aposiopesis

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American Heritage Dictionary:

ap·o·si·o·pe·sis

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(ăp'ə-sī'ə-pē'sĭs) pronunciation
n., pl., -ses (-sēz).
A sudden breaking off of a thought in the middle of a sentence, as though the speaker were unwilling or unable to continue.

[Late Latin aposiōpēsis, from Greek, from aposiōpān, to become silent : apo-, intensive pref.; see apo- + siōpān, to be silent (from siōpē, silence).]

aposiopetic ap'o·si'o·pet'ic (-pĕt'ĭk) adj.

aposiopesis [ap‐ŏ‐syr‐pee‐sis] (plural ‐peses), a rhetorical device in which the speaker suddenly breaks off in the middle of a sentence, leaving the sense unfinished. The device usually suggests strong emotion that makes the speaker unwilling or unable to continue. The common threat ‘get out, or else—’ is an example.

Adjective: aposiopetic.

See also anacoluthon.
Obscure Words:

aposiopesis

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leaving a thought incomplete
Poetry Glossary:

Aposiopesis

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Stopping short of a complete thought for effect, thus calling attention to it, usually by a sudden breaking off, as in "He acted like


Origin: (Lat. interruptio) is a pragmatic figure, signifying a sudden disruption of discourse by omitting the expected end of a clause or sentence, as if the speaker/writer were unable or unwilling to proceed. Hence, this figure has a histrionic quality. It can simulate the impression of a speaker so overwhelmed by emotions that he or she is unable to continue speaking, as in Mark Antony's break during his funeral oration: “Bear with me, / My heart is in the coffin there with Caesar, / And I must pause till it come back to me” (Shakespeare, Julius Caesar 3.2.105–107). It can also convey a certain pretended shyness toward obscene expressions or even an everyday casualness. “My sister, I dare say, added he, does not care to let a man come so near her—I will not say whether my uncle Toby had completed the sentence or not” (Sterne, Tristram Shandy).

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Random House Word Menu by Stephen Glazier
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Aposiopesis (play /ˌæpəs.əˈpsɪs/; Classical Greek: ἀποσιώπησις, "becoming silent") is a figure of speech wherein a sentence is deliberately broken off and left unfinished, the ending to be supplied by the imagination, giving an impression of unwillingness or inability to continue. An example would be the threat "Get out, or else—!" This device often portrays its users as overcome with passion (fear, anger, excitement) or modesty. To mark the occurrence of aposiopesis with punctuation an em dash or an ellipsis may be used.

A classical example of aposiopesis in Virgil occurs in Aeneid 2.100. Sinon, the Greek who is posing as a traitor to deceive the Trojans into accepting the Trojan Horse within their city wall, tells about how Ulixes spread false rumors at Sinon's expense. Indeed, Ulixes does not stop his malicious gossiping until he causes Sinon's ruin with the help of the seer Calchas. The whole story is a lie that Sinon tells with consummate artistry in order to convince the Trojans that he deserted the Greeks to escape Ulixes's enmity. To ensure the effect of his elaborate lie, Sinon at one point leaves a crucial statement unfinished (Aen. 2.97-100):

hinc mihi prima malis labes, hinc semper Vlixes
criminibus terrere nouis, hinc spargere uoces
in uulgum ambiguas et quaerere conscius arma.
nec requieuit enim, donec Calchante ministro—

This was the time when the first onslaught of ruin began for me.
Ulixes kept terrifying me with new accusations,
kept spreading ambiguous rumors among the people,
and kept looking for quarrel.
Nor did he in fact ever stop, until with the help of Calchas—

A more modern example of aposiopesis occurs in Mark Twain's Tom Sawyer: “Well, I lay if I get a hold of you I'll—.”

A biblical example is found in Psalm 27, verse 13. In English it says: "Unless I had believed I would see the goodness of the Lord in the land of the living . . . " The implication is that the author does not know what he would have done.

In syntax, an aposiopesis arises when the 'if- clause' or protasis of a condition is stated without an ensuing 'then- clause' or apodosis. Because an aposiopesis implies a trailing off of thought, it is never followed by a period, which would effectively result in four dots.

See also

References

  •  This article incorporates text from a publication now in the public domainChisholm, Hugh, ed (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 
  • Smyth, Herbert Weir (1920). Greek Grammar. Cambridge MA: Harvard University Press. pp. 674. ISBN 0-674-36250-0. 
  • Lanham, Richard A. (1991). A Handlist of Rhetorical Terms. Berkeley / Los Angeles / London: University of California Press. pp. 20. ISBN 0-520-07669-9. 

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