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...And Justice for All

 
Movies:

...And Justice for All

  • Director: Norman Jewison
  • AMG Rating: starstarstar
  • Genre: Comedy Drama
  • Movie Type: Satire
  • Themes: Social Injustice, Fighting the System
  • Main Cast: Al Pacino, Jack Warden, John Forsythe, Lee Strasberg, Christine Lahti
  • Release Year: 1979
  • Country: US
  • Run Time: 120 minutes
  • MPAA Rating: R

Plot

Norman Jewison's blackly satirical look at the American justice system has gained in stature as one of the more incisive social commentaries of its time. Al Pacino plays Arthur Kirkland, an incorruptible attorney who attempts to initiate reforms in the Maryland justice system. Kirkland is haunted by the fates of two past clients, one of whom committed suicide in jail; the other is still alive but is locked up on a trumped-up traffic violation. The ability of power and money to distort the pursuit of justice becomes all too clear as Kirkland finds out how deeply the rot has spread. He finally retaliates by representing a repulsive judge (John Forsythe) accused of rape. Pacino's and Forsythe's performances are intense and powerful. Many critics found the film biting and almost painful in its razor-sharp indictment of the justice system, while others declared the script too outrageous. ~ Don Kaye, All Movie Guide

Review

Oftentimes, the most difficult features to approach are those whose brilliant scenes add up to less than they would if taken individually. Norman Jewison's political satire ...And Justice for All hits this mark, to such an extreme that it almost evades value judgment. (It appears to have thoroughly baffled critics when it hit American cinemas in September of 1979 -- and several who were brave enough to approach it dismissed the entire enterprise as mediocre.) Such is an oversimplification at best. As a whole, Justice feels schizoid and erratic, veering violently and unpredictably from searing, bitter, white-hot, and heartbreaking social criticism (sans any visible traces of humor) to some of the most daft, pickled, and uproarious American black comedy of the past several decades. The film's primary weakness originates with Barry Levinson and Valerie Curtin's script, which never finds a tonal foothold -- it feels modally uncertain, shaky, and tenuous throughout. (That it received an Oscar nomination is inexplicable.) And yet, by some small miracle, Justice's strengths far outshine the flaws that exist on the script level. The Jewison-directed performances by Al Pacino, then-newcomer Christine Lahti, Jack Warden, a young Jeffrey Tambor, Craig T. Nelson, and especially John Forsythe (who surprised just about everybody with a brilliant vile turn away from his good-guy typecasting) score a bullseye. (Lahti and Pacino play off of each other with astonishing deftness -- their romantic/sexual patter is one of the film's great highlights). The preponderance of the film's satirical commentary on the American judicial system feels spot-on, as eerily predictive as Network was, three years prior, in its excoriation of television news. And one cannot help but admire Levinson and Curtin's ensemble of colorfully cracked characters -- from Pacino, the irascible counsel responsible for punching Forsythe's judge in the mouth, to Tambor's over-the-edge fellow attorney, who shaves his head and hurls discus with cafeteria plates in the courthouse hallways, to Warden's suicidally fetishistic judge, who brings Pacino's character within an inch of death in a helicopter ride. And though the details of the film's final scene will go unrevealed here, let it be said that it rewrote the rules of the cinematic "courtroom tirade" -- it remains one of those rare concluding sequences, like the courtroom scene in Martin Ritt's The Front, that have the viewer crying, laughing, and cheering simultaneously, in stunned admiration. ...And Justice for All may suffer a bit from the scriptwriters' gutsy attempt to blend tones, but it ultimately rises above its scattered weaknesses and stakes its claim as an essential (and overlooked) work of American cinema. ~ Nathan Southern, All Movie Guide

Cast

Jeffrey Tambor - Jay Porter; Sam Levene - Arnie; Robert Christian - Ralph Agee; Thomas G. Waites - Jeff McCullough; Larry Bryggman - Warren Fresnell; Craig T. Nelson - Frank Bowers; Dominic Chianese - Carl Travers; Victor Arnold - Leo Fauci; Keith Andes - Marvin Bates; Vincent Beck - Officer Leary; Michael Gorrin - Elderly Man; Baxter Harris - Larry; Joe Morton - Prison Doctor; Alan North - Deputy Sheriff; Thomas Quinn - Desk Clerk Kiley; Beverly Sanders - Sherry; Connie Sawyer - Gitel; Charles Siebert - Assistant District Attorney Keene; Robert Symonds - Judge Burns; Vasili Bogazianos - Avillar; Jack Hollander - Prison Warden

Credit

Peter Samish - Art Director, Ruth Myers - Costume Designer, Win Phelps - First Assistant Director, Norman Jewison - Director, John F. Burnett - Editor, Joe Wizan - Executive Producer, Dave Grusin - Composer (Music Score), Richard Macdonald - Production Designer, Victor J. Kemper - Cinematographer, Norman Jewison - Producer, Patrick Palmer - Producer, Joe Wizan - Producer, Richard Macdonald - Set Designer, Robert G. Henderson - Sound/Sound Designer, Frederic Kimball - Dialogue Writer, Valerie Curtin - Screenwriter, Barry Levinson - Screenwriter, Alan Bergman - Lyricist, Marilyn Bergman - Lyricist

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...And Justice For All

original movie poster
Directed by Norman Jewison
Produced by Norman Jewison
Patrick J. Palmer
Written by Valerie Curtin
Barry Levinson
Starring Al Pacino
John Forsythe
Christine Lahti
Jack Warden
Lee Strasberg
Music by Dave Grusin
Cinematography Victor J. Kemper
Editing by John F. Burnett
Distributed by Columbia Pictures
Release date(s) June 29, 1979
Running time 119 min.
Country US
Language English

...And Justice For All is a 1979 screwball comedy lampooning the legal profession, directed by Norman Jewison. The movie stars Al Pacino, Jack Warden, Lee Strasberg, Jeffrey Tambor, Christine Lahti, Craig T. Nelson and Thomas G. Waites. It was also 75-year-old character actor Sam Levene's final film. The movie was written by Valerie Curtin and Barry Levinson.

