Anomie, in contemporary English, means a condition or malaise in individuals, characterized by an absence or diminution of standards or values. When applied to a
government or society, anomie implies a social unrest or chaos.
Etymology
The word comes from Greek, namely the prefix a-
“without”, and nomos “law”. The Greeks distinguished between nomos (νόμος, “law”), and arché (αρχή,
“starting rule, axiom, principle”). For example, a monarch is a single ruler but he or she
might still be subject to, and not exempt from, the prevailing laws, i.e. nomos.
In the original city state democracy, the
majority rule was an aspect of arché because it was a rule-based, customary system
which might or might not make laws, i.e. nomos. Thus, the original meaning of anomie defined anything or anyone
against or outside the law, or a condition where the current laws were not applied resulting in a state of illegitimacy or
lawlessness.
The contemporary English understanding of the word anomie can accept greater flexibility in the word “norm”, and some have used the idea of normlessness to reflect a
similar situation to the idea of anarchy. But, as used by Émile Durkheim and later theorists, anomie is a reaction against or a retreat from the regulatory
social controls of society, and is a completely separate
concept from anarchy which is an absence of effective rulers or leaders.
Anomie as individual disorder
The nineteenth century French pioneer sociologist Emile Durkheim borrowed the word from the
French philosopher Jean-Marie Guyau and used it in his book Suicide (1897), outlining the causes of suicide to describe a
condition or malaise in individuals, characterized by an absence or diminution of standards or values (referred to as
normlessness), and an associated feeling of alienation and purposelessness. He believed that anomie is common when the surrounding society has undergone significant
changes in its economic fortunes, whether for good or for worse and, more generally, when there is a significant discrepancy
between the ideological theories and values commonly professed and what was actually achievable in everyday life. This is
contrary to previous theories on suicide which generally maintained that suicide was precipitated by negative events in a
person's life and their subsequent depression.
In Durkheim’s view, traditional religions often provided the basis for the shared values
which the anomic individual lacks. Furthermore, he argued that the division of labor
that had been prevalent in economic life since the Industrial Revolution led
individuals to pursue egoistic ends rather than seeking the good of a larger
community.
Robert King Merton also adopted the idea of anomie to develop
Strain Theory, defining it as the discrepancy between common social goals and
the legitimate means to attain those goals. In other words, an individual suffering from anomie would strive to attain the
common goals of a specific society yet would not be able to reach these goals legitimately because of the structural limitations in society. As a result the individual would exhibit deviant behavior. Friedrich Hayek notably uses the word
anomie with this meaning.
Anomie as a social disorder is not to be confused with anarchy. Anarchy denotes lack of rulers, hierarchy, and
command, whereas anomie denotes lack of rules, structure, and organization. Many proponents of anarchism claim that anarchy does not necessarily lead to anomie and that hierarchical command actually
increases lawlessness (see e.g. the Law of Eristic Escalation).
As an older variant, the Webster 1913 dictionary reports use of the word
anomie as meaning “disregard or violation of the law”.
Anomie in literature and film
In Albert Camus’s existentialist
novel The Stranger, the protagonist
Meursault struggles to construct an individual system of values as he responds to the
disappearance of the old. He exists largely in a state of anomie, as seen from the apathy evinced in the opening lines:
“Aujourd’hui, maman est morte. Ou peut-être hier, je ne sais pas” (“Today Mother died. Or maybe yesterday, I don't
know.”)
Dostoevsky, whose work is often considered a philosophical precursor to
existentialism, often expressed a similar concern in his novels. In The Brothers Karamazov, the character Dmitri
Karamazov asks his atheist friend Rakitin, ”...without God and immortal life? All things
are lawful then, they can do what they like?” Raskolnikov, the anti-hero
of Dostoevsky’s novel Crime and Punishment, puts this philosophy into action when
he kills an elderly pawnbroker and her sister, later rationalizing this act to himself with the words, “...it wasn’t a human
being I killed, it was a principle!”
Hermann Hesse´s Der Steppenwolf also
expresses a very clear picture of anomie. The protagonist affirms that the men of the Dark
Ages did not suffer more than those of the Classical Antiquity, and
vice-versa. It is rather those who live between two times, those who do not know what to follow, that suffer the most. In this
token, a man from the Dark Ages living in the Classical Antiquity, or the opposite, would undergo a gulping sadness and
agony.
Bibliography
- Marco Orru, The Ethics of Anomie: Jean Marie Guyau and Emile Durkheim, British Journal of Sociology, Vol. 34, No. 4 (Dec.,
1983), pp. 499-518
- Jordi Riba, La morale anomique de Jean-Marie Guyau, Paris [etc.] : L'Harmattan, 1999
External links
- "Anomie" discussed at the Émile
Durkheim Archive.
See also
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