Anton Walbrook

Share on Facebook Share on Twitter Email
AMG AllMovie Guide:

Anton Walbrook

Top

Biography

Descended from ten generations of European circus clowns, Anton Walbrook learned the rudiments of acting under such masters as Max Reinhardt. On stage from his teens, Walbrook first performed before the cameras in the 1922 German serial Mater Dolorosa. He hit his stride as a matinee idol in the early-talkie period, starring in such Mittel-European productions as Viktor und Viktoria (1933) and Maskerade (1933). He made his American film debut in a roundabout manner. When RKO Radio Pictures decided to utilize generous stock footage from Walbrook's French/German film Michael Strogoff (1937) for their own The Soldier and His Lady (1937), the actor was hired to reshoot his scenes in English. Walbrook was cast as Prince Albert in his first British film, Victoria the Great (1937), a characterization he repeated in Sixty Glorious Years (1938). His British popularity was cemented by his suavely villainous portrayal of the wife-murdering protagonist ("Zee roobies...zee roobies...") in the 1939 version of Gaslight. In the 1940s, Walbrook was virtually adopted by the production team of Michael Powell and Emeric Pressburger. He played the Paderewski-inspired Polish concert pianist in Dangerous Moonlight (1941), the Czech-Canadian patriot in 49th Parallel (1941) and German officer Theodor Krestchmer-Schuldorf (a surprisingly likable portrayal of a wartime enemy) in The Life and Death of Colonel Blimp (1943). The most famous of his Powell-Pressburger assignments was the showcase role of ruthless (but ultimately sympathetic) ballet impresario Boris Lermontov in The Red Shoes (1948). In the 1950s, Walbrook brilliantly essayed a brace of roles for director Max Ophuls: the worldly-wise "raconteur" in La Ronde (1950) and the ageing, foolhardy Ludwig I of Bavaria in Lola Montes. Anton Walbrook's last screen role was Major Esterhazy in I Accuse, a 1957 version of "l'affair Dreyfuss"; he then retired with such finality that many assumed he'd died long before his actual passing in 1967. ~ Hal Erickson, Rovi
Top
Anton Walbrook

Walbrook as Theo Kretschmar-Schuldorff, in the duel scene from The Life and Death of Colonel Blimp
Born Adolf Anton Wilhelm Wohlbrück
19 November 1896(1896-11-19)
Vienna, Austria
Austria
Died 9 August 1967(1967-08-09) (aged 70) (heart attack)
Garatshausen, Bavaria, Germany
Occupation Actor

Anton Walbrook (born German: (Adolf) Anton (Wilhelm) Wohlbrück; 19 November 1896, – 9 August 1967) was an Austrian actor who settled in the United Kingdom.

Contents

Life and career

Walbrook was born in Vienna, Austria. Originally known as Adolf Wohlbrück, he was descended from ten generations of actors though his father broke with tradition and was a circus clown. Walbrook studied with the director Max Reinhardt and built up a career in Austrian theatre and cinema.

In 1936 he went to Hollywood to reshoot dialogue for the multinational The Soldier and the Lady (1937) and in the process changing his name from Adolf to Anton. Instead of returning to Austria, Walbrook, who was classified under the Nuremberg Laws as "half-Jewish",[1] settled in England and continued working as a film actor making a speciality of playing continental Europeans.

Producer-director Herbert Wilcox cast him as Prince Albert in Victoria the Great (1937) and Walbrook also appeared in the sequel, Sixty Glorious Years the following year. He was in director Thorold Dickinson's version of Gaslight (1940), in the role played by Charles Boyer in the later Hollywood remake. In Dangerous Moonlight (1941), a romantic melodrama, he was a Polish pianist torn over whether to return home. For the Powell and Pressburger team in The Life and Death of Colonel Blimp (1943) he played the role of the dashing, intense "good German" officer Theo Kretschmar-Schuldorff, and the tyrannical impresario Lermontov in The Red Shoes (1948). One of his most unusual films, reuniting him with Dickinson, is The Queen of Spades (1949), an odd, Gothic thriller based on the Alexander Pushkin short story in which Walbrook co-starred with Edith Evans. For Max Ophüls he was the ringmaster in La Ronde (1950).

Red Shoes co-star Moira Shearer recalled Walbrook was a loner on set, often wearing dark glasses and eating alone.[2] He retired from films at the end of the 1950s and in later years appeared on the European stage and television. He died of a heart attack in Geretshausen, Bavaria, Germany in 1967. His ashes were interred in the churchyard of St. John's Church, Hampstead, London, as he had wished in his testament.

The grave of Anton Walbrook in Hampstead Cemetery, London

Filmography

In Austria and Germany

After leaving Germany

References

Notes

  1. ^ Offermanns, Ernst (2005) (in German). Die deutschen Juden und der Spielfilm der NS-Zeit. Frankfurt: Peter Lang. p. 69.
  2. ^ Commentary track on Criterion DVD of The Red Shoes

Bibliography

  • Andrew Moor, Dangerous Limelight: Anton Walbrook and the Seduction of the English (2001)

External links


Post a question - any question - to the WikiAnswers community:

Copyrights:

Mentioned in

Adventures of Michael Strogoff (1937 Drama Film)
The Man from Morocco (1946 War Film)
The Gypsy Baron (1935 Film)
Dangerous Moonlight (1941 War Film)