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Andrew Cyrille

 
  • Genres: Jazz

Biography

Andrew Cyrille is perhaps the preeminent free-jazz percussionist of the 1980s and '90s. Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety. Cyrille is at his best in an utterly free context, as on his encounters with the ambidextrous pianist Borah Bergman, where his serrated rhythms and variable textures are given maximum latitude. Cyrille began playing drums in a drum and bugle corps at the age of 11. At 15, he played in a trio with guitarist Eric Gale. For a period in his teens, Cyrille studied chemistry before enrolling in Juilliard School of Music in 1958. In the late '50s and early '60s, he worked with such mainstream jazzers as Mary Lou Williams, Roland Hanna, Roland Kirk, Coleman Hawkins, and Junior Mance. He recorded with Hawkins, as well as tenor saxophonist Bill Barron, for the Savoy label. Cyrille succeeded Sunny Murray as Cecil Taylor's drummer in 1964. He stayed with the pianist until 1975, during which time he played on many of Taylor's classic albums. During that period he played with a good many other top players, including Marion Brown, Grachan Moncur III and Jimmy Giuffre. He also served for a time as artist in residence at Antioch College and recorded a solo percussion album, 1969's What About?, on BYG. Cyrille, Rashied Ali, and Milford Graves collaborated on a series of mid-'70s concerts entitled "Dialogue of the Drums." Beginning in 1975 and lasting into the '80s, Cyrille led his own group, called Maono, which included the tenor saxophonist David S. Ware, trumpeter Ted Daniel, pianist Sonelius Smith, and at various times bassists Lisle Atkinson and Nick DiGeronimo. During this time Cyrille also played with the Group, a band that included the violinist Billy Bang, bassist Sirone, altoist Brown, and trumpeter Ahmed Abdullah. With Graves, Don Moye, and Kenny Clarke, Cyrille recorded the all-percussion album Pieces of Time for Soul Note in 1983. When not leading his own bands, he also worked ubiquitously as a sideman with, among others, John Carter, Muhal Richard Abrams, and Jimmy Lyons. Cyrille continued as a leading player into the late '90s, recording fairly prolifically for Black Saint/Soul Note, FMP, and DIW. ~ Chris Kelsey, Rovi
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Andrew Cyrille

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Andrew Cyrille

photo by Shawn Brackbill
Background information
Birth name Andrew Charles Cyrille
Born November 10, 1939 (1939-11-10) (age 72)
Origin Brooklyn, New York, U.S.
Genres Jazz
Occupations Drummer
Instruments drums
Associated acts Cecil Taylor, David S. Ware, David Murray, Irène Schweizer, Marilyn Crispell, Carla Bley

Andrew Charles Cyrille (born November 10, 1939) is an avant-garde jazz drummer.

Cyrille was born in Brooklyn, New York into a family with a mother from Haiti. He began studying science at St. John's University, but was already playing jazz in the evenings and switched his studies to the Juilliard School.[1]

His first professional engagement was as an accompanist of singer Nellie Lutcher and he had an early recording session with Coleman Hawkins.[2] Trumpeter Ted Curson introduced him to pianist Cecil Taylor when Cyrille was 18.[2]

He joined the Cecil Taylor unit in 1964 and stayed for about 10 years and eventually performed drum duos with Milford Graves. In addition to recording as a bandleader, he has recorded and/or performed with musicians such as David Murray, Irène Schweizer, Marilyn Crispell, Carla Bley, Butch Morris and Reggie Workman among others.

Contents

Discography

As leader

As sideman

With Billy Bang

With Anthony Braxton

  • Eight (+3) Tristano Compositions, 1989: For Warne Marsh (hatArt, 1989)

With Carla Bley

With Marion Brown

With Dave Burrell

With John Carter

  • Castles of Ghana (Gramavision, 1985)
  • Dance of the Love Ghosts (Gramavision, 1986)
  • Fields (Gramavision, 1988)
  • Comin' On (hat Art, 1988)
  • Shadows on a Wall (Gramavision, 1989)

With Charlie Haden

With Jazz Composer's Orchestra

With Leroy Jenkins

With Oliver Lake

With David Murray

With Horace Tapscott

  • The Dark Tree (hat Art, 1989)

With Cecil Taylor

References

  1. ^ Bob Young and Al Stankus (1992). Jazz Cooks. Stewart Tabori and Chang. pp. 92–93. ISBN 1-55670-192-6. 
  2. ^ a b Case, Brian (October 4, 1975), "Make like a chimp (or choose your own alternative)", NME: 28–29 

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