Results for Anita Baker
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Artist:

Anita Baker

Anita Baker

Born:
Jan 26, 1958 in Toledo, Ohio

Representative Songs:

"Sweet Love," "Caught up in the Rapture," "Giving You the Best That I Got"

Representative Albums:

The Best of Anita Baker, Rapture, The Songstress

Similar Artists:

Influences:

Followers:

Performed Songs By:

Michael Powell, Patrick Moten

Worked With:

Barney Perkins, Paulinho Da Costa
  • Genre: Rhythm & Blues
  • Active: '80s, '90s, 2000s
  • Instrument: Vocals

Biography

With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. Gifted with a strong, supple alto, Baker was influenced not only by R&B, but jazz, gospel, and traditional pop, which gave her music a distinctly adult sophistication. Smooth and mellow, but hardly lifeless, it made her one of the most popular romantic singers of her time.

Baker was born January 26, 1958, in Toledo, OH, and raised in nearby Detroit, where she grew up listening to female jazz singers like Sarah Vaughan, Nancy Wilson, and Ella Fitzgerald. At age 12, she began singing a gospel choir, and by age 16 she was performing with several local bands. In 1975, she successfully auditioned for Chapter 8, one of Detroit's most popular acts at the time; the group eventually signed with Ariola and released an album in 1979, but were immediately dropped when the label was acquired by Arista (which didn't care for Baker's vocals). Chastened, Baker worked low-paying jobs in Detroit and eventually found steady work as a receptionist at a law firm. In 1982, Otis Smith -- an executive who'd worked with Chapter 8 -- contacted Baker about recording for his new label Beverly Glen. Happy with her employment benefits and skittish over the experience with Arista, Baker was reluctant at first, but eventually flew out to the West Coast to record her debut album, The Songstress, in 1983. Though it didn't gain quite enough exposure to become a hit, it did help Baker build a strong fan base through word-of-mouth and she was signed by Elektra in 1985.

Working with producer Michael J. Powell (an old Chapter 8 cohort), Baker released her major-label debut Rapture in 1986. It was a platinum, Grammy winning smash, appealing to both urban and adult contemporary listeners and producing two all-time quiet storm classics in "Caught Up in the Rapture" and "Sweet Love." Baker toured the world in 1987 and her guest appearance on the Winans track "Ain't Got No Need to Worry" won a Grammy. Her equally stylish follow-up album, Giving You the Best That I Got, appeared in 1988, spawning more staples in the title track and "Just Because." "Giving You the Best That I Got" also won Baker two more Grammys, for Best Female R&B Vocal and Best R&B Song. For her third Elektra album, Baker decided to handle a greater share of the songwriting, hence the title Compositions, which was released in 1990 and featured even stronger jazz inflections than Baker's previous work (not to mention all live instruments).

Following Compositions, Baker took a break from recording and touring; after having her first son in 1993, she returned to the studio to craft Rhythm of Love, which was released in 1994. In the years that followed, Baker was mostly silent, despite her fans' clamoring for a jazz album; instead, she raised her family and became embroiled in contract disputes with Elektra, which eventually led her to move to Atlantic. She began working on a new album in 2000, but had to start over from scratch due to defective recording equipment that made the original tracks unsalvageable. In 2004 it was announced that she had signed with Blue Note and still working on her new album. In the meantime, the Atlantic imprint Rhino released Night of Rapture: Live, a 1987 concert originally available on video. Baker finally returned to the studio in 2003 and issued My Everything, her first album in 10 years. Two years later she released her first holiday album, Christmas Fantasy. ~ Steve Huey, All Music Guide
 
 
Black Biography: Anita Baker

singer

Personal Information

Born c. 1957 in Toledo, Ohio; abandoned by birth mother at age two and raised in Detroit, Michigan; married Walter Bridgforth, December 24, 1988; children: Walter and Eddie
Education: Attended community college in Detroit.
Religion: Baptist.

