A violin made by Nicolò Amati or the members of his family.
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A violin made by Nicolò Amati or the members of his family.
Italian family of violin makers, active in Cremona. Andrea (b before 1511; d before 1580) originated and perfected the form of violin, viola and cello as they are known today; of his few surviving instruments, dated 1564 to 1574, most bear the coat-of-arms of Charles IX of France. His two sons Antonio (b c1540) and Girolamo (1561-1630), known as the Amati brothers, experimented with outline and arching and improved the form of the soundhole, but retained the elegance and a pleasing sound quality; besides violins in two sizes, they made many tenor violas and large cellos and were widely copied. Girolamo's son Nicolo (1596-1684), the family's most refined workman and highly regarded member, favoured a wider violin model (the ‘Grand Amati’), well curved and long-cornered; with their golden orange colour, noble sound and ease of response, they are among the most sought-after violins. Nicolo's pupils included Andrea Guarneri and Antonio Stradivari.
The noun has 2 meanings:
Meaning #1:
Italian violin maker in Cremona; taught the craft to Guarneri and Stradivari (1596-1684)
Synonyms: Nicolo Amati, Nicola Amati
Meaning #2:
a violin made by a member of the Amati family
Amati is the name of a family of Italian violin makers,
who flourished at
Andrea Amati (ca. 1520 – ca. 1578) was the earliest maker of violins whose instruments still survive today. Indeed he seems more or less responsible for giving the instruments of the modern violin family their definitive profile. A small number of his instruments survive, dated between the years of 1564 and 1574 and most bearing the coat of arms of Charles IX of France.
Andrea Amati was succeeded by his sons Antonio Amati (born ca. 1550) and Girolamo Amati (1551-1635). "The Brothers Amati", as they were known, implemented far-reaching innovations in design, including the perfection of the shape of the f-holes. They are also thought to have pioneered the modern alto format of viola, in contrast to older tenor violas.
Nicolò Amati (December 3, 1596 – April 12, 1684) was the son of Girolamo Amati. He was the most eminent of the family. He improved the model adopted by the rest of the Amatis and produced instruments capable of yielding greater power of tone. His pattern was unusually small, but he also made a wider model now known as the "Grand Amati", which have become his most sought-after violins.
Of his pupils, the most famous were Antonio Stradivari and Andrea Guarneri, the first of the Guarneri family of violin makers. (There is much controversy regarding the apprenticeship of Antonio Stradivari. While Stradivari's first known violin states that he was a pupil of Amati, the validity of his statement is questioned.)
The last maker of the family was Nicolo's son, Girolamo Amati, known as Hieronymus II (February 26, 1649 – February 21, 1740). Although he improved on the arching of his father's instruments, by and large they are inferior and no match for the greatest maker of his day, Antonio Stradivari.
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