Anne Whitney

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Anne Whitney

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(b Watertown, MA, 2 Sept 1821; d Boston, MA, 23 Jan 1915). American sculptor and writer. She achieved eminence not only as a sculptor but also as a campaigner for social justice, pressing for the abolition of slavery and equality for women. From 1846 to 1848 she ran a small school in Salem, MA. She also wrote and became well known in New England literary circles. In 1855 Whitney turned to sculpture, studying at the Pennsylvania Academy of Fine Arts (1860) and in Boston (1862-4) with William Rimmer. Her sculptures often carried social messages: Africa (1864) depicts a woman awakening from the sleep of slavery. Between 1867 and 1876 she visited Munich, Paris and Rome. The most celebrated work of this period, Roma (1869), a seated figure of a decrepit beggar-woman, wearing medallions of monuments, symbolizes the decay of the city. Scandalized, the authorities prevented its public display, but several versions were later exhibited in Rome, in London, and at the World Columbian Exposition (1893), Chicago. In 1876 Whitney moved to Boston. Her subjects included such women as Harriet Beecher Stowe (1892; Hartford, CT, Stowe House). In 1902 she cast a statue of the abolitionist Charles Sumner, but it was set up publicly in Harvard Square, Cambridge, MA, only in 1929, after its initial rejection by the Boston Arts Committee on the grounds of Whitney's gender.

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Portrait of Anne Whitney

Anne Whitney (1821 – 1915) was an American sculptor and poet. She was born in Watertown, Massachusetts on September 2, 1821 and died in Boston, Massachusetts on January 23, 1915.

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Early years

As with so many of the early, successful 19th Century women sculptors Whitney came from a liberal, in her case, Unitarian, supportive family background. Whitney was homeschooled as a youngster, and later traveled to Europe where she studied in Rome, Munich, and Paris before she returned to the United States. In 1846 she opened a small school in Salem, Massachusetts.

Statue of Charles Sumner in Harvard Square, sculpted by Whitney

In the 1860s she exhibited work in the Boston gallery of De Vries, Ibarra & Co.[1] A well known supporter of both the abolitionist and suffragette movements, Whitney herself was to publicly feel the brunt of the sexism of the day when, in 1875, the commission for a statue of Charles Sumner that won a competition was denied her when it was discovered that the winning model was created by a woman.

Career and work

Among her well known public monuments is the statue of Samuel Adams (1876) located in the National Statuary Hall Collection in the United States Capitol, Washington D.C., the statue Leif the Discoverer (1887) in Boston, Massachusetts , with another edition that same year placed in Juneau Park, Milwaukee, Wisconsin.

Whitney was an accomplished portraitist, completing statues and busts of such well known individuals as John Keats, Samuel Adams, Toussaint l'Ouverture, William Lloyd Garrison, Charles Sumner, Frances Willard, Harriet Beecher Stowe, Samuel Sewall, Alice Freeman Palmer, Robert Gould Shaw, Eben Norton Horsford, Harriet Martineau, Jennie McGraw Fiske, Lucy Stone and others.

Other of her works can be found in the collections of the Smithsonian Institution, Amherst College, Cornell University, Harvard University, Smith College, Wellesley College, the Women's Christian Temperance Union, Newark, Museum, Mark Twain Memorial, and Boston Public Library.

Sources

  • Murdock, Myrtle Cheney, National Statuary Hall in the Nation's Capitol, Monumental Press, Inc., Washington D.C., 1955.
  • Compilation of Works of Art and Other Objects in the United States Capitol, Prepared by the Architect of the Capitol under the Joint Committee on the Library, United States Government Printing House, Washington, 1965.
  • Opitz, Glenn B , Editor, Mantle Fielding’s Dictionary of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie NY, 1986.
  • Rubenstein, Charlotte Streifer, American Women Sculptors, G.K. Hall & Co., Boston, 1990.
  • Eleanor Tufts. An American Victorian Dilemma, 1875: Should a Woman Be Allowed to Sculpt a Man? Art Journal, Vol. 51, No. 1, Uneasy Pieces (Spring, 1992), pp. 51-56.
  • Fowler, Cynthia. "Anne Whitney's Contribution to Nineteenth-Century American Sculpture." Masters Thesis, Harvard University, Extension School, Cambridge, MA 1994.

Image gallery

References

  1. ^ Ladies' Repository: a Universalist Monthly Magazine (Boston: Universalist Publishing House, no.37 Cornhill), April 1867

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