| 1974 | Pilgrim at Tinker Creek. Dillard wins the Pulitzer Prize for this essay collection, a record of the seasons in Virginia and meditations by a writer who describes herself as "a poet and a walker with a background in theology and a penchant for quirky facts." |
| 1982 | Teaching a Stone to Talk: Expeditions and Encounters. In this volume of essays, Dillard often begins with an observation of the natural world, which she then proceeds to explore. The subjects include weasels, a total eclipse--anything that will lead her in the direction of philosophical or metaphysical speculation. Underpinning this technique is a broad background in anthropology, biology, history, culture, and geography. |
| 1989 | The Writing Life. Dillard explores the complexities of literary creation, writing not for her fellow practitioners but for readers curious about the writer's habits and methods. |
| 1999 | For the Time Being. Dillard meditates on the nature of religion and science and how they impinge on the individual. Dillard reports facts about nature (with especially apt descriptions of insects) while suffusing her first-person narrative with vivid metaphors and images. |
Quotes:
"It could be that our faithlessness is a cowering cowardice born of our very smallness, a massive failure of imagination. If we were to judge nature by common sense or likelihood, we wouldn't believe the world existed."
"I don't know what it is about fecundity that so appalls. I suppose it is the teeming evidence that birth and growth, which we value, are ubiquitous and blind, that life itself is so astonishingly cheap, that nature is as careless as it is bountiful, and that with extravagance goes a crushing waste that will one day include our own cheap lives."
"I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wondering awed about on a splintered wreck I've come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty bats and shines not in its imperfections but overwhelmingly in spite of them..."
"No; we have been as usual asking the wrong question. It does not matter a hoot what the mockingbird on the chimney is singing. The real and proper question is: Why is it beautiful?"
| Annie Dillard | |
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![]() Portrait by Phyllis Rose |
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| Born | Meta Ann Doak April 30, 1945 Pittsburgh, Pennsylvania |
| Nationality | American |
| Period | 1974–present |
| Genres | Nonfiction, fiction, poetry |
| Notable work(s) | Pilgrim at Tinker Creek; Holy the Firm; For the Time Being; An American Childhood; The Maytrees |
| Notable award(s) | Pulitzer Prize for General Nonfiction 1975 - Pilgrim at Tinker Creek |
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www.anniedillard.com |
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Annie Dillard (born April 30, 1945) is an American author, best known for her narrative prose in both fiction and non-fiction. She has published works of poetry, essays, prose, and literary criticism, as well as two novels and one memoir. Her 1974 work Pilgrim at Tinker Creek won the 1974 Pulitzer Prize for General Nonfiction. Dillard taught for 21 years in the English department of Wesleyan University, in Middletown, Connecticut.
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Contents
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Annie Dillard was the oldest of three daughters in her family. Early childhood details can be drawn from Annie Dillard's autobiography, An American Childhood (1987), about growing up in the Point Breeze neighborhood of Pittsburgh. It starts in 1950 when she was five. Like Russell Baker's Growing Up, Dillard's memoir An American Childhood focuses on her parents and some of her intellectual enthusiasms rather than on herself. She grew up in Pittsburgh in the fifties in "a house full of comedians."[1] She describes her mother as an energetic non-conformist. Her father taught her many useful subjects such as plumbing, economics, and the intricacies of the novel On The Road. She describes in An American Childhood reading a wide variety of subjects including: geology, natural history, entomology, epidemiology, and poetry, among others. Influential books from her youth were: The Natural Way to Draw and Field Book of Ponds and Streams.[2] Her days were filled with exploring, piano and dance classes, rock and bug collecting, drawing, and reading books from the public library including natural history and military history, such as World War II.
As a child, Dillard attended the Shadyside Presbyterian Church in Pittsburgh, though her parents did not attend.[3] She spent four summers at the First Presbyterian Church (FPC) Camp in Ligonier, Pennsylvania.[4] As an adolescent she quit attending church because of "hypocrisy." When she told her minister of her decision, she was given four volumes of C. S. Lewis's broadcast talks, from which she appreciated that author's philosophy on suffering, but elsewhere found the topic inadequately addressed.[5]
She attended Pittsburgh Public Schools until fifth grade, and then The Ellis School until college.
