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| Biography: Arnold Bennett |
The English novelist and dramatist Arnold Bennett (1867-1931) was the author of "The Old Wives' Tale", a masterpiece of realism.
Arnold Bennett was born on May 27, 1867, in Hanley, one of the pottery-making "Six Towns" of central England. The youth, called Enoch, spoke with a stammer and was determined to make his living in literature. After attending local schools and working in his father's law office, he moved to London in 1888 to become a writer. In 1893 he was employed by the magazine Woman, and in 1898 he published his first novel, A Man from the North. During these years he began to call himself Arnold Bennett. In 1902 Bennett published two novel, Anna of the Five Towns and The Grand Babylon Hotel - the first realistic, the second sensational. They represent the pattern of his work: fiction of serious artistic purpose produced at the same time as material of no artistic value.
Bennett lived in France from 1902 to 1913. Shortly after his fortieth birthday he married Marguerite Soulié. The couple seemed happy but within a few years proved incompatible. During these years Bennett wrote magazine articles, self-help books, plays, short stories, and novels - a tremendous output. Most of it, however, was written only to make money. But Tales of the Five Towns and the trilogy Anna of the Five Towns (1902), Leonora (1903), and Sacred and Profane Love (1904) are worth mention, for in them Bennett began his realistic studies of life in the industrial "Five Towns," changed from the actual "Six Towns" for reasons of euphony.
The Old Wives' Tale
The sight of an old woman in a restaurant in Paris in 1903 gave Bennett the idea for a novel that would, as he wrote, "go one better" than Guy de Maupassant's realistic novel Une Vie. While writing other books he nourished the idea, and in 1907 he began to write it. The novel came quickly, a thousand words or more each day. After various interruptions, including the writing of Buried Alive (1908) and the production of his play Cupid and Commonsense (1908), The Old Wives' Tale was completed and published in 1908. It is the story of the sisters Constance and Sophia Baines from their girlhood in Bursley, one of the "Five Towns," to their deaths 50 years later. Constance stayed at home; Sophia, like Bennett, escaped to Paris. The story realistically depicts the minute changes by which the girls become old women.
The Old Wives' Tale brought Bennett fame and money. He secured his position as an eminent author with the "Clayhanger" novels (Clayhanger, 1910; Hilda Lessways, 1911; These Twain, 1916), which are meticulous studies of love, marriage, and society in the "Five Towns." Meanwhile, he capitalized on his position with light novels, a travel book about the United States, and several plays, of which Milestones (1912), written with E. Knoblock, is best known.
During World War I Bennett served his country as a journalist and civil servant. He separated from his wife in 1921, and in 1922 he met Dorothy Cheston, an actress, by whom he had a daughter in 1926. In the 1920s Bennett's critical reputation declined, and his carefully objective realism became old-fashioned. During this period his literary productions were not equal to his best, though Riceyman Steps (1923) evinced a brief return of his talent. His popular reputation, however, was never higher, and his novels and journalistic work made him one of the highest-paid writers of his day. Displays of his portrait on posters advertising his works made his pleasantly distinctive face with its heavy-lidded gaze and prominent teeth familiar to thousands. After a trip to France during which he caught typhoid fever, Bennett died on March 31, 1931.
Further Reading
Newman Flower, ed., The Journals of Arnold Bennett (3 vols., 1932-1933), provides an indispensable account of his activities but reveals the inner man only unintentionally. Perhaps the best life of Arnold is Reginald Pound, Arnold Bennett: A Biography (1953). Two critical attacks on Bennett are Virginia Woolf, Mr. Bennett and Mrs. Brown (1924) and passages in E.M. Forster, Aspects of the Novel (1927). E.M.W. Tillyard defends The Old Wives' Tale in The Epic Strain in the English Novel (1958). American academic criticism is best represented by James Hall, Arnold Bennett: Primitivism and Taste (1959), and James G. Hepburn, The Art of Arnold Bennett (1963). The best brief introduction to the historical background is in Boris Ford, ed., The Pelican Guide to English Literature, vol. 7: The Modern Age (1958; rev. ed. 1962).
Additional Sources
Bennett, Arnold, Over there; war scenes on the Western Front, Plainview, N.Y., Books for Libraries Press 1975.
Bennett, Arnold, Sketches for autobiography, London; Boston: G. Allen & Unwin, 1979.
Bennett, Arnold, The truth about an author, Plainview, N.Y., Books for Libraries Press 1975, 1911.
Bennett, Dorothy Cheston, Arnold Bennett: a portrait done at home, together with 170 letters from A., Plainview, N.Y., 1975, 1935.
