Ariadne

Drinking scene with Dionysus and Ariadne on his lap. Greco-Buddhist art from Gandhara, 3rd century CE.

Ariadne (Greek Αριάδνη), in Greek mythology (Latin Arianna), was daughter of King Minos of Crete and his queen, Pasiphaë, daughter of Helios, the Sun-titan.^[1] She aided Theseus in overcoming the Minotaur and later became the bride of the god Dionysus.

Minos and Theseus

Since ancient Greek legends were passed down through oral tradition, many variations of this and other myths exist.^[2] According to one version of the legend, Minos attacked Athens after his son was killed there. The Athenians asked for terms, and were required to sacrifice seven young men and seven maidens every nine years to the Minotaur. One year, the sacrificial party included Theseus, a young man who volunteered to come and kill the Minotaur. Ariadne fell in love at first sight, and helped him by giving him a sword and a ball of red fleece thread that she was spinning, so that he could find his way out of the Minotaur's labyrinth.

She ran away with Theseus after he achieved his goal, but according to Homer "he had no joy of her, for ere that Artemis slew her in seagirt Dia because of the witness of Dionysus" (Odyssey XI, 321-5). Homer does not enlarge on the nature of Dionysus' accusation, but the Oxford Classical Dictionary speculates that she was already married to Dionysus when Theseus ran away with her.

Naxos

Bacchus and Ariadne by Titian: Dionysus discovers Ariadne on the shore of Naxos. The painting also depicts the constellation named after Ariadne

In Hesiod and most other accounts, Theseus abandoned Ariadne sleeping on Naxos, and Dionysus rediscovered and wedded her.

In a few versions of the myth,^[3] Dionysus appeared to Theseus as they sailed away from Crete, saying that he had chosen Ariadne as his wife, and demanded that Theseus leave her on Naxos for him. The vase-painters of Athens often showed Athena leading Theseus from the sleeping Ariadne to his ship.

With Dionysus, she was the mother of Euanthes (blooming), Oenopion, the personification of wine, Staphylus (related to grapes),Thoas, Latramys and Tauropolus. Her wedding diadem was set in the heavens as the constellation Corona.

She remained faithful to Dionysus, but was later killed by Perseus at Argos. In other myths Ariadne hanged herself from a tree, like Erigone and the hanging Artemis, a Mesopotamian theme. Some scholars think, due to her thread and winding associations, that she was a weaving goddess such as Arachne, and they support the assertion with the mytheme of the Hanged Nymph (see weaving in mythology).

Dionysus however descended into Hades and brought her and his mother Semele back. They then joined the gods in Olympus.

Ariadne as the consort of Dionysos: bronze appliqué from Chalki, Rhodes, late fourth century BCE, (Louvre)

Ariadne as a possible goddess figure

Karl Kerenyi (and Robert Graves) theorize that Ariadne (whose name they derive from a Cretan-Greek form for arihagne, "utterly pure" ) was a fertility goddess of Crete, "the first divine personage of Greek mythology to be immediately recognized in Crete" (Kerenyi 1976, p 89), once archaeology had begun. Kerenyi observes that her name is merely an epithet and claims that she was originally the "Mistress of the Labyrinth", both a prison with the dreaded Minotaur at its centre and a winding dance-ground. Professor Barry Powell has suggested she was Crete's Snake Goddess.^[4]

Plutarch, in his vita of Theseus that treats him as a historical individual, reports that in the Naxos of his day, an earthly Ariadne was separate from a celestial one:

"Some of the Naxians also have a story of their own, that there were two Minoses and two Ariadnes, one of whom, they say, was married to Dionysos in Naxos and bore him Staphylos and his brother, and the other, of a later time, having been carried off by Theseus and then abandoned by him, came to Naxos, accompanied by a nurse named Korkyne, whose tomb they show; and that this Ariadne also died there."

In a kylix by the painter Aison (c. 425–c. 410 BC)^[5] Theseus drags the Minotaur from a temple-like labyrinth, but the goddess who attends him, in this Attic representation, is Athena.

An ancient cult of Aphrodite-Ariadne was observed at Amathus, Cyprus, according to the obscure Hellenistic mythographer Paeon of Amathus; Paeon's works are lost, but his narrative is among the sources cited by Plutarch in his vita of Theseus (20.3-.5). According to the myth that was current at Amathus, the second most important Cypriote cult centre of Aphrodite, Theseus' ship was swept off-course and the pregnant and suffering Ariadne put ashore in the storm. Theseus, attempting to secure the ship, was inadvertently swept out to sea, thus being absolved of abandonment. The Cypriote women cared for Ariadne, who died in childbirth and was memorialized in a shrine. Theseus, returning, overcome with grief, left money for sacrifices to Ariadne and ordered two cult images, one of silver and one of bronze, set up. At the observation in her honour on the second day of the month Gorpiaeus, one of the young men lay on the ground vicariously experiencing the throes of labour. The sacred grove in which the shrine was located was called the grove of Aphrodite Ariadne.^[6]

In reading the account, the primitive aspect of the cult at Amathus would appear to be much older than the Athenian-sanctioned shrine of Aphrodite, who has assumed Ariadne (hagne, "sacred") as an epithet at Amathus.

