Born in Scotland, and passionately interested in Scottish topics all his life, Lang also had an immense impact on the development of general British folklore studies in the late 19th century. His publications range very widely, but his interest in folklore was inspired by Tylor's anthropological writings—particularly Primitive Culture (1871). Lang sprang into the public limelight with what proved to be the first of many public controversies in which he engaged, when an article in the Fortnightly Review (May 1873) took on Max Müller and the other leading figures of the ‘philological school’ of solar mythologists, who believed that the study of language was the primary key to the understanding of myths. Lang propounded instead a comparative anthropological approach which brought in evidence from ‘savage’ cultures on a world-wide basis rather than the relatively narrow Indo-European base of Müller. Lang's timing was excellent, as the philologists' arguments were already somewhat outmoded, and he not only won the day but gave a popular face to the new folklore, and himself, at a stroke. He continued to develop his comparative method, and he joined the Folklore Society on its formation in 1878, serving as its President in 1889-91. Lang described his comparative method in several of his books, such as:
Our method, then, is to compare the seemingly meaningless customs or manners of civilised races with the similar customs and manners which exist among the uncivilised and still retain their meaning. It is not necessary for comparison of this sort that the uncivilised and the civilised race should be of the same stock, nor need we prove that they were ever in contact with each other. Similar conditions of mind produce similar practices, apart from identity of race or borrowing of ideas and manners. (Custom and Magic,new edn. , 1904: 21-2)
Bibliography
The full bibliography list is available here.
Lang, Andrew (1844–1912), Scottish folklorist, scholar, poet, and man of letters. Ironically for someone of his vast output, he is now remembered mainly for his fairy tales, and for his Fairy Book series. Born in Selkirk in the Scottish Borders, he was steeped in the ballads and legends of those parts. He was sent to school in Edinburgh where Greek, which ‘for years seemed a mere vacuous terror’, became a passion once he discovered Homer. He studied classics at St Andrews University, and one of his earliest books was a translation of the Odyssey (with S. H. Butcher), published in 1879. Later he was to collaborate with Henry Rider Haggard in The World's Desire (1890), a romance chronicling the wanderings of Odysseus in search of Helen, and the evil magic of Meriamun, queen of Egypt, who tries to foil him.
He had been a comparative mythologist since his youth with a strong interest in anthropology, and his earliest statement of his anthropological theory was in an essay, ‘Mythology and Fairy Tales’, in the Fortnightly Review (May 1873), described by Reinach as ‘the first full statement of the anthropological method applied to the comparative study of myths’. He was to return to it again and again in Custom and Myth (1884), Myth, Ritual and Religion (1887), and lengthy polemical essays in Margaret Hunt's edition of the Grimms' tales (1884), in The Marriage of Cupid and Psyche (1887), Perrault's Popular Tales (1888), and The Secret Commonwealth of Elves, Fauns, and Fairies (1893) by Robert Kirk, a Perthshire Presbyterian minister who, according to local legend, was spirited away by the fairies after he trod on a fairy hill.
His Fairy Book series began in 1889 with The Blue Fairy Book. He had overcome his early distaste for literary tales, and though the series was mostly to contain only traditional folk tales, this first volume oddly included an abridged version of Gulliver's voyage to Lilliput. There were 37 tales, from Mme d' Aulnoy, Charles Perrault, the Grimms, as well as Norse, Scottish, and English stories. Though Lang himself had chosen the stories, nearly all the translation and rewriting had been done by others. This was to be the case throughout the series, Mrs Lang latterly undertaking most of the work. The Blue Fairy Book also contained ‘The Terrible Head’, a retelling by Lang himself of the story of Perseus and the Gorgon. He did much the same with ‘The Story of Sigurd’ in the next volume, but did not include this sort of mythological material again in the series. The Red Fairy Book followed in 1890, and the Green in 1892, finishing with Lilac in 1910, by which time the tales had moved from exclusively European sources to take in African, American, American Indian, Berber, Brazilian, Indian, Japanese, Persian, Sudanese, and Turkish examples. Though he had included invented stories by authors such as d'Aulnoy, Hans Christian Andersen, and Zacharias Topelius, by far the greater part of the Fairy Books was derived from traditional folklore. The immense popularity of the series did much to revive interest in fairy tales.