Dillard attended Hollins College (now Hollins University), in Roanoke, Virginia, where she studied literature and creative writing. She married her writing teacher, the poet R. H. W. Dillard, ten years her senior. Of her college experience, Dillard stated: "In college I learned how to learn from other people. As far as I was concerned, writing in college didn’t consist of what little Annie had to say, but what Wallace Stevens had to say. I didn’t come to college to think my own thoughts, I came to learn what had been thought."[6] In 1968 she earned an MA in English. Her thesis on Henry David Thoreau showed how Walden Pond functioned as "the central image and focal point for Thoreau's narrative movement between heaven and earth." Dillard spent the first few years after graduation oil painting, writing, and keeping a journal. Several of her poems and short stories were published, and during this time she also worked for Johnson's Anti-Poverty Program.
Dillard's works have been compared to those by Virginia Woolf, Gerard Manley Hopkins, Emily Dickinson, William Blake, and John Donne.[7] She cites Henry James, Thomas Hardy, and Ernest Hemingway as a few of her all-time favorite authors.[8]
In her first book of poems Tickets for a Prayer Wheel (1974), Dillard first articulated themes that she would later explore in other works of prose.[9]
In 1971 she read an old writer's nature book and thought, "I can do better than this." Dillard's journals served as a source for Pilgrim at Tinker Creek (1974), a nonfiction narrative about the natural world near her home in Roanoke, Virginia. Although the book contains named chapters, it is not (as some critics assumed) a collection of essays.[9] Early chapters were published in The Atlantic, Harpers, and Sports Illustrated. The book describes God by studying creation, leading one critic to call her "one of the foremost horror writers of the 20th Century."[9] In The New York Times, Eudora Welty said the work was "admirable writing" that reveals "a sense of wonder so fearless and unbridled... [an] intensity of experience that she seems to live in order to declare," but "I honestly don't know what [Dillard] is talking about at... times."[10]
The book won the 1975 Pulitzer Prize for General Non-Fiction, when Dillard was 29.
One day, Dillard decided to begin a project in which she would write about whatever happened on the island within a three-day time period. When a plane crashed on the second day, Dillard began to contemplate the problem of pain, and God's allowance of "natural evil to happen".[9] Although her 1977 work Holy the Firm (1977) was only 66 pages long, it took her 14 months, writing full-time, to complete the manuscript. In The New York Times Book Review novelist Frederick Buechner called it "A rare and precious book." While other contemporary reviewers wondered whether she was under the influence of hallucinogenic drugs, Dillard denies it.[9]
Teaching a Stone to Talk (1982) is her sole book of short nonfiction narrative essays and travels. Out of the 14 essays, "Life on the Rocks: The Galapagos" won the New York Women's Press Club award, and "The Eclipse" was chosen for Best Essays of the Twentieth Century. As Dillard herself notes, "'The Weasel' is lots of fun; the much-botched church service is (I think) hilarious."[9]
In Living by Fiction (1982), Dillard produced her "theory about why flattening of character and narrative cannot happen in literature as it did when the visual arts rejected deep space for the picture plane." She later said that, in the process of writing this book, she talked herself into writing an old-fashioned novel.[9]
Encounters with Chinese Writers (1984) is a work of journalism. One part takes place in China, where Dillard was member of a delegation of six American writers and publishers following the fall of the Gang of Four. In the second half, Dillard hosts a group of Chinese writers, whom she takes to Disneyland along with Alan Ginsberg. Dillard describes it as "hilarious".[9]
The Writing Life (1989) is a collection of short essays in which Dillard "discusses with clear eye and wry wit how, where and why she writes".[11] The Boston Globe called it "a kind of spiritual Strunk & White, a small and brilliant guidebook to the landscape of a writer's task." The Chicago Tribune wrote that, "For nonwriters, it is a glimpse into the trials and satisfactions of a life spent with words. For writers, it is a warm, rambling conversation with a stimulating and extraordinarily talented colleague." The Detroit News called it "a spare volume...that has the power and force of a detonating bomb."[9]
