For more information on Egyptian architecture, visit Britannica.com.
| Britannica Concise Encyclopedia: Egyptian architecture |
For more information on Egyptian architecture, visit Britannica.com.
| Architecture: Egyptian architecture |
The architecture of Egypt from the 3rd millennium B.C. to the Roman period. Its most outstanding achievements are its massive funerary monuments and temples built of stone for permanence, featuring only post-and-lintel construction and corbel vaults without arches and vaulting.
| Columbia Encyclopedia: Egyptian architecture |
Characteristics of Egyptian Architecture
Scant tree growth prevented the extensive use of wood as a building material, but because fine clay was deposited by the floodwaters of the Nile, the ceramic arts developed early. Both sun-dried and kiln-dried bricks were used extensively. Fine sandstone, limestone, and granite were available for obelisks, sculpture, and decorative uses.
A massive, static, and serene architecture emerged from primitive structures of clay and reeds. The incised and flatly modeled surface adornment of the granite buildings was apparently derived from mud wall ornamentation, and the slope given to the masonry walls suggests a method employed originally to obtain stability in the mud walls. The Egyptians developed post-and-lintel construction—the type exclusively used in their monumental buildings—even though the use of the arch was developed during the dynasty of Snefru (2780–2689 B.C.). Walls were immensely thick. Columns were confined to the halls and inner courts. Roofs, invariably flat, suited to the lack of rain, were of huge stone blocks supported by the external walls and the closely spaced columns.
The massive sloping exterior walls, containing only a few small openings, as well as the columns and piers that they concealed, were covered with hieroglyphic and pictorial carvings in brilliant colors. Many motifs of Egyptian ornament are symbolic, such as the scarab, or sacred beetle, the solar disk, and the vulture. Hieroglyphics were decoration as well as records of historic events. Egyptian sculptors possessed the highest capacity for integrating ornamentation and the essential forms of their buildings. From natural objects, such as palm leaves, the papyrus plant, and the buds and flowers of the lotus, they developed conventionalized motifs.
All dwelling houses, built of timber or of sun-baked bricks, have disappeared; only temples and tombs, constructed in durable materials, have survived. The belief in existence beyond death resulted in sepulchral architecture of utmost impressiveness and permanence. Even during periods of foreign rule Egyptian architecture clung to its native characteristics, adopting almost no elements from other cultures.
Historical Development
Egyptian architectural development parallels the chronology (see Egypt): Old Kingdom, 2680–2258 B.C.; Middle Kingdom, 2134–1786 B.C.; New Kingdom, 1570–1085 B.C. Old Kingdom remains are almost entirely sepulchral, chiefly the tombs of monarchs and nobles. The mastaba is the oldest remaining form of sepulcher; it is a rectangular, flat-roofed structure with sloping walls containing chambers built over the mummy pit. The pyramid of a sovereign was begun as soon as he ascended the throne. Groups of pyramids remain; those at Giza, which include the Great Pyramid of Khufu (or Cheops), are among the best known. Many Middle Kingdom tombs were tunneled out of the rock cliffs on the west bank of the Nile, among them the remarkable group (c.1991–1786 B.C.) at Bani Hasan. New Kingdom temples in the environs of Thebes, such as those of Medinet Habu and the Ramesseum, derived their form from the funerary chapels of previous ages.
The New Kingdom years cover the great period of temple construction, those temples extant conforming to a distinct type. The doorway in the massive facade is flanked by great sloping towers, or pylons, in front of which obelisks and colossal statues were often placed. The more important temples were approached between rows of sculptured rams and sphinxes. A high enclosing wall screened the building from the common people, who had no share in the temple rituals practiced solely by the king, the officials, and the priesthood. Beyond the open colonnaded courtyard was the great hypostyle hall with immense columns arranged in a central nave and side aisles. The shorter columns of the latter permitted a clerestory for the admission of light. Behind the hypostyle hall were small sanctuaries, where only the king and priests might enter, and behind these were small service chambers.
