Amelia

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Plot

Hilary Swank and Richard Gere star in director Mira Nair's biopic tracing the life of famed aviator Amelia Earhart -- who made history in 1932 by becoming the first woman ever to fly solo across the Atlantic Ocean. The trip made the aviatrix a national celebrity -- with help from her publicist George Putnam (Gere), whom she fell in love with and eventually married. Their union was tested, however, as Earhart developed feelings for contemporary Gene Vidal (Ewan McGregor ), and the couple's marriage faced the ultimate tragedy years later, as Earhart's fierce independent spirit spurred her to attempt to fly around the world -- a venture that infamously shrouded her in mystery, as the pilot simply vanished after crashing into the Pacific Ocean. Christopher Eccleston and co-star in the Avalon Pictures production. ~ Jason Buchanan, Rovi

Review

Hilary Swank's performance as the extremely independent, extremely adorable aviatrix Amelia Earhart is pretty much as good as it gets. Straddling the line between full-body character acting and old-school stylization, Swank has a tough job, but she makes her portrayal look easy -- even with a script that's not necessarily the best.

Opening on Earhart's fateful decision to complete a round-the-world journey in 1937, the narrative subsequently jumps back to her first meeting with publicist George Putnam (Richard Gere), who would organize her 1928 transatlantic flight, and later become her husband. The freckle-faced young pilot is fiercely independent, but though the movie illustrates the strides that Earhart made for the feminist movement through her celebrity, the plot is much more focused on the love story between her and Putnam -- whom she calls GP. It's a very sweet romance, and it dovetails nicely with the nature of the overall film -- which is a traditional inspirational drama through and through, and certainly doesn't reach for profundity. Swank and Gere have great chemistry in this way, and the two share a believable intimacy onscreen. Even still, there are other elements -- like Earhart's affair with Gore Vidal's father, Gene (Ewan McGregor) -- that seem shoehorned in, disconnected from the rest of the movie. Swank works as hard as she can to illuminate her character's motivations, but sometimes there just isn't enough material there for her to succeed.

However, Amelia might just make up for these shortcomings by virtue of its beauty alone, as the art direction is as lavish and immaculate as we've come to expect from big-budget period pieces. The film is shot, costumed, and set decorated within an inch of its gorgeous life, alternating between lush aerial landscapes and lovely, sepia-tinged art deco style. Earhart's own boyish take on the gamine look of her day -- complete with Annie Hall-style men's shirts and ties draped over her boyish frame -- provides a particularly compelling aesthetic, as do the captivating scenes of her journeys to Africa and the Middle East. When the pilot's infamously mysterious demise begins to loom on the story's horizon, we certainly know what's coming, but don't be surprised if you find yourself hoping against hope for Earhart's fate to change -- if for no other reason than so we can live in that stunning cinematic world a little longer. ~ Cammila Albertson, Rovi

Cast

Mia Wasikowska - Elinor Smith; Aaron Abrams - Slim Gordon; Dylan Roberts - Leo Bellarts; Scott Yaphe - William Dalten; Tom Fairfoot - Balfour; Ryann Shane - Young Amelia; William Cuddy - Gore Vidal; Elizabeth Shepherd - Frances Putnam; Richard Donat - Gallagher; Scott Anderson - Parade Reporter; Keelin Jack - Student; Sarah Kitz - George's Secretary; Jeremy Akerman - Sheriff; Derek Keurvorst - Minister; Thomas Hauff - Man at Opera House; Sarah Dood - 1st Woman at Opera; Danielle Bourgon - 2nd Woman at Opera; Hamish McEwan - Paul; Michael Daly - Frank Cipriani; Jeffrey Knight - Commander; Paul Johnston - Thomas O'Hare; Michael Richard - Reporter #1; Daniel Janks - Reporter #2; Ron Smerczac - Reporter #3; Kerin McCue - Movie Tone Announcer; Richard Lothian - Coast Guard Man; Divine Brown - Torch Singer; Elizabeth Saunders - Louise Thaden; Precious Chong - Gladys O'Donnell; Kathryn Haggis - Powder Puff Aviator; Duane Murray - Cleveland Reporter; Joe Renzi - Welsh Singer; Geoff Gillespie - Welsh Singer

