Arturo Benedetti Michelangeli (January 5 1920–June 12, 1995) was an Italian classical pianist. He has been
regarded as among the most commanding and individual piano virtuosos of the 20th century, among names such as Horowitz and Richter. He is often considered the most
important Italian pianist after Ferruccio Busoni.
Biography
Born in Brescia, he began music lessons at the age of three, initially with the violin, but
quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at
age eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, where he placed seventh. (A brief account of this competition, at which Emil Gilels took first prize, is given by Arthur Rubinstein, who
was one of the judges. According to Rubinstein, Michelangeli gave "an unsatisfactory performance, but already showed his
impeccable technique.") A year later he earned first prize in the Geneva International
Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski.
Michelangeli was known for his note-perfect performances. The music critic Harold
Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off
course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems
unsure of himself emotionally, and his otherwise direct playing is then laden with expressive devices that disturb the musical
flow." The teacher and commentator David Dubal adds that he was best in the earlier works of
Beethoven and seemed insecure in Chopin,
but that he was "demonic" in such works as the Bach-Busoni Chaconne and the Brahms Paganini
Variations.
His repertoire was strikingly small for a concert pianist of such stature. Owing to his obsessive perfectionism relatively few
recordings were officially released during Michelangeli's lifetime, but these are augmented by numerous bootleg recordings of
live performances. Discographical highlights include the (authorized) live performances in London of Maurice Ravel's Gaspard de la Nuit, Chopin's Sonata No. 2 and Robert Schumann's Carnival, Op. 9 and Faschingsschwank aus Wien, Op. 26. The Gaspard, as well as his playing of Ravel's
Piano Concerto in G set standards for those works and his reading of
Sergei Rachmaninoff's Piano
Concerto No. 4 is comparable to that of Rachmaninoff himself. His Debussy
series for DG is something of a benchmark, if it is sometimes accused of being a
little unatmospheric ("swimming in cool water," in Dubal's words). Several DVDs of live performances, and of a master class, are
also available.
Benedetti Michelangeli has written 19 Folksongs a cappella for the SAT man's chorus from
Trent (Italy), this is his only little production as composer.
Michelangeli was something of an hypochondriac, famous for last-minute cancellations of his concert recitals. His last concert
took place on May 7, 1993 in Hamburg. After an extended illness he died in Lugano.
References
- Dubal, David (1989). The Art of the Piano. New
York: Summit Books, pp. 180-181. ISBN 0-671-49238-1.
- Garben, Cord (2002). Arturo Benedetti
Michelangeli: Gratwanderungen mit einem Genie. Hamburg: Europaische Verlagsanstalt.
- Richter, Sviatoslav (1998). in Bruno Monsaingeon:
Ecrits, conversations. Editions Van de Velde, pp. 260, 289, 310, 312. ISBN 2-85868-255-0.
- Schonberg, Harold C.. The Great Pianists: From Mozart to the Present. New
York: Simon & Schuster, pp. 424-425. ISBN 0-671-63837-8.
External links
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
