Animals is a concept album by English
progressive rock band Pink Floyd, released on 23 January
1977 in the UK and on 2
February 1977 in the U.S. The album proved a success
in America, reaching #3 on the Billboard album charts. However, it was on the American
charts for only six months even though it has continued to sell solidly, to the extent of its having gone quadruple platinum,
according to the RIAA.
The album appears to be heavily inspired by George Orwell's Animal Farm [citation needed] as, through the central three songs, Roger
Waters uses three animals as anthropomorphic metaphors for human behavior: dogs, pigs, or sheep. Dogs are used to
represent the megalomaniac businessmen who think they are in control but are finished by being dragged down by "the weight [they]
used to need to throw around". Pigs refers to and is an attack upon those who are really/would be in control, politicians and
opinion leaders, with direct references to Mary Whitehouse, who at the time was leading
a campaign to "clean up TV". Those who do not fall into either of these two categories are sheep, who follow blindly, without any
self-thought.
Album information
While singer and guitarist David Gilmour is only credited for the music of one track,
the epic "Dogs", which was previously known as "You Gotta Be Crazy", was actually a band
composition with Waters writing the lyrics. [citation needed] This song and "Raving and Drooling" which would later become "Sheep" was
also a band composition[citation needed] from around 1974, originally destined for the Wish You Were Here album. The
discrepancies with the credits and actual writing is directly related to the increasing tensions in the band[citation needed].
Each song on the album reflects Waters' socialist beliefs about the class system found in
capitalistic societies. The anthropomorphic symbols of the 'dog', the 'pig', and the 'sheep', shift in meaning throughout the
album which often leads to some confusion as to Waters' intended meaning in the lyrics. The 'dog', for instance, changes from a
symbol for the heartless businessman in "Dogs" to the object of an irrational fear put forward by the pigs (politicians) in the
song "Sheep" to scare the sheep (common people)[citation needed]. The meaning of the three symbols changes from song to song[citation needed], so the lyrics of each song should
be interpreted independently[citation needed].
The three core songs are bookended by a pair of love songs written by Waters for his then-wife Caroline: "Pigs on the Wing, Part 1" and "Pigs on the Wing, Part 2". Both are in stark contrast to the
misanthropic middle three songs, and suggest that companionship can help us overcome our
flaws – though the final line suggests the singer admits he is/was once one of the dogs. For the 8-track cartridge release, which looped, Parts 1 and 2 were linked by a guitar bridge performed by
Snowy White (subsequently available on White's 1996 album
"Goldtop: Groups & Sessions"), and the 17:08 song "Dogs" was cut into two tracks.
The giant, helium-filled pig seen on the cover was
actually flown over Battersea Power Station for the photo shoot (under the
direction of Storm Thorgerson). On the first day of shooting, a marksman was on hand in
case the pig broke free. However, according to Thorgerson, this was considered an "insurance problem", and he was not hired for
the second day of shooting. Ironically, on December 3, 1976,
during the second day, a gust of wind broke the pig free of its moorings. Because there was no one to shoot the pig down, it
sailed away into the morning sky. A passenger plane reported seeing the pig, causing all the flights at London Heathrow Airport to be delayed. A police helicopter was sent up to track the pig, but was
forced to return after following the pig to an altitude of 5,000 feet. A warning was sent out to pilots that a giant, flying pink
pig was loose in the area. The CAA lost radar contact on the pig near Chatham in Kent, at a height of 18,000 feet and flying
East. It finally landed in a farmer's field (without much damage). They then repaired the pig, and flew it up for a third time.
The resulting pictures were not deemed suitable on their own (as the clear, blue sky from day three was thought to be much less
evocative), and the final image was made as a composite of the power station picture from day one and the pig from day three.
The album had custom picture labels, using drummer Nick Mason's handwriting as a
typeface, as did the lyrics on the liner sleeve. Side one's label depicted a fish-eye lens view of a dog and the English countryside. Side two's was similar, but featured a pig and
sheep instead of the dog.
Originally released on Columbia Records in the U.S. and Harvest Records in the UK, Animals was then re-released as a digitally
remastered CD in 1994 in the UK on EMI. In
1997, Columbia Records issued an updated remaster (which sounded superior to the EMI remasters from
1994) in the United States, Canada, Australia, South America and Japan. Animals was re-released in April 2000,
Capitol Records in the U.S. and EMI in Canada, Australia, South America and Japan
re-released the 1997 remaster with the artwork from the EMI Europe remaster.
Quotes
| “ |
It wasn't a great, one of the most productive periods of our life I don't think. We
used those two tracks, which went back to '74 and changed the names and doctored them around and stuff and stuck them on the
album. I like them, I love that album. It's exciting and noisy and fun and it's got really good bits of effects and stuff on it
but it's not one of our creative high points really. |
” |
- David Gilmour, May 1992, Pink Floyd: The 25th Anniversary Special, Westwood One.
| “ |
I didn't really like this album much. I have to say I didn't fight very hard and to
put my stuff on and I didn't have anything to put on. I played on it. I think I played really well but I didn't contribute to the
writing on it and also I think Roger was kind of not letting me do that. I think it was the start of the whole ego thing in the
band, Animals. |
” |
– Rick Wright, November 1994, BBC Omnibus Pink Floyd Special 1994.
Track listing
All lead vocals performed by Roger Waters, except "Dogs" with lead vocals by
David Gilmour and Roger Waters.
Original LP and CD
Side one
- "Pigs on the Wing 1" (Waters) – 1:24
- "Dogs" (Gilmour, Waters) – 17:06
Side two
- "Pigs (Three Different Ones)" (Waters) – 11:28
- "Sheep" (Waters) – 10:21
- "Pigs on the Wing 2" (Waters) – 1:27
Cassette version
Side one
- "Pigs on the Wing 1"
- "Dogs"
- "Pigs (Three Different Ones)" (part one)
Side two
- "Pigs (Three Different Ones)" (conclusion)
- "Sheep"
- "Pigs on the Wing 2"
8-track cartridge
Program one
- "Pigs on the Wing (with Snowy White guitar solo)" – 3:26
- "Dogs (Part 1)" – 6:47
Program two
- "Dogs (Conclusion)" – 10:23
Program three
- "Pigs (Three Different Ones)" – 11:20
Program four
- "Sheep" – 10:20
Charts
Album
| Year |
Chart |
Position |
| 1977 |
Billboard Pop Albums |
3 |
Personnel
- Roger Waters – vocals, bass, acoustic guitar, rhythm guitar, vocoder, tape effects, sleeve design
- David Gilmour – guitars, bass, vocals, talkbox, synthesizer
- Richard Wright – Hammond organ,
Fender Rhodes piano, Yamaha piano, ARP synthesizer, backing
vocals
- Nick Mason – drums, percussion, tape effects, sleeve graphics
Additional personnel
- Snowy White – lead guitar on "Pigs on the Wing" (8-track cartridge version only)
- Brian Humphries – engineer
- Storm Thorgerson – sleeve design
- Aubrey Powell – sleeve design
- James Guthrie – remastering producer
- Doug Sax – remastering
Covers
The album was also covered in its entirety and released as the live album Live Frogs Set
2 by Colonel Les Claypool's Fearless Flying Frog
Brigade.
External links
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