Dillard's first novel, The Living (1992) centers around the first European settlers of the Pacific Northwest coast. While writing the book, she restricted herself from reading works that postdated the time in which The Living was set, nor did she use anachronistic words.[9]
Mornings Like This (1995) is a book dedicated to found poetry. Dillard took and arranged phrases from various old books, creating poems that are often ironic in tone. The poems are not related to the original books' themes. "A good trick should look hard and be easy," said Dillard. "These poems were a bad trick. They look easy and are really hard."[9]
For the Time Being (1999) is a work of narrative nonfiction. Its topics mirror the various chapters of the book and include "birth, sand, China, clouds, numbers, Israel, encounters, thinker, evil, and now." In her own words on this book, she writes, "I quit the Catholic Church and Christianity; I stay near Christianity and Hasidism."[9]
The Maytrees (2007) is Dillard's second novel. The story, which begins after World War II, tells of a lifelong love between a husband and wife who live in Provincetown, Cape Cod. It was one of The New York Times Book Review's Top Ten Books of the Year for 2007, and was a finalist for the PEN/Faulkner Award for Fiction in 2008.[9]
Dillard's books have been translated into at least 10 languages. Her 1975 Pulitzer-winning book, Pilgrim at Tinker Creek, made Random House's survey of the century's 100 best nonfiction books. The LA Times' survey of the century's 100 best Western novels includes The Living. The century's 100 best spiritual books (ed. Philip Zaleski) also includes Pilgrim at Tinker Creek. The 100 best essays (ed. Joyce Carol Oates) includes "Total Eclipse," from Teaching a Stone to Talk. Pilgrim at Tinker Creek, in 1999, and For the Time Being, in 2002, both won the Maurice-Edgar Coindreau Prize for Best Translation in English, both translated by Sabine Porte.[12]
To celebrate its tricentennial, Boston commissioned Sir Michael Tippett to compose a symphony. He based part of its text on Pilgrim at Tinker Creek. In 2005, artist Jenny Holzer used all of An American Childhood to stream, letter by letter, vertically, in lights, at the Carnegie Museum in Pittsburgh, as an installation.[13] The Maytrees is the sole North American novel to be a finalist for the Dublin Times literary award.[14]
In 1975, she and Richard Dillard divorced amicably, and she moved from Roanoke to Lummi Island near Bellingham, Washington. She taught at Western Washington University part-time as a writer-in-residence. She later married Gary Clevidence, an anthropology professor at WWU's Fairhaven College, and they have a daughter.[7] For over two decades, she has been married to the historical biographer Robert D. Richardson, whom she met after sending him a fan letter about his book Henry Thoreau: A Life of the Mind.[8]
Dillard taught for 21 years in the English department of Wesleyan University, in Middletown, Connecticut.[12] After college Dillard says she became "spiritually promiscuous". Her first prose book, Pilgrim at Tinker Creek, makes references not only to Christ and the Bible, but also to Judaism, Buddhism, Sufism, and even Inuit spirituality. Dillard converted to Roman Catholicism, and in 1994 won the Campion Award, given to a Catholic writer every year by the editors of America.[15] However, her personal website lists her religion as "none".
On her official website (as of January 2012) she writes, "Please don't use Wikipedia. It is unreliable; anyone can post anything, no matter how wrong. For example, an article by Mary Cantwell misquotes me wildly. The teacher in me says, 'The way to learn about a writer is to read the text. Or texts.'" She also notes that she was awarded the "Number One sexiest American nature writer of all time" distinction on “Bill and Dave’s Cocktail Hour" blog. (Her website sells her paintings to benefit a charity called Partners in Health. Dr. Paul Farmer founded the charity to rid the world of infectious disease.)[16]
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