Darton, F. J. Harvey (Frederick Joseph Harvey), Arnold Bennett, New York, Haskell House, 1974.
Drabble, Margaret, Arnold Bennett; a biography, London, Weidenfeld and Nicolson 1974; New York: Knopf, 1974; Boston, Mass.: G.K. Hall, 1974, 1986.
Follett, Helen Thomas, Arnold Bennett, Folcroft, Pa. Folcroft Library Editions, 1974; Philadelphia: R. West, 1978.
Swinnerton, Frank, Arnold Bennett: a last word, Garden City, N.Y.: Doubleday, 1978.
| British History: Arnold Bennett |
Bennett, Arnold (1867-1931). Like George Eliot, Bennett was a fine novelist of provincial middle-class society—in his case that of the Potteries, a landscape of canals and kilns and trams and chimneys and dust. The Old Wives' Tale (1908) tells of two sisters, daughters of a draper in Bursley (Burslem). Clayhanger (1910) recalls the introduction of steam-printing into the Potteries. Bennett, born in Hanley, was a solicitor but went to London in 1888 where he made a living editing and writing short stories.
| Columbia Encyclopedia: Arnold Bennett |
Bibliography
See his journal (3 vol., 1932-33); biography by M. Drabble (1974).
| Quotes By: Arnold Bennett |
Quotes:
"It is easier to go down a hill than up, but the view is from the top."
"If egotism means a terrific interest in one's self, egotism is absolutely essential to efficient living."
"It is well, when judging a friend, to remember that he is judging you with the same godlike and superior impartiality."
"Happiness includes chiefly the idea of satisfaction after full honest effort. No one can possibly be satisfied and no one can be happy who feels that in some paramount affairs he failed to take up the challenge of life."
"Of all the inhabitants of the inferno, none but Lucifer knows that hell is hell, and the secret function of purgatory is to make of heaven an effective reality."
"To the artist is sometimes granted a sudden, transient insight which serves in this matter for experience. A flash, and where previously the brain held a dead fact, the soul grasps a living truth! At moments we are all artists."
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Arnold Bennett
| Wikipedia: Arnold Bennett |
Enoch Arnold Bennett (27 May 1867 – 27 March 1931) was an English novelist.
Contents |
Bennett was born in a modest house in Hanley in the Potteries district of Staffordshire. Hanley is one of a conurbation of six towns which joined together at the beginning of the twentieth century as Stoke-on-Trent. Enoch Bennett, his father, qualified as a solicitor in 1876, and the family were able to move to a larger house between Hanley and Burslem.[1] The younger Bennett was educated locally in Newcastle-under-Lyme.
Arnold was employed by his father - his duties included rent collecting. He was unhappy working for his father for little financial reward, and the theme of parental miserliness is important in his novels. In his spare time he was able to do a little journalism, but his breakthrough as a writer was to come after he had moved from his native Potteries. At the age of twenty-one, he left his father's practice and went to London as a solicitor's clerk.
Bennett won a literary competition in Tit-Bits magazine in 1889 and was encouraged to take up journalism full time. In 1894, he became assistant editor of the periodical Woman. He noticed that the material offered by a syndicate to the magazine was not very good, so he wrote a serial which was bought by the syndicate for 75 pounds. He then wrote another. This became The Grand Babylon Hotel. Just over four years later, his first novel, A Man from the North, was published to critical acclaim and he became editor of the magazine.
From 1900 he devoted himself full time to writing, giving up the editorship and writing much serious criticism, and also theatre journalism, one of his special interests. He moved to Trinity Hall Farm, Hockliffe, Bedfordshire, on Watling Street, which was the inspiration for his novel Teresa of Watling Street, which was published in 1904. His father died there in 1902 and is buried in Chalgrove churchyard. In 1902, Anna of the Five Towns, the first of a succession of stories which detailed life in the Potteries, appeared.
In 1903, he moved to Paris, where other great artists from around the world had converged on Montmartre and Montparnasse. Bennett spent the next eight years writing novels and plays. In 1908 The Old Wives' Tale was published and was an immediate success throughout the English-speaking world. After a visit to America in 1911, where he had been publicised and acclaimed as no other visiting writer since Dickens, he returned to England where Old Wives' Tale was reappraised and hailed as a masterpiece.
During the First World War he became Director of Propaganda for France at the Ministry of Information. His appointment was made directly on the recommendation of Lord Beaverbrook, who also recommended him as Deputy Minister of that Department at the end of the war.[2] He refused a knighthood in 1918. He won the 1923 James Tait Black Memorial Prize for his novel Riceyman Steps and in 1926, at the suggestion of Lord Beaverbrook, he began writing an influential weekly article on books for the Evening Standard newspaper.