Credit

Nigel Churcher - Art Director, Avy Kaufman - Casting, Don Carmody - Co-producer, Kasia Walicka Maimone - Costume Designer, Walter Gasparovic - First Assistant Director, Mira Nair - Director, Lee Percy - Editor, Allyson C. Johnson - Editor, Ronald Bass - Executive Producer, Hilary Swank - Executive Producer, Gabriel Yared - Composer (Music Score), Stephanie Carroll - Production Designer, Stuart Dryburgh - Cinematographer, Lydia Dean Pilcher - Producer, Kevin Hyman - Producer, Ted Waitt - Producer, Steve Lucescu - Stunts Coordinator, Armand Leo - Unit Production Manager, Ronald Bass - Screenwriter, Anna Hamilton Phelan - Screenwriter, Susan Marucci - Script Supervisor, Vincent Sullivan - Key Hairstylist, Jordan Samuel - Key Make-up, Gordon Sim - Set Decorator, Susan Butler - Book Author, Mary S. Lovell - Book Author

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Amelia
Hillary Swank as Amelia Earhart standing alone on the runway with her back turned wearing a flight suit and an airplane filling the background
Theatrical release poster
Directed by Mira Nair
Produced by Ted Waitt
Kevin Hyman
Lydia Dean Pilcher
Executive Producers:
Ronald Bass
Hilary Swank
Written by Ronald Bass
Anna Hamilton Phelan
Based on East to the Dawn by Susan Butler and The Sound of Wings by Mary S. Lovell
Starring Hilary Swank
Richard Gere
Ewan McGregor
Christopher Eccleston
Music by Gabriel Yared
Cinematography Stuart Dryburgh
Editing by Allyson C. Johnson
Lee Percy
Studio Mirabai Films
2S Films
Avalon Pictures
AE Electra Productions
Distributed by Fox Searchlight Pictures
Release date(s)
  • October 23, 2009 (2009-10-23)
Running time 111 minutes
Country United States
Canada
Language English
Budget $40 million
Box office $19,642,013[1]

Amelia is a 2009 biographical film of the life of Amelia Earhart, directed by Mira Nair and starring Hilary Swank[2] as Earhart and Richard Gere as husband George Putnam, along with Christopher Eccleston[3] and Ewan McGregor.[4] It was written by Ronald Bass and Anna Hamilton Phelan, using research from sources including East to the Dawn by Susan Butler and The Sound of Wings by Mary S. Lovell.[2] The film has garnered predominantly negative reviews.

Contents

Plot

On July 2, 1937, Amelia Earhart (Swank) and her navigator, Fred Noonan (Eccleston), are on the last leg of an around-the-world flight. Moving in vignettes from her early years when Earhart was captivated by the sight of an aircraft flying overhead on the Kansas prairie where she grew up, her life over the preceding decade gradually unfolds. As a young woman, she is recruited by publishing tycoon and eventual husband George Putnam (Gere) to become the first woman to cross the Atlantic Ocean, albeit as a passenger. Taking command of the flight results in a success and she is thrust into the limelight as the most famous woman pilot of her time. Putnam helps Earhart write a book chronicling the flight, much like his earlier triumph with Charles Lindbergh's We, gradually falling in love with his charge, and they eventually marry, although she enacts a "cruel" pledge as her wedding contract.