Career

Vocalist. Sang as a teenager in Detroit nightclubs, mid-1970s; joined group Chapter 8, late 1970s; signed with Beverly Glen label, 1983; signed with Elektra, 1986; signed with Atlantic label, 1996 (released on albums); signed with Blue Note, 2004.

Life's Work

Anita Baker's rich and entirely distinctive alto voice has invited comparisons that range beyond the world of contemporary pop to include mention of such legendary jazz figures as Sarah Vaughan and Nancy Wilson. One of the leading performers in the field of sophisticated black adult pop in the late 1980s and early 1990s, she waged a successful battle to take control of her career and realize her artistic vision. In 1994, with her stardom assured, Baker cut back her activities to focus on home and motherhood--in the process revealing something of the intense difficulties she faced during her own youth. Then, after a ten-year hiatus from the business, she made a triumphal return with a new album that met with critical acclaim.

The facts of her early life are far from clear; most have been supplied by Baker herself in interviews that sometimes contradict one another. She was born in 1957 or 1958 in Toledo, Ohio, perhaps on January 26 or December 20, and grew up in Detroit's inner city. Her birth mother, who was only 16 when Anita was born, abandoned her, leaving her in the care of a woman who has been variously described as a friend and as a relative; this woman, Mary Lewis, became her foster mother. When Anita was 13, her foster mother died, and an older sister in her adoptive family told her the truth about her past. This older adoptive sister, Lois Landry, raised Anita.

Combated Feelings of Abandonment

Much later, in an interview with Essence, Baker recalled how she tried to cope with this discovery: "That child believed her mother abandoned her," she said (referring to herself), "because there was something bad about her. Something terrible that made her unlovable. And until Walter [Baker's future husband], that is how I felt about me--that I was not good enough. Not good, period." Baker's foster family provided her with a stable environment that emphasized hard work and religion; she joined a church choir and identified with the deep voice of gospel singer Mahalia Jackson. She began to sing secular music with her friends as well, and was performing in Detroit clubs by the time she was 16. Baker attended a community college briefly, but a strong drive toward musical performance asserted itself, and she dropped out of school to front a funk ensemble called Chapter 8, whose bass player had heard her perform in an East Side nightclub.

Chapter 8 toured widely and landed a contract with Los Angeles-based Ariola Records. They had a minor hit with "I Just Want to Be Your Girl" in 1980, but disbanded after being dropped from the label, which was itself in dire financial straits. Label executives offered the assessment that Baker lacked star quality. Later on Baker correctly concluded that their criticism could have masked any number of reasons that might through no fault of their own led to the group's dismissal, but at the time she was shattered by the turn of events. She returned to Detroit, worked as a waitress, and then landed a stable position as a receptionist with a law firm whose members, understandably enough, liked the sound of her voice on the phone.

In 1982 Baker was coaxed back into the music business by a former Ariola executive who started an independent label called Beverly Glen. Promising to make Baker a star, he offered to match her receptionist's salary, and Baker finally agreed to come to Los Angeles. Her first solo album, The Songstress, was released in 1983. The album attracted wide industry attention, yielded two R&B hit singles (the sultry "Angel" and the gospel-drenched "No More Tears," which did indeed bring to mind the voice of Mahalia Jackson), and sold a respectable 300,000 copies. But Baker, still unschooled in the frequently unscrupulous ways of the music business, received no royalties from the album and parted ways acrimoniously with Beverly Glen, a much-needed follow-up album still unreleased.

Released Hit Album

Hiring as her manager Sherwin Bash, a Hollywood veteran with the smarts to clear up the resulting legal problems, Baker signed with the Elektra label and threw herself wholeheartedly into her next project, the album Rapture, released in 1986. Gaining a reputation as pushy but consistently moving to gain control over her career, Baker supervised every aspect of the record's production. Filling the role of executive producer herself, a nearly unprecedented move for a rising but untested star, Baker chose Songstress collaborator Michael Powell as producer, and the two painstakingly selected songs that fit Baker's smooth, ultra-romantic, jazz-inflected vocal stylings. They succeeded brilliantly. The album yielded two massive hit singles in both R&B and pop tabulations, "Sweet Love" and "You Bring Me Joy." Baker's voice--low, intimate, and rounded, yet filled with a gospel-derived intensity that manifested itself in sudden bursts of strong feeling--became familiar to a wide public. The singer was rewarded with two Grammy awards in 1987, and by the end of 1988 Rapture had racked up sales of over five million units.