Lang himself wrote several fairy stories. His first, The Princess Nobody (1884) was commissioned to provide a text for illustrations by Richard Doyle, originally published in 1870 with poems by William Allingham. The most striking is The Gold of Fairnilee (1888), inspired by Border ballads and legends. The fairies here are the shadowy, feared spirits who seek to steal humans, and Fairnilee is an actual ruined house on the Tweed known by Lang as a boy. Ranald Ker, whose father has died at the battle of Flodden Field, grows up ‘in a country where everything was magical and haunted; where fairy knights rode on the leas after dark, and challenged men to battle’. His great wish is to meet the Fairy Queen and to be taken into her world, and one Midsummer's Eve he disappears, carried off to Elfland. Here he is held captive, and though it charms him at first, he comes to see it as hollow and desolate. (In its account of Elfland the story resembles Dinah Mulock's Alice Learmont, which it is possible Lang had read.) At the end of seven years Jean, his childhood companion, succeeds in rescuing him. Prince Prigio (1889), Prince Ricardo of Pantouflia (1893), and Tales of a Fairy Court (1906) are light‐hearted jeux d'esprit in the Thackeray manner, sometimes, especially in the last of these, verging on the burlesque. Prince Prigio, cursed by a fairy at his christening by being made ‘too clever’, antagonizes all around him. Having spurned the gifts brought by the more benevolent fairies—seven league boots, a wishing cap, a magic carpet—in a dire emergency he learns their value, and eventually wishes himself to seem no cleverer than other people. In contrast, Prigio's son Ricardo relies too much on magic and has to be taught self‐reliance. Tales of a Fairy Court are further chronicles of Prigio and Pantouflia.
Bibliography
— Gillian Avery
Bibliography
See biography by R. L. Green (1946, repr. 1973).
, Andrew 1844-1912.Philosopher, poet, scholar, and author of scholarly books on a wide range of topics, including anthropology, folklore, mythology, psychology, ghost lore, history, biography, and fairy tales. He was born at Selkirk, Scotland, on March 31, 1844, and was educated at St. Andrews University. He also studied at Glasgow University and Oxford University (Balliol and Merton colleges). Lang abandoned his fellowship at Merton College to become a journalist and author in London.
He joined the Society for Psychical Research (SPR) in 1906, but his interest in psychical phenomena was of longer standing. Lang studied them rather from the historic and anthropologic, than from the experimental, viewpoint.
His earliest paper was read before the SPR on the Cock Lane Ghost in 1894. Subsequently he was a frequent contributor to the society's Proceedings and Journal. In the Journal (vol. 7) he wrote on Queen Mary's diamonds; in Proceedings (vol. 11) on the voices of Joan of Arc. The telepathy à trois (involving three individuals) was his conception in a paper on the mediumship of Leonora Piper. His book Custom and Myth, published in 1884, contained a chapter on the divining rod, which he regarded as a mischievous instrument of superstition. However, the investigations of William Barrett convinced him that it was "a fact, and a very serviceable fact." Lang also contributed some valuable personal evidence on crystal gazing.
He wrote several articles on psychic research for the Encyclopaedia Britannica in 1902. His books The Making of Religion (1898), Magic and Religion (1901), Cock Lane and Common Sense (1894), and The Book of Dreams and Ghosts (1897) are regarded as valuable tools for students of psychic research. The Mind of France (1908) was the first attempt to consider Joan of Arc in the light of psychic phenomena. In 1911 Lang became president of the Society for Psychical Research. According to the Rev. M. A. Bayfield in Proceedings (vol. 26), it is fair to infer from Lang's later writings that he found the exclusion of an external agency from some phenomena increasingly difficult.
The range and content of Lang's books and writings demonstrate remarkable originality and scholarship. He was the first scholar to properly correlate the mythology of ancient society with the folklore and psychic phenomena of modern civilization. His rainbow-colored series of fairy tale books for children, beginning with The Blue Fairy Book in 1889, remains popular.
Lang was honored by St. Andrews and Oxford universities and was elected an honorary fellow of Merton College in 1890. The freedom of his native town of Selkirk was conferred on him in 1889. He died July 20, 1912.
Sources:
Berger, Arthur S., and Joyce Berger. The Encyclopedia of Parapsychology and Psychical Research. New York: Paragon House, 1991.
Lang, Andrew. The Book of Dreams and Ghosts. 1897. Reprint, New York: Causeway Books, 1974.
——. Cock Lane and Common Sense. London: Longmans, Green, 1894. Reprint, New York: AMS Press, 1970.
——. Magic and Religion. 1901. Reprint, New York: Greenwood Press, 1969.
——. The Maid of France, Being the Story of the Life and Death of Jeanne d'Arc. London: Longmans, Green, 1908.
——. The Making of Religion. 1898. Reprint, New York: AMS Press, 1968.
Pleasants, Helene, ed. Biographical Dictionary of Parapsychology. New York: Helix Press, 1964.