Osbert Sitwell,[3] in a letter to James Agate,[4] notes that Bennett was not, despite current views, "the typical businessman, with his mean and narrow outlook". Sitwell cited a letter from Bennett to a friend of Agate, who remains anonymous, in Ego 5:
I find I am richer this year than last; so I enclose a cheque for 500 pounds for you to distribute among young writers and artists and musicians who may need the money. You will know, better than I do, who they are. But I must make one condition, that you do not reveal that the money has come from me, or tell anyone about it.
He separated from his French wife in 1922 and fell in love with the actress Dorothy Cheston, with whom he stayed for the rest of his life. He died of typhoid at his home in Baker Street, London, on 27 March 1931. His ashes are buried in Burslem cemetery. Their daughter, Virginia Eldin, lived in France and was president of the Arnold Bennett Society.
His most famous works are the Clayhanger trilogy and The Old Wives' Tale. These books draw on his experience of life in the Potteries, as did most of his best work. In his novels the Potteries are referred to as "the Five Towns"; Bennett felt that the name was more euphonious than "the Six Towns" so Fenton was omitted. The real towns and their Bennett counterparts are:
| The Six Towns of Stoke-on-Trent | Bennett's Five Towns |
|---|---|
| Tunstall | Turnhill |
| Burslem | Bursley |
| Hanley | Hanbridge |
| Stoke | Knype |
| Fenton | The 'forgotten town' |
| Longton | Longshaw |
Bennett believed that ordinary people had the potential to be the subject of interesting books. In this respect, an influence which Bennett himself acknowledged was the French writer Maupassant whose "Une Vie" inspired "The Old Wives' Tale". Maupassant is also one of the writers on whom Richard Larch, the protagonist of Bennett's first (and obviously semi-autobiographical) novel, A Man from the North, tries in vain to model his own writing.
As well as the novels, much of Bennett's non-fiction work has stood the test of time. One of his most popular non-fiction works, which is still read to this day, is the self-help book "How to Live on 24 Hours a Day". His diaries have yet to be published in full, but extracts from them are often quoted in the British press. Bennett also wrote for the stage and the screen. His novel Buried Alive was made into the 1912 movie The Great Adventure and the 1968 musical Darling of the Day. Over the years, several of his other books have been made into films (for example The Card starring Alec Guinness) and television mini-series (such as "Anna of the Five Towns" and "Clayhanger").
Critically, Bennett has not always had an easy ride. His output was prodigious and, by his own admission, based on maximising his income rather than from creative necessity.
As Bennett put it:
"Am I to sit still and see other fellows pocketing two guineas apiece for stories which I can do better myself? Not me. If anyone imagines my sole aim is art for art’s sake, they are cruelly deceived."
Contemporary critics—Virginia Woolf in particular—perceived weaknesses in his work. To her and other Bloomsbury authors, Bennett represented the "old guard" in literary terms. His style was traditional rather than modern, which made him an obvious target for those challenging literary conventions.[5][6] Max Beerbohm criticized him as a social climber who had forgotten his roots. He drew a mature and well fed Bennett expounding "All to plan, you see" to a younger tougher version of himself, who replies: "Yes - but MY plan".
For much of the 20th Century, Bennett's work was tainted by this perception; it was not until the 1990s that a more positive view of his work became widely accepted. The noted English critic John Carey was a major influence on his rehabilitation. He praises him in his 1992 book, The Intellectuals and the Masses. ISBN 978-0571169269., declaring Bennett to be his "hero" because his writings "represent a systematic dismemberment of the intellectuals' case against the masses" (p. 152).
| Wikisource has original works written by or about: Arnold Bennett |
Fiction
Non-fiction
Film
Opera
For further guidance consult Studies in the sources of Arnold Bennett's novels by Louis Tillier (Didier, Paris 1949), and Arnold Bennett and Stoke-on-Trent by E. J. D. Warrilow (Etruscan Publications, 1966). Also, Arnold Bennett: A Biography by Margaret Drabble (Weidenfeld & Nicolson, London 1974).
Bennett is one of a select number of celebrities to have a dish named after them. While staying at the Savoy Hotel in London, the chefs perfected an omelette incorporating smoked haddock, which pleased the author so much he insisted on it being prepared wherever he travelled. The 'Omelette Arnold Bennett' has remained a Savoy standard dish ever since.[7]
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