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Ambrose

 
Artist: Ambrose

Similar Artists:

Followers:

Joe "Mr. Piano" Henderson

Worked With:

Sam Browne

Formal Connection With:

  • Born: 1897, London, England
  • Died: June 12, 1973, Leeds, England
  • Active: '10s, '20s, '30s, '40s, '60s, '70s
  • Genres: Jazz
  • Instrument: Leader
  • Representative Albums: "Power House, Vol. 2", "Swing Is in the Air", "When Day Is Done

Biography

Destined to become the leader of what was perhaps the most highly acclaimed of all English dance bands during the 1930s, Bert Ambrose was born in London but crossed the Atlantic as a lad with his auntie to settle for a few years on U.S. soil. His very first professional engagement was as violinist for Emil Coleman at Reisenweber's restaurant in New York. He then worked in a big band at the Palais Royal. By 1917 he was directing musical entertainments at New York's Club de Vingt, and remained there through 1920. Although he led a band at Clover Gardens in 1924, Ambrose maintained a steady professional presence in London during the 1920s, periodically leading bands at the Embassy Club from 1920-1926 and in the Mayfair Hotel from 1927-1933.

Having waxed a handful of phonograph recordings for Columbia in April of 1923, Ambrose began to attract attention a bit later on with titles like "Take Your Finger Out of Your Mouth," recorded for the English Brunswick label in 1927, and "Singapore Sorrows," recorded in April of 1928 for His Master's Voice. From that point onward, the act was almost invariably billed as Bert Ambrose & His Orchestra. They were well received at the London Palladium and began to broadcast live over the BBC from the Mayfair Hotel in 1928, whereupon Ambrose quickly found himself in a position of resounding nationwide popularity. In addition to English players like Ted Heath and Dennis Ratcliffe, the band was regularly fortified with American talent (vocalist Sam Browne, reedman Danny Polo, and trumpeter Sylvester Ahola). Its recording repertoire became stronger after Ambrose signed with Decca during the early summer of 1928.

As if embodying the sensibilities of an entire epoch, "Hittin' the Ceiling," "Makin' Whoopee," and "Singing in the Rain" materialized at the session of September 12, 1929. Highlights from 1930 included material in common with James P. Johnson ("Cryin' for the Carolines") and Fess Williams ("'Leven Thirty Saturday Night"). In 1931, "When Day Is Done" became the band's theme song. Ambrose made his most memorable recordings during the mid-'30s while presiding at the Embassy Club, beginning in November 1934 with "The Continental," then riding into 1935 with "Hors d'Oeuvres" and the excellent "Embassy Stomp." Authentic jazz material continued to surface between bursts of sweetness or novelty vocals, "Streamline Strut," "Copenhagen," and "Ambrose's Tiger Rag" serving as counterweights for entities like "Everything Is Hunky Dooly" and "My Hat's on the Side of My Head." On "Wood and Ivory," recorded in 1936, percussionist Jack Simpson was featured on timpani and xylophone. This appears to have become part of the signature sound of the Ambrose ensemble, for Simpson continued to knock wood with the band well into 1939.

Beginning in 1938, Ambrose led a notable octet in addition to the full-sized ensemble. He clearly paid close attention to what America's best jazz orchestras were playing and consistently made efforts to arm his band with solid material gleaned from their repertoires. Two glowing examples are from the Duke Ellington book; "Caravan" was recorded by the Ambrose band in July of 1937 and "Mood Indigo" in October of 1940. By this time, failing health made it necessary for him to partially withdraw from professional work. There were tours with the octet beginning in 1941 and he was still leading bands up until 1956, whereupon he made the decision to serve as a manager rather than acting as a leader. The most lucrative act he represented was pop singer Kathy Kirby. Bert Ambrose passed away in Leeds, England, on the 11th of June 1971. His band's best recordings are still prized for their fine arrangements, skilled soloists, and impeccable section work. ~ arwulf arwulf, All Music Guide
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Wikipedia: Ambrose (bandleader)
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'Ambrose'
Birth name Benjamin Baruch Ambrose
Born September 15, 1896(1896-09-15)
London, England
Origin New York, New York, United States
Died June 11, 1971 (aged 74)
London, England
Genres Big band
Occupations Musician, bandleader
Instruments Violin
Years active 1916–1971

Benjamin Baruch Ambrose (15 September 189611 June 1971) was an English bandleader and violinist. His professional name was officially Bert Ambrose, but he was universally known simply as Ambrose.

