Gryphius, Andreas (Glogau, 1616-64, Glogau), poet and dramatist, was orphaned early. He was educated at Glogau, Fraustadt, and Danzig, where he also worked as a private tutor. He accepted a similar position in 1636 in Freistadt under Georg von Schönborn, after whose death he accompanied his sons to the prestigious university in Leiden, where from 1638 to 1644 he studied a wide range of subjects and also gave lectures. In 1644 Gryphius began a grand tour in the course of which he spent time in Paris, Rome, Ferrara, Florence, and Venice. In 1646/7 he spent nine months in Strasburg, a major intellectual centre, returning in 1647 to Fraustadt in Silesia which had suffered badly in the Thirty Years War (see Dreissigjähriger Krieg). He declined offers of chairs in Frankfurt/Oder, Heidelberg, and Uppsala, married in 1649, and in 1650 became secretary to or legal representative of the estates (Landessyndikus) in the principality of Glogau, a position he held until his death.
Gryphius's first publications included Latin poetry, Herodis Furiae, et Rachelis lachrymae (1634), and his first collection of German sonnets (1637). During his years in Holland he published much lyric poetry; Son- und Feyrtagssonete (1639), Sonnete. Das erste Buch (1643), Oden. Das erste Buch (1643), Epigrammata. Das erste Buch (1643), and the Latin Epigrammatum (1643). After his return to Silesia Kirchhoffs-Gedancken, Oden Tl. I-III, Oden Tl. IV, and Sonette appeared in Deutscher Gedichte/Erster Theil (1657). A master of the sonnet form, Gryphius wrote predominantly sombre poetry, embodying Christian reflections on the vanity and brevity of human life and earthly values.
Gryphius's interest in the theatre was stimulated by his stay in Holland, where he became acquainted with the theatre of J. van Vondel, whose De Gebroeders he translated, and by his travels abroad. In Strasburg he completed the tragedy Leo Armenius in 1646, and on his return to Germany Catharina von Georgien, later revised, and published in 1657, as well as his only non-political tragedy, Cardenio und Celinde, also published in 1657. During his years as Syndikus he produced other major works for the stage. In response to the execution of Charles I he wrote Ermordete Majestät. Oder Carolus Stuardus König von Großbritanien in 1649/50 (rev. second edn., 1663), and Großmüttiger Rechts-Gelehrter/Oder Sterbender ÆmiliusPaulus Papinianus appeared in 1659. His tragedies, performed by schoolboys, reflect his deep Christian faith, his concern with contemporary political debate, and the neo-Stoicism of the age.
The comedies, marked by an extraordinary linguistic fertility, are entertaining satires. Gryphius is best known as the author of Absurda Comica. Oder Herr Peter Squentz (1658) and Horribilicribrifax Teutsch. Wehlende Liebhaber (1663). Other works include the Gesangspiel Verlibtes Gespenste (1660) and the peasant comedy Die gelibte Dornrose (1661), the acts of which were performed alternately so as to constitute a single performance. In 1662 he was accepted into the Fruchtbringende Gesellschaft as der Unsterbliche.
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| Andreas Gryphius | |
|---|---|
| Born | Andreas Greif 11 October 1616 Großglogau (Głogów), Silesia |
| Died | 16 July 1664 (aged 47) |
| Occupation | Lyric poet • Dramatist |
| Nationality | German |
| Period | Baroque |
Andreas Gryphius (11 October 1616 – 16 July 1664) was a German lyric poet and dramatist.
Asteroid 496 Gryphia is named in his honour.
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Gryphius was born as "Andreas Greif" in Großglogau, (Polish: Głogów), in Silesia, where his father was a clergyman. The family name was Greif, latinized, according to the prevailing fashion, as Gryphius. Left early an orphan and driven from his native town by the troubles of the Thirty Years' War, he received his schooling in various places, but notably at Fraustadt (Polish: Wschowa), where he enjoyed an excellent classical education.
In 1634 he went to Danzig (Polish:Gdańsk) where he met professors Peter Crüger and Johann Mochinger at the Danzig Gymnasium, who introduced Gryphius to the new German language poetry. Crüger had for years close contacts to Martin Opitz, who became known as 'father of German poetry'. Greatly influenced by Crüger, he is the only one Gryphius dedicated poems to. Gryphius wrote Latin language poetry as well as German poems and a number of Sonetten.