Baker stretched herself with an appearance at Europe's prestigious Montreux Jazz Festival in 1988, but the two albums that followed Rapture, Giving You the Best That I Got (1988) and Compositions (1990) followed basically the same path as their multi-platinum predecessor. Compositions featured examples of Baker's songwriting, which had gained in technical skill since she had begun to take classes in music theory. The album gained for Baker the respect of jazz musicians, and caused some critics, such as Alex Henderson of the All Music Guide, to suggest that she should record an album of straight jazz. Both recordings again earned Grammy awards for Baker, who kept up a grueling schedule of concerts and personal appearances. After one Detroit nightclub gig, Baker was greeted on her way to her dressing room by a persistent admirer who bought six copies of her album and asked her for a hug and then a date. She and this fan, Walter Bridgforth, were married on Christmas Eve of 1988.

Exhausted from touring and from the pressures of her high-profile career, Baker suffered two miscarriages as she and Bridgforth attempted to start a family. "I sort of came apart,"Baker told Essence. "All my old negative feelings reemerged. I felt like such a failure." Finally Baker retreated to the sumptuous home she shares with Bridgforth in Grosse Pointe, Michigan, outside Detroit, one of a group of structures originally owned by the Dodge family of automaking fame. She enlisted the help of medical specialists and is now the mother of two sons.

Back on Track After Ten Years

Baker reemerged in 1994 with the Rhythm of Love album, which followed up on a series of revelatory interviews in which Baker finally delved into her own painful past. The album received mixed reviews, but sold well. At the time, fans did not know it would be the last Anita Baker album for the next decade. Baker signed a deal to produce an album with Atlantic, but she could never finish the job. It seems that she had more important things on her mind, for Baker had made the decision that she would not repeat the mistakes of her own mother and was giving more and more of her time to taking care of her children. "My grandmother gave up my mother, and my mother gave me up," Baker told People. "I just wanted to stop any hint of that cycle." For the next ten years, Baker played the role of mom, joining the local PTA and shuttling her kids to school activities. She also nursed her foster parents, Walter and Lois Landry, through the last years of their lives.

By the early 2000s Baker realized that with her kids needing less attention than before and the Landrys gone, she once again had time to devote to her music. She gave several small concerts in the Detroit area and was overwhelmed by the positive response of her fans. Soon her bookings grew and she signed with Blue Note to record two albums. The first album, My Everything, was released in 2004, and its title track soon soared to the top of the charts. To most critics, it appeared that Baker picked up right where she left off, providing soulful R&B in a sultry voice that was unmatched in the business. Ever the perfectionist, Baker insisted on complete control over the album and on not being pressured to tour too much. "I only work two days a week, so I'm not away from the boys and my husband too much," she told Newsweek. "And my record company so got it and so understood that. I had to learn to prioritize my life, because I have been the woman who tried to do everything, and I was miserable." With its life-affirming tracks, My Everything is a clear indication that Anita Baker is happy to be back.

Awards

Six Grammy awards, two each for Rapture, Giving You the Best That I Got, and Compositions.

Works

Selected discography

  • The Songstress, Beverly Glen, 1983.
  • Rapture, Elektra, 1986.
  • Giving You the Best That I Got, Elektra, 1988.
  • Compositions, Elektra, 1990.
  • Rhythm of Love, Elektra, 1994.
  • My Everything, Blue Note, 2004.

