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Arion

 

Semilegendary Greek poet and musician. He lived at Methymna on the island of Lesbos and is identified as the inventor of the dithyramb. He was sailing homeward after a performing tour when the sailors decided to kill him and steal his wealth. After singing a dirge for himself, he jumped overboard, but a dolphin charmed by his music carried him to shore. He reached Corinth before the ship; when the sailors arrived, the ruler Periander forced them to confess and punished them. Arion's lyre and the dolphin were placed in the heavens as the constellations Lyra and Delphinus.

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1. Greek lyric poet, perhaps of the seventh century BC, said to have been born at Methymna in Lesbos, but largely a figure of legend. He is said to have been a pupil of the lyric poet Alcman and to have spent the greater part of his life at the court of Periander, tyrant of Corinth. He visited Italy where he amassed much wealth. On his return he was thrown overboard by the sailors, who wanted his treasure, but a dolphin, charmed by the song he had been allowed to sing before his death, carried him to land. To Arion was attributed the creation of the dithyramb as a literary composition. He was also connected with the birth of tragedy, which perhaps means that his type of dithyramb helped eventually to produce tragedy. Nothing survives of his work.

2. Name of a legendary horse, the off-spring of Poseidon and Demeter. It belonged to the Argive hero Adrastus and its speed enabled him to escape after the failure of his expedition against Thebes.

 
Arion (ərĭ'ən), Greek poet, inventor of the dithyramb. He is said to have lived at Periander's court in Corinth in the late 7th cent. B.C. A legend repeated by Herodotus tells how, having been thrown overboard by pirates, Arion was saved by a dolphin charmed by his music.

Bibliography

See A. W. Pickard-Cambridge, Dithyramb, Tragedy, and Comedy (1927, rev. 2d ed. 1966).

Wikipedia: Arion
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Arion on a sea horse, by William-Adolphe Bouguereau (1855)

Arion was a legendary kitharode in ancient Greece, a Dionysiac poet credited with inventing the dithyramb. The islanders of Lesbos claimed him as their native son, but Arion found a patron in Periander, tyrant of Corinth. Although notable for his musical inventions, Arion is chiefly remembered for the fantastic myth of his kidnapping by pirates and miraculous rescue by dolphins, a folktale motif.[1]

Contents

Kidnapping by pirates

According to a digression in Herodotus' account of the Lydian empire under the Mermnads[2], occasioned simply by the appearance of the name of Periander, Arion attended a musical competition in Sicily, which he won. On his return trip from Tarentum, avaricious sailors plotted to kill Arion and steal the rich prizes he carried home. Arion was given the choice of suicide with a proper burial on land, or being thrown in the sea to perish. Neither prospect appealed to Arion, and he asked for permission to sing a last song to win time.

Playing his kithara, Arion sang a praise to Apollo, the god of poetry, and his song attracted a number of dolphins around the ship. At the end of the song, Arion threw himself into the sea rather than be killed, but one of the dolphins saved his life and carried him to safety at the sanctuary of Poseidon at Cape Tainaron. This dolphin was catasterised as the constellation Delphinus, by the blessings of Apollo.

Arion, according to Herodotus' brief excursus, then continued to Corinth by other means and arrived before the sailors that tried to kill him. On his return to Corinth, the king didn't quite believe Arion's fantastic story. The sailors believed Arion was dead in the sea, and on arrival in Corinth they told the king that Arion had decided to remain in Italy. After Arion presented himself, they could no longer deny the truth.[3]

The story as Herodotus tells it was taken up in other literature.[4] Lucian of Samosata wittily imagined the dialogue between Poseidon and the very dolphin who bore Arion.[5]

Family

From what is told in ancient Greek scripts, Arion, although favored by Apollo, is the son of Poseidon and Ino.


Mythological parallels

The episode may be seen as a doublet of the fate of Melicertes, where the leap into the sea was that of his mother, Ino. transformed into the "white goddess" Leucothea; Melicertes was carried more dead than alive to the shores where the Isthmian Games were celebrated in his honour, as he was transformed to the hero Palaimon, who was placated with a noctunal chthonic rite, and the whose winners were crowned with a barren wreath of spruce.[6].