Quotes:
"He used statistics as a drunken man uses lampposts; for support rather than illumination."
| Andrew Lang | |
|---|---|
![]() Andrew Lang |
|
| Born | 31 March 1844 Selkirk, Scottish Borders, Scotland |
| Died | 20 July 1912 (aged 68) Banchory, Aberdeenshire, Scotland |
| Occupation | Writer (poet, novelist), Literary critic, Anthropologist |
| Nationality | Scottish |
| Period | 19th century |
| Genres | Children's Literature |
Andrew Lang (31 March 1844 – 20 July 1912) was a Scots poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him.
|
Contents
|
Lang was born in Selkirk. He was the eldest of the eight children born to John Lang, the town clerk of Selkirk, and his wife Jane Plenderleath Sellar, who was the daughter of Patrick Sellar, factor to the first duke of Sutherland. On 17 April 1875 he married Leonora Blanche Alleyne, the youngest daughter of C. T. Alleyne of Clifton and Barbados.
He was educated at Selkirk grammar school, Loretto, and at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford, where he took a first class in the final classical schools in 1868, becoming a fellow and subsequently honorary fellow of Merton College. As a journalist, poet, critic and historian, he soon made a reputation as one of the most able and versatile writers of the day.
He died of angina pectoris at the Tor-na-Coille Hotel in Banchory, Banchory, survived by his wife. He was buried in the cathedral precincts at St Andrews.
Lang is now chiefly known for his publications on folklore, mythology, and religion. The interest in folklore was from early life; he read John McLennan before coming to Oxford, and then was influenced by E. B. Tylor.[1]
The earliest of his publications is Custom and Myth (1884). In Myth, Ritual and Religion (1887) he explained the "irrational" elements of mythology as survivals from more primitive forms. Lang's Making of Religion was heavily influenced by the 18th century idea of the "noble savage": in it, he maintained the existence of high spiritual ideas among so-called "savage" races, drawing parallels with the contemporary interest in occult phenomena in England. His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books. Lang examined the origins of totemism in Social Origins (1903).
Lang was one of the founders of "psychical research" and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He served as President of the Society for Psychical Research in 1911.
He collaborated with S. H. Butcher in a prose translation (1879) of Homer's Odyssey, and with E. Myers and Walter Leaf in a prose version (1883) of the Iliad, both still noted for their archaic but attractive style. He was a Homeric scholar of conservative views. Other works include Homer And The Study Of Greek found in Essays In Little (1891), Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906).
Lang's writings on Scottish history are characterised by a scholarly care for detail, a piquant literary style, and a gift for disentangling complicated questions. The Mystery of Mary Stuart (1901) was a consideration of the fresh light thrown on Mary, Queen of Scots, by the Lennox manuscripts in the University Library, Cambridge, approving of her and criticising her accusers.
He also wrote monographs on The Portraits and Jewels of Mary Stuart (1906) and James VI and the Gowrie Mystery (1902). The somewhat unfavourable view of John Knox presented in his book John Knox and the Reformation (1905) aroused considerable controversy. He gave new information about the continental career of the Young Pretender in Pickle the Spy (1897), an account of Alestair Ruadh MacDonnell, whom he identified with Pickle, a notorious Hanoverian spy. This was followed by The Companions of Pickle (1898) and a monograph on Prince Charles Edward (1900). In 1900 he began a History of Scotland from the Roman Occupation (1900). The Valet's Tragedy (1903), which takes its title from an essay on Dumas's Man in the Iron Mask, collects twelve papers on historical mysteries, and A Monk of Fife (1896) is a fictitious narrative purporting to be written by a young Scot in France in 1429-1431.
Lang's earliest publication was a volume of metrical experiments, The Ballads and Lyrics of Old France (1872), and this was followed at intervals by other volumes of dainty verse, Ballades in Blue China (1880, enlarged edition, 1888), Ballads and Verses Vain (1884), selected by Mr Austin Dobson; Rhymes à la Mode (1884), Grass of Parnassus (1888), Ban and Arrière Ban (1894), New Collected Rhymes (1905).
Lang was active as a journalist in various ways, ranging from sparkling "leaders" for the Daily News to miscellaneous articles for the Morning Post, and for many years he was literary editor of Longman's Magazine; no critic was in more request, whether for occasional articles and introductions to new editions or as editor of dainty reprints.
He edited The Poems and Songs of Robert Burns (1896), and was responsible for the Life and Letters (1897) of JG Lockhart, and The Life, Letters and Diaries (1890) of Sir Stafford Northcote, 1st Earl of Iddesleigh. Lang discussed literary subjects with the same humour and acidity that marked his criticism of fellow folklorists, in Books and Bookmen (1886), Letters to Dead Authors (1886), Letters on Literature (1889), etc.
| Wikisource has original works written by or about: |
| Wikimedia Commons has media related to: Andrew Lang |
| Wikiquote has a collection of quotations related to: Andrew Lang |
| Wikisource has original works written by or about: |
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)