In Etruscan culture

Ariadne (Etruscan Areatha) is paired with Dionysus (Etruscan Fufluns) on engraved bronze Etruscan bronze mirrorbacks, where the Athenian culture-hero Theseus is absent, and Semele (Etruscan Semla), as mother of Dionysus, may accompany the pair,^[7] lending a particularly Etruscan air^[8] of family authority.

Reference in post-classical culture

Non-musical works

• "Ariadne auf Naxos" is a poem by Heinrich Wilhelm von Gerstenberg.
• "Ariadne" is a story by Anton Chekhov.
• "Klage der Ariadne" is a poem by Friedrich Nietzsche.
• Metaphysical painter Giorgio de Chirico painted eight works with a classical statue of Ariadne as a prop.
• Ariadne was a 1924 play by A. A. Milne.
• The Quest for Theseus, ed. Anne Price (London, 1970), examines the Theseus-Minotaur-Ariadne myth and its historical basis, and later treatments and adaptations of it in Western culture.
• The HMS Ariadne is the name of a ship in Alistair MacLean's 1986 novel Santorini.
• Claudia Crawford, To Nietzsche: Dionysus, I love you! Ariadne was published by State University of New York Press, Albany in 1995.
• John Dempsey's 1996 Ariadne's Brother is a novel on the fall of Bronze Age Crete.
• Ariadne is an important character in Sara Douglass's historical fantasy series The Troy Game, published by HarperCollins 2002-2006.
• "Ariadne" is the protagonist of Montreal writer Tess Fragoulis's 2001 novel, Ariadne's Dream.
• The Algerian-French writer, Hélène Cixous, calls^{[citation needed]} Ariadne the anti-Ulysses.
• A planet called Ariadne is mentioned in the backstory of the 2002-2006 game series Xenosaga.
• The Minotaur myth is referenced repeatedly as a metaphor over the course of the trilogy The Golden Age, culminating at the end with a newly "born" machine-mind adopting Ariadne as her name.
• "Ariadne Oliver", a friend of the detective Hercule Poirot in many of his detective mysteries written by Agatha Christie.
• A main character in the Korean Manhwa Ares is named Ariadne.
• In the video game Apollo Justice: Ace Attorney, the brand of nail polish used by Kristoph Gavin (and later also by Vera Misham) is called Ariadoney.
• A hotel in Stockholm, belonging to the hotel chain Scandic
• Referenced in Frank Wedekind's play "Springs Awakening" in Act II Scene 7 by the character Ilse
• A character in the book, "Mystic Rose - Celtic Fire" by Toney Brooks.

Musical works

• Richard Strauss's standard repertory opera Ariadne auf Naxos was preceded by a L'Arianna each by Claudio Monteverdi and Carlo Agostino Badia, by non-operatic Ariadne auf Naxos works including a cantata based on the Heinrich Wilhelm von Gerstenberg poem and Jiri Antonin Benda's melodrama Ariadne auf Naxos (Benda), and by Joseph Haydn's cantata Arianna a Naxos.
• Carl Orffs "Klage der Ariadne" is an adaption of Claudio Monteverdis Lamento d'Arianna.
• "Ariadne" is an opera (1691) by German (Hamburg) composer Johann Georg Conradi
• "Ariadne" is the title of a Rock 'N' Roll song written in 1959 by Eddie Love and Stu Shermeroff and recorded by Eddie Love and the Lovers.
• "Ariadne" is a song in The Frogs, a musical with music and lyrics by Stephen Sondheim, book by Burt Shevelove, revisions by Nathan Lane. In this song, Dionysus reflects on his marriage to Ariadne.
• "Ariadne's Thread" is a song by the screamo band Saetia and is featured on their 1997 self-titled album as well as their end of career collection, "A Retrospective."
• "Ariadne" is a song by The Crüxshadows on their 2007 album DreamCypher
• "Thread" is a ballet with music by Paul Drescher and Choreography by Margeret Jenkins. It was premiered by San Francisco Ballet in April 2008
• "Ariadne" is a song by Dead Can Dance on their 1993 album Into the Labyrinth
• "Ariadne" is a song on the album Inner Journeys by Cusco
• "Ariadne Sleeping" is an instrumental piece by The Clientele on their Ariadne EP.
• "All My Love" is a song by Led Zeppelin which mentions Ariadne under the French-derived name Arianne, with references to the labyrinth story.
• "El beso de Ariadna" ("Ariadne's Kiss") is the name of a musical comedy act by Argentinian comedy-musical group Les Luthiers. In this act, the singer, as Theseus, asks the Gods to fulfil his only wish: to be kissed by Ariadne.
• Ariadne is a principal character in the monumental series of music dramas conceived by the Canadian composer and writer R. Murray Schafer, in his "Patria Cycle", including "The Princess of the Stars," "Requiems for the Party Girl"

References

Sources

• Kerenyi, Karl. Dionysos: Archetypal Image of Indestructible Life, part I.iii "The Cretan core of the Dionysos myth" Princeton: Princeton University Press, 1976.
• Peck, Harry Thurston. Harpers Dictionary of Classical Antiquities (1898).
• Ruck, Carl A. P. and Danny Staples. The World of Classical Myth. Durham: Carolina Academic Press, 1994.
• Barthes, Roland, "Camera Lucida". Barthes quotes Nietzsche, "A labyrinthine man never seeks the truth, but only his Ariadne," using Ariadne in reference to his mother, who had recently died.

External links

• Theoi Project - Ariadne Assembles Greek and Latin quotations concerning Ariadne, in translation.