Further Reading

Books

  • Contemporary Musicians, Volume 9, Gale, 1993.
  • Erlewine, Michael, et al., eds., All Music Guide to Rock, 2nd ed., Miller Freeman, 1997.
Periodicals
  • Billboard, October 26, 1996; September 4, 2004.
  • Ebony, September 1994, p. 44.; November 2004.
  • Essence, December 1994, p. 80; October 1, 2004.
  • Jet, March 13, 1995, p. 60.
  • Newsweek, September 13, 2004.
  • People, October 10, 1994, p. 77; September 13, 2004.
On-line
  • "Anita Baker," Blue Note Records, www.bluenote.com/artistpage.asp?ArtistID=3739&tab=1 (November 18, 2004).
  • Anita Baker, www.anitabaker.org (November 18, 2004).

— James M. Manheim and Tom Pendergast

 
Quotes By: Anita Baker

Quotes:

"You leave home to seek your fortune and, when you get it, you go home and share it with your family."

 
Wikipedia: Anita Baker
Anita Baker
Birth name Anita Baker
Born January 26 1958 (1958--) (age 49)
Toledo, Ohio, United States
Origin Detroit, Michigan, United States
Genre(s) R&B, soul, quiet storm, adult contemporary, smooth jazz
Occupation(s) Singer, songwriter
Years active 1978–present
Label(s) Beverly Glen (1981–1984)
Elektra (1985–1996)
Atlantic (1997–2001)
Blue Note (2004–present)
Website Blue Note Artist Page

Anita Baker (born January 26, 1958) is an eight-time Grammy Award-winning, multi-Platinum rhythm and blues and soul singer and songwriter, renowned for her soaring alto vocal range.

Biography

Early career

Born in Toledo, Ohio and raised in Detroit, Michigan, Anita Baker began singing in a Baptist church choir at the age of 12. Years later, at the age of 16 and while part of the band Humanity, Baker was approached by bass player David Washington of Chapter 8 to audition for the group.

In 1975, Baker subsequently joined Chapter 8, the most popular group of Detroit at the time. Together, they spent a couple of years playing in and around Detroit, and eventually got a record deal with Ariola. The self-titled album came out in fall 1979, with two singles hitting the R&B charts: "Ready for Your Love" and "I Just Wanna Be Your Girl". The label Ariola Records later ran into financial trouble and the company was purchased by Arista. Arista's executives refused to renew Chapter 8's record deal while Baker was a part of the group. After being rejected, Baker went back home to Detroit and got a job as a receptionist for a local law firm.

Solo career

In 1981, Otis Smith, the man behind Chapter 8's contract, formed his own label Beverly Glen. Remembering Baker's vocals, he got her telephone number from a Chapter 8 member and called her in late 1982. Baker refused the job at first due to her duties as a receptionist. However, she agreed to sign with the label and try again with a music career. It would prove to be a smart move.

In 1983, Baker released her debut album The Songstress. This album was a moderate success, which paved the way for a host of bigger things to come; two of the album's singles, "Angel" and "No More Tears", became smash hits on the R&B charts. By the spring of 1984, Baker had 5 chart hits and was close to a gold record. However, there was no answer when she asked Beverly Glen about a new album.

1986 - 1989: The critical and commercial success

Rapture album cover Elektra Records (1986).
Enlarge
Rapture album cover Elektra Records (1986).

In 1985, Baker got a major label contract with Elektra Records, a division of Warner Music Group. She released her second album, Rapture in 1986. Choosing her friend from Chapter 8, Michael J. Powell, as her producer, they created a masterpiece. It was this album which established Anita Baker as a world-wide musical tour de force and a household name. It was also this album that afforded her the opportunity to stretch her skills; she wrote "Been So Long", "Watch Your Step" and "Sweet Love". "Sweet Love", "Caught Up In the Rapture", "No One In The World", and "Same Ole Love" became major R&B and Adult Contemporary chart hits during 1986 and 1987, with "Sweet Love" becoming a top ten pop hit as well. By the time "Rapture" had completed its chart run, it had sold 6 million copies worldwide and also earned Baker two Grammys.

In November 1986 when she was returning to Detroit to receive the key of the city, she got engaged to Walter Bridgforth Jr. whom she'd met on an earlier trip home in January. They were married on Christmas Eve 1987.