The Great Temple of Amon at Karnak is a product of many successive additions; the central columns of its hypostyle hall are the largest known. In the temples that resulted from many additions, unity of design was often sacrificed to sheer size. New Kingdom temples were also excavated from rock. The temples of Abu-Simbel begun by Seti I (1302–1290 B.C.), have four colossal figures, sculptured from solid rock, of Ramses II, who completed the temples. (The temples were cut apart and removed from their position by the Nile previous to the completion of the Aswan dam and reassembled in 1966 at a point higher and farther inland.) The temple at Idfu (237 B.C.), by Ptolemy III, is the best preserved of the Ptolemaic period.
Bibliography
See W. M. F. Petrie, Egyptian Architecture (1938); W. S. Smith, Art and Architecture of Ancient Egypt (1958, repr. 1965); A. Badawy, Architecture in Ancient Egypt and the Near East (1966); A History of Egyptian Architecture (Vol. I–III, 1954–68).
| Wikipedia: Ancient Egyptian architecture |
The Nile valley has been the site of one of the most influential civilizations which developed a vast array of diverse structures encompassing ancient Egyptian architecture. The architectural monuments, which include the Great Pyramid of Giza and the Great Sphinx of Giza, are among the largest and most famous.
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Due to the scarcity of lumber,[1] the two predominant building materials used in ancient Egypt were sunbaked mud brick and stone, mainly limestone, but also sandstone and granite in considerable quantities.[2] From the Old Kingdom onward, stone was generally reserved for tombs and temples, while bricks were used even for royal palaces, fortresses, the walls of temple precincts and towns, and for subsidiary buildings in temple complexes.
Egypt houses were made out of mud collected from the Nile river. It was placed in molds and left to dry in the hot sun to harden for use in construction.
Many ancient Egyptian towns have disappeared because they were situated near the cultivated area of the Nile Valley and were flooded as the river bed slowly rose during the millennia, or the mud bricks of which they were built were used by peasants as fertilizer. Others are inaccessible, new buildings having been erected on ancient ones. Fortunately, the dry, hot climate of Egypt preserved some mud brick structures. Examples include the village Deir al-Madinah, the Middle Kingdom town at Kahun,[3] and the fortresses at Buhen[4] and Mirgissa. Also, many temples and tombs have survived because they were built on high ground unaffected by the Nile flood and were constructed of stone.
Thus, our understanding of ancient Egyptian architecture is based mainly on religious monuments,[5] massive structures characterized by thick, sloping walls with few openings, possibly echoing a method of construction used to obtain stability in mud walls. In a similar manner, the incised and flatly modeled surface adornment of the stone buildings may have derived from mud wall ornamentation. Although the use of the arch was developed during the fourth dynasty, all monumental buildings are post and lintel constructions, with flat roofs constructed of huge stone blocks supported by the external walls and the closely spaced columns.
Exterior and interior walls, as well as the columns and piers, were covered with hieroglyphic and pictorial frescoes and carvings painted in brilliant colors.[6] Many motifs of Egyptian ornamentation are symbolic, such as the scarab, or sacred beetle, the solar disk, and the vulture. Other common motifs include palm leaves, the papyrus plant, and the buds and flowers of the lotus.[7] Hieroglyphs were inscribed for decorative purposes as well as to record historic events or spells.
The Giza Necropolis stands on the Giza Plateau, on the outskirts of Cairo, Egypt. This complex of ancient monuments is located some 8 kilometres (5 mi) inland into the desert from the old town of Giza on the Nile, some 20 kilometers (12 mi) southwest of Cairo city center. This Ancient Egyptian necropolis consists of the Pyramid of Khufu (also known as the Great Pyramid and the Pyramid of Cheops), the somewhat smaller Pyramid of Khafre (or Kephren), and the relatively modest-sized Pyramid of Menkaure (or Mykerinus), along with a number of smaller satellite edifices, known as "queens" pyramids, and the Great Sphinx.
