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Andrew Loog Oldham

 
Artist: Andrew Loog Oldham
 
  • Born: January 29, 1944, London, England
  • Active: '60s, '70s
  • Genres: Rock
  • Instrument: Producer
  • Representative Albums: "Rolling Stones Songbook," "East Meets West," "Rarities"

Biography

The longtime manager and producer of the Rolling Stones, Andrew Loog Oldham promoted and nurtured the group's notorious reputation as the bad boys of the British Invasion, orchestrating their ultimate rise to prominence as the "world's greatest rock & roll band."

Born in England in 1944, Oldham originally attempted to forge a performing career of his own, appearing under stage names like "Sandy Beach" and "Chancery Lane" to little notice from the pop establishment. He soon turned to working as a publicist in the employ of Brian Epstein, later coming into contact with the renowned American producer Phil Spector, a key influence on Oldham's subsequent dealings. An effusive Rolling Stones concert review inspired him to investigate the group further, and after taking in a performance at the Crawdaddy club in Richmond, Oldham began ingratiating himself into the Stones' circle, gradually convincing them to break a handshake agreement with impresario Giorgio Gomelsky in order to let him take over their reins.

Oldham immediately set about remaking the Stones' image, positioning them as a sharp contrast to the clean-cut Beatles -- snarling and unkempt, the group was engineered to strike fear in the hearts of suburban parents, their leering rebelliousnous making them quick favorites among teen listeners. Producing their 1964 debut The Rolling Stones (England's Newest Hitmakers), Oldham helmed no fewer than four other LPs for the group before the end of 1965 alone; additionally, he formed the Andrew Loog Oldham Orchestra to release symphonic albums including Plays Lionel Bart's Maggie May and East Meets West: Famous Hits of the Beach Boys and the Four Seasons. In 1965, he also formed the Immediate label with Tony Calder; under the slogan "Happy to Be a Part of the Industry of Human Happiness," the company became one of the best-known independent labels in Britain, with an impressive roster of artists which included the Small Faces, the Nice, John Mayall and Chris Farlowe.

Following classic albums like 1966's Aftermath and 1967's Between the Buttons, Oldham's long-tenuous relationship with the Stones finally crumbled; by the end of the decade, Immediate had declared bankruptcy as well. He continued to work as a freelance producer, helming albums for Donovan (1973's Essence to Essence) and Humble Pie (1975's Street Rats) before relocating to New York City and assuming a small office in the famed Brill Building. Oldham attempted to return to the management game in 1978, backing a Texas-based band called the Werewolves and producing their self-titled debut LP, but attracting little notice for his endeavors. Upon marrying a Colombian film star, he began spending more and more of his time in Bogota. By the 1990s he and Calder began making plans to revive the Immediate imprint, and in 1995 the duo also published The Name of the Game, a book about -- of all subjects -- ABBA. ~ Jason Ankeny, All Music Guide
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Wikipedia: Andrew Loog Oldham
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Andrew Loog Oldham
Born 29 January 1944 (1944-01-29) (age 65)
Origin London, England
Occupation(s) Record Producer, manager, impresario and author
Associated acts Rolling Stones, Small Faces, Marianne Faithfull, PP Arnold, The Nice, Los Ratones Paranoicos

Andrew Loog Oldham (born 29 January 1944 in Paddington, West London) is an English producer, impresario and author. He was manager of The Rolling Stones in the 1960s, and was noted for his flamboyant style.

Loog Oldham's father Andrew Loog was a United States Army Air Force lieutenant of Dutch descent who served with the Eighth Air Force; he was killed in June 1943 when his B-17 bomber was shot down over the English Channel. His Australian mother was a nurse and comptometer operator.

Oldham attended a number of schools, including Aylesbury School for Boys, Cokethorpe School in Oxfordshire, St Marylebone Grammar School and Wellingborough School in Northamptonshire.[1] A self-proclaimed hustler who spent teenage summers swindling tourists in French towns, Oldham's interest in the pop culture of the 1960s and the Soho coffeehouse scene led to working for Carnaby Street mod designer John Stephen and later as an assistant in Mary Quant's shop.