Contents

Early life and career

Ambrose was born in the East End of London; his father was a Jewish wool merchant. He began playing the violin at a young age, and soon after he was taken to the United States by his aunt he began playing professionally — first for Emil Coleman at New York's Reisenweber's restaurant, then in the Palais Royal's big band. After making a success of a stint as bandleader, at the age of twenty he was asked to put together and lead his own fifteen-piece band. After a dispute with his employer, he moved his band to another venue, where they enjoyed considerable popularity.

In 1922 he returned to London, where he was engaged by the Embassy Club to form a seven-piece band. Ambrose stayed at the Embassy for two years, before walking out on his employer in order to take up a much more lucrative job in New York. After a year there, besieged by continual pleas to return from his ex-employer in London, in 1925 he was finally persuaded to go back by a cable from the Prince of Wales: "The Embassy needs you. Come back — Edward".

This time Ambrose stayed at the Embassy Club until 1927. The club had a policy of not allowing radio broadcasts from its premises, however, and this was a major drawback for an ambitious bandleader; this was largely because the fame gained by radio work helped a band to gain recording contracts (Ambrose's band had been recorded by Columbia Records in 1923, but nothing had come of this). He therefore accepted an offer by the Mayfair Hotel, with a contract that included broadcasting.

Ambrose stayed at the Mayfair for six years, during which time the band made recordings for Brunswick Records, HMV, and Decca Records. This period also saw the musical development of the band, partly as a result of Ambrose's hiring of first-class musicians, including Sylvester Ahola, Ted Heath, Joe Crossman, Joe Jeannette, Bert Read, Joe Brannelly, Dick Escott, and trumpeter Max Goldberg.

The 1930s and 1940s

In 1933 Ambrose was asked to accept a cut in pay at the Mayfair; refusing, he went back to the Embassy Club, and after three years there (and a national tour), he rejected American offers and returned to the Mayfair Hotel in 1936. He then went into partnership with Jack Harris (an American bandleader), and in 1937 they bought a club together (Ciro's Club). For 3 months they even employed Art Tatum[1] there, some think the greatest jazz pianist who ever lived. Ambrose and Harris alternated performances in Ciro's until a disagreement led to the rupture of their partnership. Ambrose then worked at the Café de Paris until the outbreak of World War II, when he again went on tour. His major discovery in the years leading up to the war was the singer Vera (later Dame Vera) Lynn (b. 1917), who sang with his band from 1937 to 1940 and, during the war, became known as the "Forces' Sweetheart". Lynn married Harry Lewis, a clarinettist in the band, in 1939. Other singers with the Ambrose band included Sam Browne, Elsie Carlisle, Denny Dennis (who recorded a number of duets with Vera Lynn), and Evelyn Dall.

After a short period back at the Mayfair Hotel, he retired from performing in 1940 (though he and his orchestra continued to make records for Decca until 1947). Several members of his band became part of the Royal Air Force band, The Squadronaires, during the war. Ambrose's retirement was not permanent, however, and he formed and toured with the Ambrose Octet, and dabbled in management.

The 1950s and 1960s

In the mid-1950s, despite appearances back in London's West End and a number of recordings for MGM, Ambrose was — in common with other bandleaders — struggling; rock and roll had arrived. He was forced to start performing in small clubs with casual musicians, and his financial position deteriorated catastrophically. His situation was saved, however, by his discovery of the singer Kathy Kirby (b. 1940), whom he heard singing at the age of sixteen at the Ilford Palais) and whose career he promoted.

It was during the recording of one of Kirby's television programmes (at the Yorkshire Television studios) that Ambrose collapsed, dying later the same night in Leeds General Infirmary. His music was kept alive after death by, among others, the Radio 2 broadcasters Alan Dell (1924–1995) and Malcolm Laycock, the latter continuing to play his records into the 21st century. His records, especially from his many 78RPM discs, still regularly feature on Australian radio 8CCC-FM's long running nostalgia program "Get Out Those Old Records" hosted by Rufl.

Sources and external links

  1. ^ 'Much to his dismay, Tatum's American club audiences were often noisy, whereas those in England behaved like concert listeners, a reception the pianist tried to cultivate wherever he went': www.musicianguide.com/biographies/1608000093/Art-Tatum.html

 
 

 

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