Horniman, Annie E[lizabeth Fredericka] (1860-1937), founding patron of the Abbey Theatre. An English tea-merchant heiress, she was educated at the Slade School of Art and met W. B. Yeats through the Order of the Golden Dawn in London. She began subsidizing the Irish National Theatre Society in 1903, purchasing for it the disused theatre in Abbey Street in 1904. She commenced paying professional salaries in 1905, but strongly opposed a policy of nationalist plays, leading to a rift with the management and members of the company. The final break occurred when the theatre remained open during the period of mourning for Edward VII in 1910. She sold out to the directors on favourable terms. Her subsequent work in Manchester, continuing until 1917, contributed greatly to the English repertory theatre movement.
Annie Horniman, a British dramatist and student of magic, was born on October 3, 1860, in Forest Hill, England, and grew up in Surrey. Her grandfather, a wealthy Quaker tea merchant, invented the tea bag. Her father made the pilgrimage from Quakerism to Congregationalism to the Church of England. He served for a number of years as a Member of Parliament. His inherited wealth allowed him to travel widely and he assembled a large collection of artifacts from around the world that he housed in a private museum.
In 1882 Horniman entered Slade School of Art (an affiliate of the University of London), where she met Mina Bergson (later Moina Mathers). She was eventually led to the magical order founded by Mina's husband, Samuel L. MacGregor Mathers, the Hermetic Order of the Golden Dawn (HOGD). She was initiated in 1890 and took the magical name/motto Fortiter et Rocte. She progressed rapidly, and the following year was the first initiate in the more advanced Second Order. In 1893 she became the subPraemonstrator of the Isis Urania Temple.
That same year, Horniman received a substantial inheritance from her grandfather that allowed her to enter into the world of the theater by backing the production of a series of dramas staged by Florence Farr, another HOGD member. She also became a major financial backer of Mathers as he continued to develop the Golden Dawn.
In 1896 Horniman emerged as the opponent within the Golden Dawn of Dr. Edward Beveridge, who advocated the occult sexual theories of Thomas Lake Harris, the American communal leader. Horniman felt that Harris' teachings were immoral. When Mathers sided with Beveridge, she resigned as subPraemonstrator of Isis Urania. She continued as scribe for several years, but in 1903 had a final break with Mathers. Before the end of the year, she was expelled from the order. In the following years she threw herself into theater work and in the 1930s would be honored for her contributions to the British stage.
After many years away from the occult, in 1921 Horniman joined the Quest Society formed by theosophist George R. S. Mead. She died on August 6, 1937.
Sources:
Greer, Mary K. Women of the Golden Dawn: Rebels and Priest-esses. Rochester, Vt.: Park Street Press, 1995.
King, Francis. Ritual Magic in England. London: Neville Spearman, 1970.
Annie Elizabeth Fredericka Horniman CH (3 October 1860 – 6 August 1937) was an English theatre patron and manager. She established the Abbey Theatre in Dublin and founded the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester. She encouraged the work of new writers and playwrights, including W. B. Yeats, George Bernard Shaw and members of what became known as the Manchester School of dramatists.
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Annie Horniman was born at Surrey Mount, Forest Hill, London, in 1860, the elder child of Frederick John Horniman and his first wife Rebekah née Elmslie. Her father was a tea merchant and the founder of the Horniman Museum; her grandfather was John Horniman who founded the family tea business of Horniman and Company. Annie and her younger brother Elmslie were educated privately at their home. Her father was opposed to the theatre, which he considered was sinful, but their German governess took Annie and Elmslie secretly to a performance of The Merchant of Venice at The Crystal Palace when Annie was aged 14.[1][2]
Annie's father allowed her to enter the Slade School of Fine Art in 1882. Here she discovered that her talent in art was limited but she developed other interests, particularly in the theatre and opera. She took great pleasure in Wagner's Ring cycle and in Ibsen's plays. She cycled in London and twice over the Alps, smoked in public and explored alternative religions.[1][2] The "lonely rich girl" had become "an independent-minded woman".[1] In 1890 she joined the occult society, the Hermetic Order of the Golden Dawn, where she remained a member until disagreements with its leaders led to her resignation in 1903. During this time she met and became a friend of W. B. Yeats, acting as his amanuensis for some years.[1][2]
Annie's first venture into the theatre was in 1894 was made possible by a legacy from her grandfather. She anonymously supported her friend Florence Farr in a season of new plays at the Avenue Theatre, London. This included a new play by Yeats, The Land of Heart's Desire, and the première of George Bernard Shaw's play Arms and the Man. In 1903 Yeats persuaded her to go to Dublin to back productions by the Irish Literary Theatre. Here she discovered her skill as a theatre administrator. She bought a property and developed it into the Abbey Theatre, which opened in December 1904. Although she moved back to live in England she continued to support the theatre financially until 1910. Meanwhile in Manchester she had purchased and renovated the Gaiety Theatre in 1908 and developed it into the first regional repertory theatre in Britain.[1][2]
At the Gaiety she appointed Ben Iden Payne as the director and employed actors on 40-week contracts, alternating their work between large and small parts. The plays produced included classics such as Euripides and Shakespeare, and she introduced works by contemporary playwrights such as Ibsen and Shaw. She also encouraged local writers who formed what was known as the Manchester School of dramatists, the leading members of which were Harold Brighouse, Stanley Houghton and Allan Monkhouse.[1] The Gaiety company undertook tours of America and Canada in 1912 and 1913. Annie became a well-known public figure in Manchester, lecturing on subjects which included women's suffrage and her views about the theatre. In 1910 she was awarded the honorary degree of M. A. by Manchester University. During the First World War the Gaiety continued to stage plays but financial difficulties led to the disbandment of the permanent company in 1917, following which productions in the theatre were by visiting companies. In 1921 Annie sold the theatre to a cinema company.[2]
As a result of her tea connection, she was known as "Hornibags". She held court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which was considered scandalous at the time. She introduced Manchester to what was called at the time "the play of ideas". The theatre critic James Agate noted that Horniman's high-minded theatrical ventures had "an air of gloomy strenuousness" about them.[3]
Annie moved to London where she kept a flat in Portman Square.[2] In 1933 she was made a Companion of Honour. She died in 1937 at her home in Shere, Surrey. Her estate amounted to a little over £50,000.[1] The Annie Horniman Papers are held in the John Rylands Library at the University of Manchester.[2][4]
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