myths revolve around an incident where the goddess traps herself in a cave because of her brother's actions. For a while, everything among the three revered gods was peaceful and all of the world ran smoothly. One day, Susanoo, in a drunken rampage, trampled Amaterasu's rice fields, filled all of her irrigation ditches and threw excrement into her palace and her shrines. The Omikami asked her brother to stop but he ignored her and even went so far as to throw the corpse of a skinned horse at her hand-maidens who were weaving at the time. The women were killed by the splintered wood from the looms piercing their bodies (in the Kojiki it was their reproductive organs that were pierced[1]).

Amaterasu was greatly angered and in protest she shut herself in the Heavenly Cave and sealed it shut with a giant rock. As a result, the world was consumed with darkness. Without her, everything began to wither and die. Countless Kami gathered in front of her cave and devised a way to lure her out. They all sat around the cave and set up a mirror across from the entrance. Ame-no-Uzume, the voluptuous goddess of merriment turned over a wash-tub and began a sensual dance, tapping the beat on the tub. She exposed her breasts and lifted her skirts as she danced. All of the gods made a great noise of yelling and cheering and laughing. Amaterasu peeked out to see what the noise was about. She asked the nearest god what was going on and he replied that there was a new goddess. When Amaterasu asked where she was, he pointed to the mirror.

The Omikami had never seen herself before and when she caught her reflection, she stared at the radiance of her own form. She was so surprised she said "omo-shiroi", which means both "white face", which the Omikami had, and "fascinating". When she was out of the way, Tajikara-O shut the rock behind her. Having lured her out of the cave, the gods convinced her to go back into the Celestial Plain and all life began to grow again and become strong in her light. Once back in the Celestial Plain, she made sure that she was ready for her brother's harsh actions again by having a bow and quiver at her side.

Later she sent her grandson Ninigi-no-Mikoto to pacify Japan: his great-grandson became the first emperor, Emperor Jimmu. He had a sacred sword (Kusanagi), jewel (Yasakani no magatama), and mirror (Yata no kagami) that became the Japanese imperial regalia.

Amaterasu is credited with inventing the cultivation of rice and wheat, use of silkworms and weaving with a loom.

Kukai, the founder of the Shingon Buddhist sect famously linked Amaterasu with Dainichi Nyorai, a central manifestation of the Buddha, whose name is literally "Great Sun Buddha". Thus Amaterasu is held as an divine Emanation of Buddha Vairocana.

Her most important shrine, the Grand Shrine of Ise, is in Ise in western Honshū. The shrine is torn down and rebuilt every 20 years. In that shrine she is represented as a mirror, one of the three Japanese imperial regalia. The Ise Shrine is said to be the home of Amaterasu. This shrine, however, is not open to the public.

She is celebrated every July 17 with street processions all over the country. Festivities on December 21, the winter solstice, celebrate her coming out of the cave.

Torii at the Ama-no-Iwato Shrine in Takachiho, Miyazaki Prefecture

Difference between Kojiki and Nihon Shoki

There are slight differences between the description of the goddess in Kojiki and that in Nihon Shoki. Mainly, the story of Kojiki is much better known.

First is the story of her birth. In Kojiki, she was born after Izanagi failed to retrieve Izanami from Yomi. However, in Nihon Shoki, Izanagi and Izanami, who was still alive, together decided to create the supreme deity to reign over the world, and gave birth to Amaterasu.

The episode of sending her grandson to Ashihara no Nakatsukuni (Japan) is also different in two myths. In Kojiki, Amaterasu commanded her son and other gods to pacify Japan. On the other hand, the main article of Nihon Shoki records the myth that it was Takamimusubi-no-Kami who took control of the event and sent his maternal grandson Ninigi to Japan. The role of Amaterasu is ambiguous in the episode.

In both cases, Nihon Shoki records similar version of Kojiki episode as "aru-fumi", the alternative episode.

The goddess and the Imperial family

In 1946, Emperor Shōwa issued the Humanity Declaration. It was effectively a renunciation of the conception of akitsumikami (現御神?), divinity in human form, and claimed his relation to the people did not rely on such a mythological idea but on a historically developed family-like reliance. Many authors, such as John W. Dower and Herbert Bix, who dispute the former interpretation, consider that by choosing the word akitsumikami (現御神?) instead of arahitogami, Emperor Shōwa didn't actually deny his divine descent from goddess Amaterasu Omikami.

It must however be noted, that according to Shinto myths, all Japanese people descend from the gods, not only the Emperor. On this topic, Emperor Shōwa expressed in December 1945 his point of view to his vice-grand chamberlain Michio Kinoshita: "It is permissible to say that the idea that the Japanese are descendants of the gods is a false conception; but it is absolutely impermissible to call chimerical the idea that the emperor is a descendant of the gods."[2]

Amaterasu in popular culture

In film

In anime and manga

  • In Dream Saga, the earth is destroyed and recreated whenever humans have polluted it. This is done when Susanoo, the god of destruction, consumes Amaterasu, the sun. The two main characters, Yuuki and Takaomi, are given key roles in the process.
  • In Naruto, Amaterasu is personified as a powerful fire jutsu (technique) consisting of unquenchable black flames that burn everything in the user's field of vision for seven days and seven nights. The technique uses the left eye, which is a reference to Amaterasu's birth from Izanagi when he cleansed himself. It is performed by Uchiha Itachi and Uchiha Sasuke.

In video games

Amaterasu is mentioned in many video games where a character receives power from the sun or has some light-based qualities, both literal or symbolic. A notable example can be found in Persona 4 where the goddess represents a character's status as the deity who illuminates the heavens. Amaterasu will also be used to stress the Japanese culture of a character, as can be seen when the Samurai in Nethack prays to the goddess. Other notable examples include:

  • In Castlevania Aria of Sorrow, a shrine to Amaterasu (Tensho Doijin) is used to invoke an eclipse. In the game, eclipses can contain anger and evil intentions (and Dracula's castle), just as Amaterasu contained Susanoo's rampage by hiding her light in a cave.
  • In Ōkami, the main character is Amaterasu in the form of a white wolf. She was trapped in a statue of Shiranui, her earlier form. A main theme is Amaterasu's association with nature and her task of restoring it.
  • In Tales of Symphonia, three rare items are obtained after defeating the Sword Dancer monster three times throughout the game. The items you obtain from it are the Yata no Kagami (or Yata Mirror in the English version), Yasakani no Magatama (Yasakani Jewel), and the Kusanagi Blade. When viewing the descriptions of the items, they all state that they are items used by the eastern gods to defeat evil spirits. In fact, all three are Imperial Regalia of Japan and can be found in the legends of Amaterasu.

See also

References

  1. ^ Readable Japanese Mythology: Selections from Nihon Shoki and Kojiki Robert Borgen; Marian Ury. The Journal of the Association of Teachers of Japanese, Vol. 24, No. 1. (Apr., 1990), p.70
  2. ^ Wetzler, Peter (1998). Hirohito and War. Honolulu: University of Hawai'i Press. p. 3. ISBN 9780824819255. 

 
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Copyrights:

World Mythology Dictionary. A Dictionary of World Mythology. Copyright © Arthur Cotterell 1979, 1986, 2003. All rights reserved.  Read more
Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
Asian Mythology. A Dictionary of Asian Mythology. Copyright © 2001, 2002 by David Leeming. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Amaterasu" Read more

 

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