Embarrassed that her fame was not earned, Earhart commences to set myriad aviation records, and in 1932, recreates her earlier transatlantic flight, becoming the first female pilot to fly solo across the Atlantic. Throughout a decade of notoriety, Earhart falls into an awkward love affair with pilot and future Federal Aviation administrator Gene Vidal (McGregor). In a display of romantic jealousy, Putnam quietly tells Amelia that he does not want Vidal in his house. Earhart is annoyed by the seemingly endless agenda of celebrity appearances and endorsements but Putnam reminds his wife that it funds her flying. They each acquiesce to the other's wishes and Earhart is drawn back to her husband on the eve of her last momentous flight, a round the world flight fraught with perils. Earhart's first attempt ends in a runway crash in Hawaii, due to collapsed landing gear. Earhart shuts off the fuel supply but her aircraft requires repairs before the flight can be attempted again. Eventually, she takes the repaired Lockheed Model 10 Electra "Flying Laboratory" in a reverse direction, leaving the lengthy transpacific crossing at the end of her flight.

Setting out to refuel at tiny Howland Island, radio transmissions between USCGC Itasca, a Coast Guard picket ship, and Earhart's aircraft reveal a rising crisis, as her fuel begins to run out. Her last message is a cryptic position report that the Coast Guard radio operators realize is not of sufficient length to provide a "fix". Itasca has a directional finder with a dead battery, and weak radio communications prevent Earhart and USCG Itasca from making contact. Earhart and Noonan continue to fly on, as the story ends.

Cast

Virginia Madsen was cast as Dorothy Binney, Putnam's first wife, but her scenes were cut.[6]

Production

Hilary Swank took on the role of Executive Producer, working closely with Nair.[7] Filming took place in New York, Toronto, Parkwood Estate in Oshawa, Nova Scotia, Dunnville, Ontario and Niagara-on-the-Lake, Ontario as well as various locations in South Africa. Over the weekend of June 22, 2008, Swank was in Wolfville, Nova Scotia for filming at Acadia University. At the time, although Swank was a pilot-in-training,[8] her appearance in the aerial sequences was limited, with three other women pilots contracted for the flying scenes.[9] Nair was concerned about insurance and liability issues, and opted for professional pilots, Jimmy Leeward and Bryan Regan to do the bulk of the flying in the film.[10] Contemporary newsreel footage of Earhart was interspersed throughout the film while a combination of static, real aircraft and CGI effects was utilized for the flying sequences.[11] Numerous period aircraft, automobiles and equipment were obtained to provide authenticity, including the use of two replica aircraft, a Lockheed Vega and Fokker F.VIIb/3m Tri-motor Friendship (with limited ability to run up engines and taxi).[12] The Lockheed 12A Electra Junior "Hazy Lily" (F-AZLL) used alongside another Electra Junior, filled in for the much rarer Lockheed Electra 10E that Earhart used.[13] Despite the efforts to faithfully replicate the period, numerous historical inaccuracies were evident, as chronicled in some reviews.[14]

At the completion of filming, the two replica aircraft featured in the Earhart transatlantic flights were donated to museums. The Lockheed Vega is now in the collection of the San Diego Air & Space Museum[15] while the Fokker F. VIIB/3M tri-motor is now housed at the Canadian Bushplane Heritage Centre in Sault Ste. Marie, Ontario where it was unveiled in 2009 with a local Amelia Earhart reenactor Kathie Brosemer recounting the story of Earhart's flight in 1928.[16]

Writing

Oscar-winning screenwriter Ronald Bass wrote seven drafts of the script for aviation buff and Gateway founder Ted Waitt, who has funded expeditions to search for Earhart's plane, and was prepared to finance the film himself.[17] Bass used research from books on Earhart such as biographies by Susan Butler, East to the Dawn and Mary S. Lovell's The Sound of the Wings as well as Elgen and Mary Long's Amelia Earhart: The Mystery Solved.[2] Although not intended to be a documentary, Bass incorporated many of Earhart's actual words into key scenes.[18] Oscar-nominated screenwriter Anna Hamilton Phelan did a re-write, taking a different approach from the original screenplay..[17]

Reception

Critical response

Amelia received mixed to negative reviews from film critics, with a 21% "rotten" rating on the Rotten Tomatoes website based on 153 reviews with an average score of 4.4/10.[19] Among Rotten Tomatoes' "Cream of the Crop", which consists of popular and notable critics from the top newspapers, websites, television, and radio programs, the film holds an overall approval rating of 11% based on 28 reviews.[20] Another review aggretator, Metacritic, which assigns a normalized rating of 100 reviews from mainstream critics, gave the film a score of 37% based on 34 reviews (a weighted average of the score of 46.1%).[21]