Another parallel is the myth of Dionysus and the sailors, related in the Homeric Hymns: Tyrrhenian pirates try to lash the god to the mast, but the wood itself starts to sprout and the mast is entwined with ivy (like the god's thyrsus); the sailors leap into the sea and are transformed into dolphins. This is especially interesting because Arion is credited with the invention of the dithyramb, a dionysiac song.

Scholarly interpretations

In light of the above parallels, Walter Burkert interprets the myth as a significant development in the history of Dionysiac cult: "Released from this gloomy background, the cheerful and liberating legend of the sixth century further developed the image of the dolphin-rider under the colors of the renewed cult of Dionysus."[7]. G.M. Bowra[8] tied the myth to the period following the expulsion from Corinth of the aristocratic Bacchiadae, who traced their descent from Dionysus; "the cult of the god had to develop new and more democratic forms."[9]

Stewart Flory[10] identified Herodotus' characteristic use of the episode in a historicising context as an example of what Flory calls his "brave gestures", a man faced with death performs with calm dignity some spirited but unnecessary gesture that demonstrates contempt for danger.

Modern uses

Other variations of the story exist. In 1994, it was adapted by Vikram Seth and Alec Roth into the opera Arion and the Dolphin (aka "The Dolphin Opera"), commissioned by the English National Opera for professional performers with community chorus and children's chorus. It premiered at Plymouth in 1994 under conductor Nicholas Kok and director Rebecca Meitlis.

Arion is mentioned in Act 1, scene ii of Shakespeare's Twelfth Night, where the Captain reassures Viola that her brother may still be alive after the shipwreck, for "like Arion on the dolphin's back, I saw him hold acquaintance with the waves."

Arion is a journal of humanities and the classics published at Boston University.

Arion on the dolphin is the imprint of Houghton Mifflin Harcourt, publishers based in Boston and New York.

Trivia

... Only I, still singing, washed
Ashore by the long sea-swell, sing on,
A mystery to my poet self,
And safe and sound beneath a rock shelf
Have spread my wet clothes in the sun.[11]

  • A Japanese animation film named Arion blends various Greek tales into an original story, following the story of a Hercules-like boy named Arion who struggles against various forces. The music in the film is by Joe Hisaishi, the main composer of all the music in Hayao Miyazaki's films.
  • The Greek music awards show is called the ARION.
  • There is a cantata by the French Baroque composer André Campra telling the story of Arion
  • There is a mystical character in DC Comics called Arion, Lord of Atlantis.

Notes

  1. ^ The dolphin's love of music and of humans was proverbial among Greeks (Euripides, Electra 435f; for the folktale motif, see Stith Thompson, Motif Index of Folk Literature (Bloomington IN) 1955-58) s.v. B300-B349, and B473, B767.
  2. ^ Herodotus, Histories I.23-24.
  3. ^ Herodotus I, 23-24.
  4. ^ See Aulus Gellius, Noctes Atticae XVI.19; Plutarch, Conv. sept. sap. 160-62; see William Roberts, "Classical sources of Saint-Amant's 'L'Arion'", French Studies 17.4 (1963:341-350).
  5. ^ Lucian, Dialogi Mortuorum 8.
  6. ^ Burkert 1983:198f. "To Plutarch this seemed more a mystery initiation (τελετή) than an athletic and folk festival" (p 197).
  7. ^ Burkert 1983:198f
  8. ^ Bowra, "Arion and the dolphin", MR 20 (1963:121-34, reprinted in Bowra, On Greek Margins (1970:164-81).
  9. ^ Burkert 1983:201)
  10. ^ Stewart Flory, "Arion's Leap: Brave Gestures in Herodotus" The American Journal of Philology 99.4 (Winter 1978:411-421).
  11. ^ Seamus Heaney, Electric Light, (New York: Farrar, Straus and Giroux), 2001:87.

References

  • Burkert, Walter, Homo Necans (University of California Press) 1983, III.7 "The Return of the Dolphin" pp 196-204.

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