- Born: 1894
- Died: 1961
- Occupation: Actor
- Active: teens-'20s
- Major Genres: Drama, Romance
- Career Highlights: The Prince of Pilsen, The Lodge in the Wilderness, Never the Twain Shall Meet
- First Major Screen Credit: Harriet and the Piper (1920)
| Actor: Anita Stewart |
| Wikipedia: Anita Stewart |
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| Anita Stewart | |
|---|---|
| Born | Anna May Stewart February 7, 1895 Brooklyn, New York, U.S. |
| Died | May 4, 1961 (aged 66) Los Angeles, California, U.S. |
| Other name(s) | Anna M. Stewart Anna Stewart Anna Stuart |
| Occupation | Actress, film producer |
| Years active | 1911–1932 |
| Spouse(s) | Rudolph Cameron (m. 1917–1928) George Peabody Converse (m. 1929–1946) |
Anita Stewart (February 7, 1895 – May 4, 1961) was an American actress and film producer of the early silent film era.
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Born in Brooklyn, New York as Anna May Stewart, she began her acting career in 1911 while still attending Erasmus High School in extra and bit parts for the Vitagraph film studios at their New York City location. Stewart was one of the earliest film actresses to achieve public recognition in the nascent medium of motion pictures and achieved a great deal of acclaim early in her acting career. Among her earlier popular roles were 1911's enormous box office hit adaptation of A Tale of Two Cities, directed by William J.Humphrey, and having an all-star cast including Mabel Normand, Dorothy Kelly, Norma Talmadge and John Bunny, as well as roles in 1913's The Forgotten Latchkey and The White Feather.
In 1917 she married Rudolph Cameron and became the sister-in-law of film director and actor Ralph Ince, who began giving the young actress more prominent roles in films for Vitagraph. Throughout the 1910s and into the early 1920s, Anita Stewart was one of the silent screen's most popular actresses and was often paired in romantic roles with real-life husband, actor Rudolph Cameron. Stewart was also featured opposite such screen legends as Mae Busch, Barbara La Marr and Walt Whitman.
Stewart left her lucrative Vitagraph Studios career in 1918 to accept a contract with fledgling film mogul Louis B. Mayer by the terms of which she would head her own production company at the Mayer studios in Los Angeles. It was alleged that Stewart was recovering from an illness in a Los Angeles hospital when Mayer convinced her to leave Vitagraph for an undisclosed but exorbitant sum of money. Between 1918 and 1919 Stewart produced seven moderately successful vehicles, starring in all of them. Throughout the 1920s, Stewart continue to be featured in prominent roles in silent films. Following Stewart's divorce from Cameron in 1928, Stewart married George Peabody Converse the following year.
Like many of her silent film contemporaries, Stewart found the transition to sound film extremely difficult. After making just one musical short in 1932, The Hollywood Handicap, Stewart retired from the screen.
On May 4, 1961, Stewart died of a heart attack in Beverly Hills, California. For her contribution to motion picture industry as an actress, Anita Stewart was given a star on the Hollywood Walk of Fame at 6724 Hollywood Boulevard.
| Year | Film | Role | Notes |
|---|---|---|---|
| 1911 | Prejudice of Pierre Marie | Credited as Anna Stewart | |
| 1912 | Billy's Pipe Dream | Pert Dawson | |
| 1913 | The Swan Girl | The Swan Girl | |
| 1914 | The Girl from Prosperity | Bessie Williams | |
| 1915 | The Awakening | Jo | |
| 1916 | The Daring of Diana | Diana | |
| 1917 | Clover's Rebellion | Clover Dean | |
| 1918 | Virtuous Wives | Amy Forrester | |
| 1919 | The Painted World | Yvette Murree | |
| 1920 | The Fighting Shepherdess | Kate Prentice | Alternative title: Vindication Producer |
| 1921 | Playthings of Destiny | Julie Arnold | Producer |
| 1922 | Rose o' the Sea | Rose Elton | Producer |
| 1923 | The Love Piker | Hope Warner | |
| 1924 | The Great White Way | Mabel Vandegrift | |
| 1925 | Never the Twain Shall Meet | Tamea | |
| 1926 | The Prince of Pilsen | Nellie Wagner | |
| 1927 | Wild Geese | Lind Archer | |
| 1928 | Sisters of Eve | Beatrice Franklin |
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