Echoing the majority view, Martin Morrow's review on the Canadian Broadcasting Corporation website was very critical of the film, labeling it "a dud," declaring: "Hilary Swank may look the spitting image of Earhart in those vintage newsreels, but her performance is more insipid than inspiring. Mira Nair directs as if she were piloting an overloaded plane on an endless runway – the film lumbers along interminably, never achieving takeoff... As the film limps to a close, Amelia has accomplished a feat we didn’t think possible: it has made us indifferent to this real-life heroine’s tragic fate."[22] Most critics decried the inconsistencies and lack of focus in the film; Manohla Dargis of the The New York Times wrote, "The actors don’t make a persuasive fit, despite all their long stares and infernal smiling. ...the movie is a more effective testament to the triumphs of American dentistry than to Earhart or aviation."[23] Ric Gillespie, author of Finding Amelia, wrote that "Swank, under Nair’s direction, accomplishes the amazing feat of making one of the most complex, passionate, ferociously ambitious, and successful women of the 20th century seem shallow, weepy, and rather dull."[14]

A small number of positive reviews included Ray Bennett of the Hollywood Reporter who characterized the film as an "instant bio classic," stressing the production values in which "director Nair and star Swank make her quest not only understandable but truly impressive."[24] Matthew Sorrento of Film Threat, gave the film 4 stars, and wrote: "Director Mira Nair trusts her oldschool filmmaking style enough to inspire a fresh take on a legend."[25] Roger Ebert of the Chicago Sun-Times, however, gave the film a positive review and gave it 3 stars out of 4, and called it "a perfectly sound biopic, well directed and acted".[26] In pre-release publicity, Hilary Swank had been touted as a candidate for a third Oscar, but later that prospect was viewed as distant.[8] Carrie Rickey of the Philadelphia Inquirer, however, awarded the film 3 stars, praising Swank's performance in her review stating that "like Maggie in Million Dollar Baby, [Swank] is unwavering in her gaze, ambition, and drive," and "in Nair's evocatively art-directed (and sensationally costumed) film, Earhart comes alive."[27]

Home media release

On February 2, 2010, Fox Home Entertainment released Amelia in DVD and Blu-ray versions. Extras on the DVD include deleted scenes and "The Power of Amelia Earhart", "Making Amelia" and "Movietone News" featurettes. The Blu-ray release also has two additional featurettes: "The Plane Behind the Legend" and "Re-constructing the Planes of Amelia" along with a digital copy of the film.[28]

