Track Picks: "A Return to the Sea," "Artists' Rifles," "You and John Are Birds"
Review
The notion of making a concept record seems antithetic to the standard operating procedure of Glen Johnson's Piano Magic, a collective who relies on revolving-door collaborations to materialize oft-scatterbrained pop experimentalism. When you think about it, staunchly adhering to that loose-natured principle can be as limiting as painting yourself into a corner. So ha -- here it is, a concept record from Piano Magic based on the first World War that whittles the number of instrumentalists down to six, opposed to the This Mortal Coil- or P-Funk All-Stars-like tally involved on prior records. Musically taught, conceptually focused, and a lot more open to interpretation than the memorial-depicting artwork implies, Artists' Rifles is Piano Magic at their most solemn and lulling, splitting what seems to be communication between a soldier and his lover (vocals are shared between Johnson and Caroline Potter), with a handful of brief instrumentals. Everything glides by at a funereal pace -- played by guitars, bass, drums, and cello -- implying the same inner violence that Joy Division songs like "The Eternal" or "I Remember Nothing" carry, but with less weight and more emphasis on resigned melodies than haunting production nuances and a troubled voice. The most significant -- or only other -- pop record to base itself on a World War is Pink Floyd's The Final Cut, one of the most stifling what-you-hear-is-what-you-get deals on such a subject; where Pink Floyd and movie directors like Oliver Stone practically tell you what to make of it, Piano Magic is more on the Stanley Kubrick end, leaving each moment open to interpretation. The most audibly violent aspect of the LP is the martial drumming that bookends it. Indeed, the listener is just as important as the players. A thoroughly spooked record and equally lovely. ~ Andy Kellman, All Music Guide
John A. Rivers (Producer), John A. Rivers (Engineer), Glen Johnson (Vocals), Glen Johnson (Group Member), John Cheves (Photography), John Cheves (Group Member), Piano Magic (Main Performer), Miguel Marin (Group Member), Paul Tornbohm (Group Member), Caroline Potter (Vocals), Adrienne Quartly (Cello), Matt Dorman (Design)
The Artists Rifles (originally Artists' Rifles until the apostrophe was officially dropped from the full title as it
was so often misused) was formed in 1859, part of the widespread volunteer
movement which developed in the face of potential French invasion after Felice Orsini's attack on Napoleon III was linked to
Britain. The group was organised in London by Edward Sterling, an art student, and comprised various professional painters, musicians,
actors, architects and others involved in creative endeavours. It was established on 28
February1860 as the 38th Middlesex (Artists) Rifle Volunteer Corps, with
headquarters at Burlington House. Its first commanders were the painters Henry Wyndham Phillips and Frederic Leighton.
The unit's badge, designed by William Wyon, shows the heads of the Roman gods
Mars and Minerva in profile. Artists Rifles Regiment Badge
In September 1880, the corps became the 20th Middlesex (Artists) Rifle Volunteer Corps, with headquarters at
Duke Street. It formed the 7th Volunteer Battalion of the Rifle Brigade from
1881 until 1891 and the 6th Volunteer Battalion from 1892 to 1908. During this period, the Artists' Rifles fought in the
Boer Wars. Following the formation of the Territorial
Force, the Artists Rifles was one of twenty-eight volunteer battalions in the London and Middlesex areas that combined to form the new London Regiment. It
became the 28th (County of London) Battalion of the London Regiment on 1 April1908.
The Artists Rifles was a popular unit for volunteers. It had been increased to twelve companies in 1900 and was formed into
three sub-battalions in 1914, and recruitment was eventually restricted by recommendation from existing members of the battalion.
It particularly attracted recruits from public schools and universities; on this basis, following the outbreak of the First World
War, a number of enlisted members of the Artists Rifles were selected to be officers in other units. In October 1914, the
Artists Rifles was established as an Officers Training Corps. Over fifteen thousand men passed through the battalion during the
war, ten thousand of them becoming officers. The battalion eventually saw battle in France in 1917 and 1918, suffering thousands
of casualties and earning hundreds of honours.
In the early 1920s the unit was reconstituted as an infantry regiment within the Territorial Army, the 28th County of
London Regiment. In 1937, this regiment became part of the Prince Consort's Own Rifle Brigade. The regiment was not deployed
during the Second World War, functioning again as an Officers Training Corps throughout the
war. It was disbanded in 1945, but reformed in the Rifle Brigade in January 1947 and transferred to the Army Air Corps in July as the 21st Special Air Service
Regiment (Artists Rifles). 21 SAS was formed from the two disbanded regular regiments 1 SAS and 2 SAS, with the 1 and the 2
being reversed into 21 to provide some means of continuity. 21 SAS was active during the Malayan Emergency and in many subsequent conflicts. In 1952, members of the Artists' Rifles who had
been involved in special operations in Malaya formed 22 SAS, the modern special forces
regiment - the only time a Territorial Army unit has been used to form a unit in the Regular Army and remain a parent of a
regular unit.
Still constituted as 21 SAS, the Artists Rifles became a reserve regiment in the Territorial Army in 1967.
The Great War (3 battalions): Ypres 1917, Passchendaele, Somme 1918, St. Quentin,
Bapaume 1918, Arras 1918, Ancre 1918, Albert 1918, Drocourt-Quéant, Hindenburg Line, Canal du Nord, Cambrai 1918, Pursuit to
Mons, France and Flanders 1914-18
NB: From 1947, all battle honours were earned and shared by the whole of the Special Air
Service.
Today
Today the regiment is one of two Territorial Army regiments in the Special Air Service. There are three squadrons: one in
London, one in Newport and one
split between Hampshire, Cambridge and Southampton.
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