The Art Movement might have been another Tremeloes, and never have been heard from outside of England, but for the chance intervention of American rock & roll legend Roy Orbison. Founded in the mid- to late '60s, the group members -- Billy Dean on guitar, Terry Widlake on bass, Keith Headley on piano, Bob Munday on drums, and John Switters on percussion -- was intending to build a career around their own music, and had enjoyed a Top 30 hit in England during 1968 with a Terry Widlake original called "Loving Touch." In early 1969, however, fate put them on a new and unexpected path in their careers. Roy Orbison had come over from America to do a tour of England and was unable to bring his established backing band, the Candy Men, with him. He needed a band and was led to the Art Movement, who were just established enough to rate the attention but not so well set in their own careers that they would be unable to consider it. They were offered the chance to back Roy Orbison on that U.K. tour, and the gig turned into a multi-year project when they followed it up with a tour of the Far East and Australia backing Orbison. By the time of this engagement, Headley and Switters were gone, and their new lineup included Alan James on lead guitar, Alan Mayes on trumpet, Gordon Balmforth on keyboards, and Colin First on trumpet. They ended up being immortalized in association with Orbison, as his backing band on the live set recorded at the Batley Variety Club on the 1969 tour, and on the DVD release (more than 30 years after the fact) of his concert from Melbourne, Australia, in October of 1972. The Art Movement ended up working with Orbison for six years, until the mid-'70s, and performed hundreds of concerts with him on ten world tours, all of the members becoming very close to him personally as well as professionally, and James eventually emigrated to America. ~ Bruce Eder, Rovi
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a restricted period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde.
According to theories associated with modernism and the concept of postmodernism, art movements are especially important during the period of time corresponding to modern art.[1] The period of time called "modern art" is posited to have changed approximately half-way through the 20th century and art made afterward is generally called contemporary art. Postmodernism in visual art begins and functions as a parallel to late modernism[2] and refers to that period after the "modern" period called contemporary art.[3] The postmodern period began during late modernism (which is a contemporary continuation of modernism), and according to some theorists postmodernism ended in the 21st century.[4][5] During the period of time corresponding to "modern art" each consecutive movement was often considered a new avant-garde.[4]
Also during the period of time referred to as "modern art" each movement was seen corresponding to a somewhat grandiose rethinking of all that came before it, concerning the visual arts. Generally there was a commonality of visual style linking the works and artists included in an art movement. Verbal expression and explanation of movements has come from the artists themselves, sometimes in the form of an art manifesto,[6][7] and sometimes from art critics and others who may explain their understanding of the meaning of the new art then being produced.
In the visual arts, many artists, theorists, art critics, art collectors, art dealers and others mindful of the unbroken continuation of modernism and the continuation of modern art even into the contemporary era, ascribe to and welcome new philosophies of art as they appear.[8][9]Postmodernist theorists posit that the idea of art movements are no longer as applicable, or no longer as discernible, as the notion of art movements had been before the postmodern era.[10][11] There are many theorists however who doubt as to whether or not such an era was actually a fact;[4] or just a passing fad.[5][12]
^Man of his words: Pepe Karmel on Kirk Varnedoe - Passages - Critical Essay Artforum, Nov, 2003 by Pepe Karmel
^The Originality of the Avant Garde and Other Modernist Myths Rosalind E. Krauss, Publisher: The MIT Press; Reprint edition (July 9, 1986), Part I, Modernist Myths, pp.8-171
^The Citadel of Modernism Falls to Deconstructionists, - 1992 critical essay, The Triumph of Modernism, 2006, Hilton Kramer, pp 218-221.
^ abcPost-Modernism: The New Classicism in Art and ArchitectureCharles Jencks
^ abWilliam R. Everdell, The First Moderns: Profiles in the Origins of Twentieth-century Thought, University of Chicago Press, 1997, p4. ISBN 0-226-22480-5
^Clement Greenberg: Modernism and Postmodernism, William Dobell Memorial Lecture, Sydney, Australia, Oct 31, 1979, Arts 54, No.6 (February 1980). His final essay on modernism] Retrieved October 26, 2011
^Ideas About Art, Desmond, Kathleen K. [1] John Wiley & Sons, 2011, p.148
^International postmodernism: theory and literary practice, Bertens, Hans [2], Routledge, 1997, p.236
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