In 1987, Baker collaborated with The Winans on the single "Ain't No Need To Worry" and this single lead Baker to her third Grammy award. At the same time, she also worked on her follow-up album Giving You The Best That I Got in between a busy performance schedule. This album was released in October 1988. She worked with Michael J. Powell again, and the album became a critical and commercial success, which sold another 4.5 million copies worldwide. It features such hits as "Just Because" and the title track, which became Baker's biggest pop hit, reaching number three on the Billboard Hot 100 while going to number one R&B and Adult Contemporary. Critics noted that, single-handedly, through her first two albums, "Anita Baker has set a new standard and helped redefine the sound of contemporary music recorded by female vocalists in the '80s and the '90s."

Compositions

Image:Compposter.jpg
A poster used to promote Anita’s fourth studio album, Compositions (1990).

Baker returned to the studio in 1990 for her third Elektra album Compositions. On it, Anita wanted to be more involved in song writing and wished to experiment with jazz. Baker wrote seven of the songs on this album, including the hits "Talk to Me", "Fairy Tales", "No One To Blame", and "Whatever It Takes" (written with Gerald Levert) and "Soul Inspiration". The album was mostly cut live, meaning that the rhythm section was playing as Baker sang. The album was produced by Michael J. Powell and included musicians Greg Philinganes, Nathan East, Paulinho da Costa, Vernon Fails, Ricky Lawson and Stephen Ferrone. Baker's involvement in the whole recording process gave the album a personal touch and for the effort she received her 7th Grammy award.

Though the three singles from Compositions all failed to reach Top 40 on the Billboard Hot 100 Singles Chart ("Talk to Me" came closest to the top 40, at #44 pop), they still became Top 20 hits on the R&B Singles Chart and were also moderate Adult Contemporary hits. Compositions peaked at #5 on the Billboard 200 Albums Chart, #3 on the Billboard Top R&B/Hip-Hop Albums, #4 on the Billboard Top Contemporary Jazz Albums, and still was certified Platinum by RIAA.

After almost five years of touring, performing, and recording non-stop, Anita took a break, only entering the studio to record the jazz standard "Witchcraft" with Frank Sinatra for his 1993 Duets album.

Rhythm of Love

In January 1993, Baker gave birth to her first child, a boy named Walter Baker Bridgforth. Five months later Baker started working on her 5th album, and during the recording sessions she became pregnant again. In May 1994, with most of the album completed, Baker gave birth to a second son, Edward Carlton Bridgeforth.

Her fifth album, Rhythm of Love, was issued in September of 1994. After she ended the partnership with Michael J. Powell, Anita produced most of the album. However, this time many famous producers like George Duke, Arif Mardin, Barry Eastmond and Tommy Lipuma also contributed to the album. Rhythm Of Love was mainly recorded in Baker's home due to her pregnancy, and she wrote 5 out of 12 songs. She selected "My Funny Valentine" to be the last song, a song that proves that Anita should do an all jazz album in many fans' opinion.

This album sold exceptionally well selling 1-million copies in its first week; peaked at #3 on the Billboard 200 Albums Chart and #1 on the Billboard Top R&B/Hip-Hop Albums. The first single, "Body and Soul," became Baker's first top 40 pop hit in over five years. It was certified double platinum by RIAA and received her 8th Grammy for the second single "I Apologize" for best R and B vocal performance female in 1995.

Turned back home with family

After the Rhythm Of Love album, Baker spent most of her time with her family. She appeared in a jazz-influenced soundtrack to the Billy Crystal directed 1995 film Forget Paris. For this movie, Baker paired with popular Pop/R&B crooner James Ingram to record "When You Love Someone", which is produced by David Foster, and was also written with Foster, Carole Bayer Sager and Ingram. The song was nominated for a grammy award however lost out in its category. She also recorded the theme song to the NBC television hit show "Mad About You" with its star Paul Riser. The vocal performance of the shows theme was jazzy and slower than the original. The song was put on a "Mad About You" CD which may still be purchaseable. She also did a jingle for a cadilac commercial "making whoopee" for the cadilac at that time.