This film includes a well-known scene in which Kirkland shouts at Judge Rayford, "You're out of order! You're out of order! The whole trial is out of order! They're out of order!" The closing courtroom scene was filmed on the first take. The film shows many scenes of downtown Baltimore, including the courthouse area, a scene running around the Washington Monument/Mount Vernon Place, and Fort McHenry.

...And Justice For All received two Academy Award nominations, for the Best Actor in a Leading role (Pacino) and for Best Original Screenplay (Curtin and Levinson). Pacino also received a Golden Globe nomination for his performance. This film represented the second time Pacino was nominated for these awards in a movie in which he acted alongside his famed acting teacher, Lee Strasberg, the other being The Godfather Part II.

The title is the last four words of the Pledge of Allegiance.

Contents

Plot

Arthur Kirkland (Al Pacino) is an angry, idealistic young defense attorney in Baltimore. As the film opens, he is in jail on a charge of contempt of court for having thrown a punch at judge Henry T. Fleming (John Forsythe) while arguing the case of an innocent defendant, Jeff McCullaugh (Thomas G. Waites).

McCullaugh was stopped for a minor traffic offense, but then mistaken for a killer of the same name and convicted. He has already endured one and half years in jail, as Kirkland continues his efforts to have the case reviewed against Fleming's resistance. Though there is strong new evidence that the convicted man was innocent, Judge Fleming refused Kirkland's appeal due to a minor technicality and leaves McCullaugh in prison.

Kirkland takes another case, that of meek, gentle transgender Ralph (Robert Christian), who is guilty of a small crime. Kirkland also pays regular nursing home visits to his devoted grandpa Sam (Lee Strasberg), who is becoming senile, while beginning a romance with a legal ethics committee member, Gail Packer (Christine Lahti).

One day, Kirkland is shocked to find himself requested to defend Judge Fleming, who to everyone's surprise has been accused of rape. The two loathe each other, but Fleming feels everyone will believe he is innocent if the person publicly known to hate him also argues his innocence. He uses blackmail, telling Kirkland an old client confidentiality violation will be reviewed by the ethics committee and Arthur likely will be disbarred if he refuses to represent Fleming. Gail confirms this.

An eccentric judge named Rayford (Jack Warden), who has a friendly relationship with Kirkland, takes him for a hair-raising ride in his personal helicopter over the harbor and Fort McHenry, laughing as he tests how far they can possibly go without running out of fuel. Rayford is quite possibly suicidal, keeping a rifle in the courthouse.

Kirkland's friend and partner, Jay Porter (Jeffrey Tambor), is also unstable. He feels guilt from gaining acquittals for defendants who were truly guilty of violent crimes and goes berserk when one commits another murder. After a breakdown at the courthouse, Jay is taken to a hospital accompanied by Kirkland. Before leaving in the ambulance, a distracted Arthur calls on another lawyer friend, Warren (Larry Bryggman), to handle Ralph's court hearing in his absence. But after Warren forgets to appear on time, Ralph is sentenced to jail and commits suicide.

Kirkland is livid. Warren argues that Ralph's trial was nothing but "nickels and dimes" (not a major source of income) before Kirkland sternly reminds him "they're people." His other client, McCullaugh, abused by fellow prisoners, snaps one day and takes two hostages. Arthur pleads with him to surrender, promising to get him out, but the police shoot and kill McCullough when he inadvertently exposes himself to a sharpshooter.

A clearly disturbed Kirkland takes on Judge Fleming's case, which Judge Rayford and a jury will hear in court. Arthur acquires evidence from another client, Carl, incriminating photographs that show Fleming in BDSM acts with a prostitute. Gail warns him not to betray a client. He shows the pictures to Fleming, who then freely admits that he is guilty of the rape.

Disgusted with his situation, Kirkland goes to trial. In his opening statement, Arthur begins by mocking the case of the prosecuting attorney (Craig T. Nelson) while speaking of the flaws of the American legal system. He appears to be making a strong case to exonerate Fleming. But unexpectedly, he blurts to the court that Fleming not only did rape the victim but wouldn't mind doing it again. He tells the jury, "My client, The Honorable Henry T. Fleming, should go right to fucking jail! The son of a bitch is guilty!"

The courtroom erupts and the presiding judge is enraged. He calls Kirkland "out of order," to which Arthur replies, "You're out of order!" Arthur is dragged away, continuing to shout his rage all the way out the door, winning Gail's admiration in the process.

In the end, Kirkland sits on the court's steps, where his partner Jay tips a wig like a hat and greets him with a friendly "Hi, Arthur" as if nothing had happened. The madness inside the court will clearly continue.

Cast

Cultural References

  • In the 6teen episode "Pillow Talk", Wayne, the owner of Underground Videos, states that a moment in which the principal characters make peace with their most embarrassing moments "was awesome, just like Al Pacino in ...And Justice For All.

See also

External links


 
 

 

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