Oldham became a press agent for British and American rock & roll acts and for producer Joe Meek, and did some London PR work for Brian Epstein, promoting The Beatles. In April 1963 he was tipped off by a journalist friend to check out a young R&B band called The Rolling Stones and with business partner Eric Easton took over their management from promoter Giorgio Gomelsky. The band signed with Decca by A&R head Dick Rowe, who had earlier declined to offer a contract to The Beatles.

Oldham moves that helped propel the group included:

  • retaining ownership of the band's master tapes, which were then leased to Decca - a strategy picked up from Phil Spector, which allowed greater artistic freedom than a standard recording contract;
  • bringing John Lennon and Paul McCartney to the recording studo at a crucial moment, which led to their "I Wanna Be Your Man" becoming the Rolling Stones' second single;
  • getting the Rolling Stones to write their own material; and
  • actively promoting a "bad boy" image for The Rolling Stones as a contrast to The Beatles. Oldham himself generated widely-reprinted headlines like "Would you let your daughter marry a Rolling Stone?" and album-cover blurbs encouraging fans to mug blind beggars for funds.

Oldham discovered Marianne Faithfull at a party, giving her Jagger and Richards' "As Tears Go By" to record. He also developed other studio talent with his Andrew Oldham Orchestra, in which Rolling Stones as well as London session players (including Steve Marriott on harmonica) recorded pop covers or instrumentals. These were rediscovered in the 1990s when the indie band The Verve used a string loop based on the orchestral arrangement of "The Last Time" in "Bitter Sweet Symphony"; in the ensuing court battle, songwriting royalties for the Verve track were awarded to Jagger and Richards.

As his acts' success increased, Oldham thrived on a reputation as a garrulous, androgynous gangster who wore makeup and shades but relied on his bodyguard "Reg" to threaten rivals.

Oldham sold his share of the Rolling Stones' management to Allen Klein in 1966, but continued in his role as the band's producer until late 1967. Relations with the band were, however, becoming strained for a number of reasons, including Oldham's drug use and erratic personality; the legal problems that the band was facing in 1967 compounded the difficulties. After Oldham's departure, relationships between Oldham and the Rolling Stones were strained for several years.

In 1965 Oldham set up Immediate Records, one of the first independent labels in the UK, releasing work by PP Arnold, Chris Farlowe and the Small Faces (whom he purchased from Don Arden for £25,000 in 1967. Oldham also helped Derek Taylor publicise the Beach Boys Pet Sounds album by taking ads praising the album. Oldham enlisted songwriter Billy Nicholls to record a British response, the album Would You Believe?. After the Small Faces split in 1969, he put together Humble Pie, featuring Steve Marriott formerly of the Small Faces and Peter Frampton (ex-The Herd).

In the 1970s, Oldham worked in various parts of the US and in Colombia; Colombia has been his primary residence since the mid-80s, when he married Esther Farfan, a Colombian model. There he became a mentor for local bands.

Oldham wrote a biography of ABBA in the 1970s and two autobiographies: Stoned (1998) and 2Stoned (2001), in which he and other music figures recount his days as an impresario as well as struggling with addiction and depression. Oldham is an advocate of Narconon and its parent organisation, the Church of Scientology, which he says helped him overcome his drug habit. In 2005, he spoke at the opening of a Narconon UK drug rehabilitation centre.[2]

In 2005 Oldham was recruited by Steven Van Zandt to host a radio show on Van Zandt's Underground Garage radio channel heard in America on Sirius Satellite Radio. Oldham is heard daily with a two-hour show on weekdays and a four-hour weekend show.

Since 2006 has worked on many occasions with Argentine musician Charly Garcia. In 2008 he worked on the production of the Los Ratones Paranoicos' new album.[3]

He also produced and arranged Canadian singer Wyckham Porteous's album 3 A.M. (2008).

Since 2008 he has been managing and working with Colombian acoustic/pop artist Juan Galeano on the production of his debut album.

External links

References

  1. ^ Loog Oldham, Andrew (2000). Stoned. Secker & Warburg. ISBN 0-09-928467-7. 
  2. ^ [1] Narconon St Leonards-on-Sea Grand Opening
  3. ^ Ratones Paranoicos

 
 

 

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