Tragedy occurred in 1996 with Baker losing her mother, and again in 1998 with her father also passing away. The daughter of her father (Anita refers to this man as her earth father as they are not her birth parents. She refers to her birth mother as that, her birth mother. She does not know who her father is) died of a heart attack at the stress of trying to come up with a schedule to take care of the sick parents. At the same time she lost her mother, she had a disagreement with Elektra Records, the record company she was with at the time about the delay of her new album. In the end, she won the case against Elektra and signed with Atlantic Records, another division of Warner Music Group, with whom she parted ways with after not being able to produce an album because of the stress and strain and pain of her life.

The allegedly ruined new album

In August 2000, Baker began to record her long-awaited new album. However, in May 2001, she had filed a lawsuit in federal court against an audio equipment rental company she said ruined some tracks recorded for her new album. She alleged that a 24-track tape machine she rented produced random popping noises. The company sent a technician to Baker's studio to repair the equipment, but Baker said the technician determined that the recorded material could not be salvaged because no system could remove the popping noises. According to the lawsuit, she said it cost her more than $500,000 to rent the equipment, hire producers, songwriters, musicians and vocalists, and pay their travel and housing expenses. She was seeking more than $200,000.

Due to the delay of new album, Atlantic Records parted ways with her in December 2001. Rhino Records released her compilation The Best Of Anita Baker on June 18, 2002, and the international version had different tracks and title, . On May 3, 2004 this compilation was certified gold by RIAA.

Back to music industry

My Everything album cover Blue Note Records (2004)
Enlarge
My Everything album cover Blue Note Records (2004)

Two years later, in March 2004, Blue Note Records announced that they had signed Baker to an exclusive recording contract that would result in at least two albums. Bruce Lundvall, president/CEO of EMI Jazz & Classics, signed her after she approached him to record for Blue Note. At the same time Rhino Records released A Night Of Rapture: Live, a compilation that contains nine live tracks and three multimedia videos recorded in the late 80's.

In September, after a decade, Anita Baker finally released her long-awaited original album My Everything. Co-Produced by Barry J. Eastmond and Baker herself, she wrote or co-wrote nine of this album's 10 tracks, including a duet with Babyface, "Like You Used To Do." Though she had been out of the limelight for so long, this album became a critical and commercial success. It debuted at #4 on the Billboard 200 Albums Chart and #1 on the Billboard Top R&B/Hip-Hop Albums. The album was certified gold by the RIAA for sales of 500,000 copies.

In October 2005, she released her first Christmas album, Christmas Fantasy. Once again produced by Baker and Barry J. Eastmond, the album mixes traditional Christmas carols ("God Rest Ye Merry Gentlemen"), standards ("I'll Be Home For Christmas"), re-imagined classics ("Frosty's Rag"), Broadway show tunes ("My Favorite Things"), and three new songs by Baker and Eastmond ("Moonlight Sleighride", "Family of Man", and "Christmas Fantasy"), all tied together with Baker's warm, rapturous voice. She received a Grammy nomination for Best Traditional R&B Vocal Performance in 2007 for the song "Christmas Time Is Here." To date, Anita Baker has four Platinum albums and three Gold albums.

The Babyface lawsuit

On April 15, 2006, Grammy-winning singer-producer Kenneth "Babyface" Edmonds had filed a breach of contract lawsuit against Baker, claiming she owed him more than $250,000.

According to the lawsuit, filed in Superior Court, Baker broke two oral agreements with Edmonds, who co-wrote, produced and performed on the song "Like You Used To Do" on her 2004 album My Everything. The lawsuit claimed Baker refused to pay Edmonds producers royalties equaling at least $100,000 from an estimated than 500,000+ albums sold. He also alleged that he and Baker had an agreement to play four concerts together, but that Baker canceled two shows and refused to pay $150,000 for those dates.

Spokesman Cem Kurosman from Baker's label, Blue Note Records, declined to comment, saying the label had no knowledge of the lawsuit.

