Aristide Bruant

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Bruant, Aristide (1851-1925). Singer-songwriter, also popular novelist and dramatist. Despite his reputation as the singer of Parisian low-life in the belle époque, immortalized in the Toulouse-Lautrec posters, he was in fact born and bred among the provincial bourgeoisie of Courtenay (Loire), and only settled in Paris when he was 17. Early in his career he was associated with the famous Montmartre cabaret, Le Chat Noir. His best-known songs celebrate the romantically glamorized underworld of the popular quarters of Paris: ‘A Montmartre’, ‘A la Bastille’, ‘A Saint Lazare’, ‘Rue Saint Vincent’, etc. The refrains of his songs are simple; but his voice, one of the first to be recorded, is as distinctive as his image.

— Peter Hawkins

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Aristide Bruant (6 May 1851 – 10 February 1925) was a French cabaret singer, comedian, and nightclub owner. He is best known as the man in the red scarf and black cape featured on certain famous posters by Henri de Toulouse-Lautrec. He has also been credited as the creator of the chanson réaliste musical genre.[1][2][3]

Contents

Biography

Aristide Bruant by Lautrec

Born Louis Armand Aristide Bruand in the village of Courtenay, Loiret in France, Bruant left his home in 1866 at age fifteen, following his father's death, to find employment. Making his way to the Montmartre Quarter of Paris, he hung out in the working-class bistros, where he finally was given an opportunity to show his musical talents. Although bourgeois by birth, he soon adopted the earthy language of his haunts, turning it into songs that told of the struggles of the poor.

Bruant began performing at cafe-concerts and developed a singing and comedy act that led to his being signed to appear at the Le Chat Noir club. Dressed in a red shirt, black velvet jacket, high boots, and a long red scarf, and using the stage name Aristide Bruant, he soon became a star of Montmartre, and when Henri de Toulouse-Lautrec began showing up at the cabarets and clubs, Bruant became one of the artist's first friends.

In 1885, Bruant opened his own Montmartre club, a place he called "Le Mirliton". Although he hired other acts, Bruant put on a singing performance of his own. As the master of ceremonies for the various acts, he used the comedy of the insult to poke fun at the club's upper-crust guests who were out "slumming" in Montmartre. His vaudeville-inspired mix of song, satire and entertainment developed into the musical genre called chanson réaliste (realist song).[3][4][5]

Bruant died in Paris and was buried in the cimetière de Subligny, near his birthplace in the département of Loiret. A street in Paris was named in his honor.

Songs

Some of Bruant's better known songs include:

  • Nini Peau d'Chien
  • A la Bastille
  • A la Villette
  • Meunier tu es cocu
  • A Batignolles
  • Serrez Vos Rangs
  • A la Roquette
  • La chanson des Michetons
  • A Poissy
  • A la Place Maubert
  • Les petits joyeux
  • Belleville-Menilmontant
  • La Greviste
  • Le Chat Noir
  • Les Mômes de la Cloche

Popular culture

Aristide Bruant in his Cabaret painting by Toulouse Lautrec

References

  1. ^ Conway, Kelly (2004). Chanteuse in the City: The Realist Singer in French Film. University of California Press. p. 6. ISBN 0-520-24407-9
  2. ^ Moore Whiting, Steven (1999). Satie the Bohemian: From Cabaret to Concert Hall, Oxford University Press. p. 20. ISBN 0-19-816458-0
  3. ^ a b Robb, David (2007). Protest Song in East and West Germany Since the 1960s, Boydell & Brewer. p. 36. ISBN 1-57113-281-3.
  4. ^ Schechter, Joel (2003). Popular Theatre: A Sourcebook, Routledge. pp. 181-183. ISBN 0-415-25830-8
  5. ^ Wilson, Elizabeth (2003). Bohemians: The Glamorous Outcasts, Tauris Parke Paperbacks. p 224. ISBN 1-86064-782-0.
  6. ^ http://findarticles.com/p/articles/mi_qn4155/is_20050715/ai_n14856898
  7. ^ A Brief History Of Time (Travel): Robot

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