References

Notes
  1. ^ "Amelia." Box Office Mojo, January 10, 2010.
  2. ^ a b c Fleming, Michael. "Hilary Swank to play Amelia Earhart". Variety, February 7, 2008. Retrieved: October 8, 2008.
  3. ^ Fleming, Michael. "Christopher Eccleston joins 'Amelia'". Variety, June 12, 2008. Retrieved: October 8, 2008.
  4. ^ Siegel, Tatiana. "Ewan McGregor flies with 'Amelia'". Variety, May 26, 2008. Retrieved: October 8, 2008.
  5. ^ "Divine Brown." divinebrown.ca. Retrieved: October 27, 2010.
  6. ^ Siegel, Tatiana. "Virginia Madsen added to 'Amelia'." Variety, April 21, 2008. Retrieved: October 8, 2008.
  7. ^ Zohn 2009, p. 118.
  8. ^ a b Coles 2009, p. 172.
  9. ^ "Lucknow Native involved in production of 'Amelia' film." Lucknow Sentinel via ameliaearhart.com, October 21, 2009. Retrieved: October 25, 2009.
  10. ^ Rozemeyer, Karl. "Interview: Hilary Swank Discusses Playing Amelia Earhart." cinemaspy.com, October 22, 2009. Retrieved: October 25, 2009.
  11. ^ Braser, Bryant. "Amelia Flies With Subtle VFX: Nothing Flashy as Mr. X Recreates Period Planes and Settings for Earhart." studiodaily.com, October 22, 2009. Retrieved: October 25, 2009.
  12. ^ O'Leary 2009, pp. 12–13.
  13. ^ "Star of the silver screen visits Duxford." aeroplanemonthly.co.uk, June 29, 2009. Retrieved: October 24, 2009.
  14. ^ a b Gillespie, Ric. " 'Amelia' – a film by Mira Nair starring Hilary Swank as Amelia Earhart and Richard Gere as George Palmer Putnam." tighar.org, October 23, 2009. Retrieved: October 24, 2009.
  15. ^ "Lockheed Vega 5B ." aerospacemuseum.org. Retrieved: November 14, 2010.
  16. ^ Stares, Bob. "Amelia flies again." SooNews.ca, October 29, 2009. Retrieved: November 14, 2010.
  17. ^ a b Thompson, Anne. "'Amelia': When biopics go bad." Thompson on Hollywood, October 23, 2009. Retrieved: December 13, 2011.
  18. ^ O'Leary 2009, p. 12.
  19. ^ " 'Amelia' Reviews, Pictures." Rotten Tomatoes, IGN Entertainment.
  20. ^ " 'Amelia' Reviews, Pictures – Cream of the Crop." Rotten Tomatoes, IGN Entertainment. Retrieved: October 15, 2010.
  21. ^ " 'Amelia' (2009): Reviews." Metacritic. Retrieved: October 15, 2010.
  22. ^ Morrow, Martin. "Review: 'Amelia' – Hilary Swank's evocation of legendary pilot Amelia Earhart just doesn't fly." cbc.ca, October 22, 2009. Retrieved: October 24, 2009.
  23. ^ Dargis, Manohla. "An Adventurer Takes Flight, Blinding Smile and All." The New York Times, October 23, 2009. Retrieved: October 24, 2009.
  24. ^ Bennett, Ray. " 'Amelia': Film Review." Hollywood Reporter, October 18, 2009. Retrieved: October 24, 2009.
  25. ^ Sorrento, Matthew. " 'Amelia' Current Movie Reviews, Independent Movies." Film Threat, October 23, 2009. Retrieved: October 25, 2009.
  26. ^ Ebert, Roger. "'Amelia' (PG)." Chicago Sun-Times, October 21, 2009. Retrieved: October 25, 2009.
  27. ^ Rickey, Carrie. "Swank soars as flier Amelia Earhart." Philadelphia Inquirer, October 22, 2009. Retrieved: October 25, 2009.
  28. ^ Woodward, Tom. "Fox Home Entertainment announces DVD and Blu-ray releases of the movie." dvdactive.com, December 15, 2009. Retrieved: March 2, 2010.
Bibliography
  • Butler, Susan. East to the Dawn: The Life of Amelia Earhart. Reading, MA: Addison-Wesley, 1997. ISBN 0-306-80887-0.
  • Coles, Joanna. " Hilary Swank is Ready for Takeoff." Marie Claire, November 2009.
  • Goldstein, Donald M. and Katherine V. Dillon. Amelia: The Centennial Biography of an Aviation Pioneer. Washington, DC: Brassey's, 1997. ISBN 1-57488-134-5.
  • Long, Elgen M. and Marie K. Amelia Earhart: The Mystery Solved. New York: Simon & Schuster, 1999. ISBN 0-684-86005-8.
  • Lovell, Mary S. The Sound of Wings. New York: St. Martin's Press, 1989. ISBN 0-312-03431-8.
  • O'Leary, Michael, ed. "Amelia on the Silver Screen." Air Classics, Volume 45, No. 11, November 2009.
  • Rich, Doris L. Amelia Earhart: A Biography. Washington, DC: Smithsonian Institution Press, 1989. ISBN 1-56098-725-1.
  • Zohn, Patricia. "Oh So Swank." Town and Country, October 2009.

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