Discography

Albums

Album information
The Songstress
  • Released: June 9, 1983 (November 8, 1991 re-issued by Elektra)
  • Label: Beverly Glen / Elektra
  • Chart Peak: US Pop #139, R&B #16
  • RIAA Certification: Gold
  • Singles: "No More Tears", "Will You Be Mine", "Angel", "You're The Best Thing Yet", "Feel The Need"
Rapture
  • Released: March 22, 1986
  • Label: Elektra
  • Chart Peak: US Pop #11, R&B #2, Jazz #24, UK #13
  • RIAA Certification: 6x Platinum
  • Singles: "Watch Your Step", "Sweet Love", "Caught Up In The Rapture", "Same Ole Love (365 Days A Year)", "No One In The World", "You Bring Me Joy"
Giving You The Best That I Got
  • Released: October 16, 1988
  • Label: Elektra
  • Chart Peak: US Pop #1, R&B #1, UK #9
  • RIAA Certification: 4x Platinum
  • Singles: "Giving You the Best That I Got", "Just Because", "Lead Me Into Love", "Good Love"
Compositions
  • Released: June 21, 1990
  • Label: Elektra
  • Chart Peak: US Pop #5, R&B #3, Contemporary Jazz #4, UK #7
  • RIAA Certification: Platinum
  • Singles: "Talk To Me", "Soul Inspiration", "Fairy Tales"
Rhythm Of Love
  • Released: September 13, 1994
  • Label: Elektra
  • Chart Peak: US Pop #3, R&B #1, UK #14
  • RIAA Certification: 2x Platinum
  • Singles: "Body And Soul", "I Apologize, " "It's Been You"
Sweet Love: The Very Best Of Anita Baker
  • Released: May 25, 2002
  • Label: WEA International
The Best Of Anita Baker
A Night Of Rapture: Live
My Everything
  • Released: September 7, 2004
  • Label: Blue Note
  • Chart Peak: US Pop #4, R&B #1
  • RIAA Certification: Gold
  • Singles: "You're My Everything", "How Does It Feel", "Serious"
Christmas Fantasy

Singles

Year Title Album US Pop US R&B US AC UK
1983 "No More Tears" The Songstress - 49 - -
1983 "Will You Be Mine" The Songstress - 87 - -
1983 "Angel" The Songstress - 5 - -
1983 "You're The Best Thing Yet" The Songstress - 28 - -
1984 "Feel The Need" The Songstress - 67 - -
1986 "Watch Your Step" Rapture - 23 - -
1986 "Sweet Love" Rapture 8 2 3 13
1986 "Caught Up In The Rapture" Rapture 37 6 9 51
1987 "Same Ole Love (365 Days A Year)" Rapture 44 8 6 100
1987 "No One In The World" Rapture 44 5 9 -
1987 "Ain't No Need To Worry (with The Winans)" Decision / The Best Of Anita Baker - 15 - -
1988 "Giving You The Best That I Got" Giving You The Best That I Got 3 1 1 55
1989 "Just Because" Giving You The Best That I Got 14 1 4 93
1989 "Lead Me Into Love" Giving You The Best That I Got - 4 32 -
1989 "Good Love" Giving You The Best That I Got - 10 - -
1990 "Talk To Me" Compositions 44 3 4 68
1990 "Soul Inspiration" Compositions 72 16 11 -
1991 "Fairy Tales" Compositions - 8 27 -
1994 "Body & Soul" Rhythm Of Love 36 4 25 48
1994 "I Apologize" Rhythm Of Love 74 8 - -
1995 "It's Been You" Rhythm Of Love - 32 - -
1995 "When You Love Someone (with James Ingram)" Forget Paris (OST) / Sweet Love: The Very Best Of - 71 39 -
2004 "You're My Everything" My Everything 74 25 40 -
2004 "How Does It Feel" My Everything - 41 - -
2005 "Serious" My Everything - 83 - -
2005 "Christmas Fantasy" Christmas Fantasy - - - -

References

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    Black Biography. Contemporary Black Biography. Copyright © 2006 by The Gale Group, Inc. All rights reserved.  Read more
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    Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Anita Baker" Read more

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