The pyramids, which were built in the Fourth Dynasty, testify to the power of the pharaonic religion and state. The Great Pyramid, which was probably completed c. 2580 BC, is the oldest and largest of the pyramids, and is the only surviving monument of the Seven Wonders of the Ancient World. The pyramid of Khafre is believed to have been completed around 2532 BC, at the end of Khafre's reign. The date of construction of Menkaure's pyramid is unknown, because Menkaure's reign has not been accurately defined, but it was probably completed sometime during the 26th century BC.
With few openings, the pyramids had complex mazes of tunnels and rooms all hidden by the massive hunks of stone. Nevertheless, grave robbers stubbornly stole from the pyramids, thus forcing the ancient Egyptians to halt construction on these massive structures and build their tombs in the Valley of the Kings instead. In a canyon far from any ancient Egyptian town, the Egyptians began to build inconspicuous tombs dug into the ground, thinking the tombs would go unnoticed by grave robbers.
The temple complex of Karnak is located on the banks of the River Nile some 2.5 kilometers (1.5 mi) north of Luxor. It consists of four main parts, the Precinct of Amon-Re, the Precinct of Montu, the Precinct of Mut and the Temple of Amenhotep IV (dismantled), as well as a few smaller temples and sanctuaries located outside the enclosing walls of the four main parts, and several avenues of ram-headed sphinxes connecting the Precinct of Mut, the Precinct of Amon-Re and Luxor Temple.
The key difference between Karnak and most of the other temples and sites in Egypt is the length of time over which it was developed and used. Construction work began in the 16th century BC. Approximately 30 pharaohs contributed to the buildings, enabling it to reach a size, complexity and diversity not seen elsewhere. Few of the individual features of Karnak are unique, but the size and number of features is overwhelming.
The Luxor Temple is a large ancient Egyptian temple complex located on the east bank of the River Nile in the city today known as Luxor (ancient Thebes). Construction work on the temple began during the reign of Amenhotep III in the 14th century BC. Horemheb and Tutankhamun added columns, statues, and friezes – and Akhenaten had earlier obliterated his father's cartouches and installed a shrine to the Aten – but the only major expansion effort took place under Ramesses II some 100 years after the first stones were put in place. Luxor is thus unique among the main Egyptian temple complexes in having only two pharaohs leave their mark on its architectural structure.
The temple proper begins with the 24 metre (79 ft) high First Pylon, built by Ramesses II. The pylon was decorated with scenes of Ramesses's military triumphs (particularly the Battle of Qadesh); later pharaohs, particularly those of the Nubian and Ethiopian dynasties, also recorded their victories there. This main entrance to the temple complex was originally flanked by six colossal statues of Ramesses – four seated, and two standing – but only two (both seated) have survived. Modern visitors can also see a 25 metre (82 ft) tall pink granite obelisk: this one of a matching pair until 1835, when the other one was taken to Paris where it now stands in the centre of the Place de la Concorde.
Through the pylon gateway leads into a peristyle courtyard, also built by Ramesses II. This area, and the pylon, were built at an oblique angle to the rest of the temple, presumably to accommodate the three pre-existing barque shrines located in the northwest corner. After the peristyle courtyard comes the processional colonnade built by Amenhotep III – a 100 metre (328 ft) corridor lined by 14 papyrus-capital columns. Friezes on the wall describe the stages in the Opet Festival, from sacrifices at Karnak at the top left, through Amun's arrival at Luxor at the end of that wall, and concluding with his return on the opposite side. The decorations were put in place by Tutankhamun: the boy pharaoh is depicted, but his names have been replaced with those of Horemheb.
Beyond the colonnade is a peristyle courtyard, which also dates back to Amenhotep's original construction. The best preserved columns are on the eastern side, where some traces of original colour can be seen. The southern side of this courtyard is made up of a 36-column hypostyle court that leads into the inner sanctums of the temple, which begin with a dark chamber not achechamber.
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