The same year that Gryphius arrived, the printer Andreas Hünefeld published Martin Opitz's Buch von der deutschen Poeterey (Book of German Poetry), The same publisher printed Opitz's translation Tetrastichen des Pibrac and Antigone. Among Gryphius' benefactors was the city's secretary Michael Borck, who wrote a German version of the life of Jesus Christ. Borck's illustrated book is still at the Biblioteka Gdańska PAN . Coming from war riddled Silesia, taking refuge at the big international harbor and Polish city greatly stimulated Gryphius. In 1635 he published his second epos of Herodes Dei Vindicis Impetus et Herodis Interitus . He dedicated this to the city state council.
While still in Danzig he published the Parnassus Renovatus in praise of the eminent jurist Georg Schönborner (1579–1637, from the town of Schönborn). In 1636 he went to Fraustadt Wschowa, then to Schönborn, in order to became tutor of the sons of Georg Schönborner, a man of wide culture and considerable wealth, who, after filling various administrative posts and writing many erudite volumes on law, had been rewarded by the emperor Ferdinand II with the title and office of imperial count-palatine (Hofpfalzgraf). Schönborner, who recognized Gryphius's genius, crowned him poeta laureatus, gave him the diploma of master of philosophy, and bestowed on him a patent of nobility, though Gryphius never used the title. A month later, on 23 December 1637, Schönborner died.
In 1637 Gryphius published at Wigand Funck in (German: Lissa) Leszno a poetry collection in German and some Latin, named Lissaer Sonetten after the town.
In 1632, he had witnessed the pillaging and burning of the Silesian town of Freystadt by Swedish troops, and immortalized the event in his poem Fewrige Freystadt. Also in 1637 he went to continue his studies at Leiden, where he remained for six years, both hearing and delivering lectures. Here he fell under the influence of the great Dutch dramatists, Pieter Corneliszoon Hooft and Joost van den Vondel, who largely determined the character of his later dramatic works.
In 1635 with the Prager Frieden (Peace of Prague), the Habsburgs took control over in Silesia again and persecuted Protestants and closed their churches. In 1638 Paul Gryphius, the brother of Andreas, received a position as Superindendant at Crossen an der Oder (Krosno Odrzańskie) in Brandenburg from the Elector Georg Wilhelm of Brandenburg. Paul was for several years banned from Silesia for of being a Protestant, and Andreas dedicated and sent him several poems for the start of his new position.
After travelling in France, Italy and South Germany, Gryphius settled in 1647 at Fraustadt, where he began his dramatic work, and in 1650 was appointed syndic of Glogau, a post he held until his death. A short time previously he had been admitted under the title of The Immortal into the Fruchtbringende Gesellschaft ("Fruitbearing Society"), a literary society, founded in 1617 by Ludwig, prince of Anhalt-Köthen on the model of the Italian academies.
Gryphius grew up during the Thirty Years' War and witnessed the destruction of large parts of Germany, which had lasting effects for centuries. Not yet an adult himself, he saw the child of a benefactor (Crüger) die, and prepared another (Schönborner) for his approaching death. It is therefore not surprising that some morbid disposition, and his melancholy temperament, fostered by the misfortunes of his childhood is largely reflected in his lyrics, of which the most famous are the Kirchhofsgedanken ("Cemetery thoughts", 1656). His best works are his comedies, one of which, Absurda Comica, oder Herr Peter Squentz (1663), is evidently based on the comic episode of Pyramus and Thisbe in A Midsummer Night's Dream. Die geliebte Dornrose (1660), written in a Silesian dialect, contains many touches of natural simplicity and grace, and ranks high among the comparatively small number of German dramas of the 17th century. Horribilicribrifax (1663), founded on the Miles Gloriosus of Plautus, is a rather labored attack on pedantry. Besides these three comedies, Gryphius wrote five tragedies. In all of them the tendency is to become wild and bombastic, but he had the merit of at least attempting to work out artistically conceived plans, and there are occasional flashes both of passion and of imagination. His models seem to have been Seneca and Vondel. In Carolus Stuardus (1657) he dramatised events of his own day, namely the death of King Charles I of England; his other tragedies are Leo Armenius (1650); Catharina von Georgien (1657), Cardenio und Celinde (1657) and Papinianus (1659). No German dramatic writer before him had risen to so high a level, nor had he worthy successors until about the middle of the 18th century.
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This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
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