(West Asian mythology)
The mother goddess in the Ras Shamra texts appears as Anat, Athirat, and Athtart, or Astarte. The consort and sister of Baal, the most active Canaanite god, Anat was called the ‘lady of the mountain’, and it was through her flattery of El that Baal was allowed to build a house on Saphon, a mountain situated in ‘the sides of the north’. In spite of titles like ‘the maiden’ and ‘the virgin’, Anat was an aggressive goddess: she slew Baal's enemies, waded in the blood of her human victims, and desired to possess Aqhat's bow. She was portrayed with helmet, battle-axe, and spear. In Egypt, where she was introduced by the Hyksos invaders, the cow's horns of Hathor became a part of her iconography.
Athirat, ‘the lady of the sea’, appears to be the consort of El, an equivalent of the Hebrew god Yahweh. Her role was restricted to fertility. Less remote than Athirat and almost as fierce as Anat was Astarte, ‘the queen of heaven’. The Hebrews knew her as the goddess of the Sidonians, and gave her worship. Yahweh told the prophet Jeremiah that ‘the children gather wood, and the fathers kindle the fire, and the women knead their dough, to make cakes to the queen of heaven, and to pour out drink offerings unto other gods, that they may provoke me to anger’. At Mizpah temples to Yahweh and Astarte were actually erected side by side, while in Upper Egypt the Hebrew community still regarded the moon goddess as a divine consort in the fifth century BC. As in the cases of Ishtar and Inanna, the sacred marriage and temple prostitution were prominent features of the cult. ‘When I fed them to the full,’ Yahweh complained, ‘they then committed adultery, and assembled themselves by troops in the harlots' houses.’
Astarte was dangerous as well as beautiful. She wore the horns of the bull: hers was victory in the fray as ‘mistress of horses and chariots’. An Arabian variant could have been the god Athtar, also known as the ‘terrible’ lord who unsuccessfully tried to oust Baal.

[Greek Astartē, of Phoenician origin.]
For more information on Astarte, visit Britannica.com.
A goddess in the Canaanite pantheon, the Canaanite version of the Mesopotamian goddess Ishtar, goddess of war and love. Ashtoreth plays only a minor role in the Canaanite literature of Ugarit. In the myth of Baal and the Waters she is named consort of Baal, and in the other few references to her she is connected with this important god.
Ashtoreth is better known from Egyptian references. Her cult, probably introduced by the Semitic Hyksos, became important in the New Kingdom. She had a joint temple with Baal in Memphis, where she seems to have been worshiped as a foreign goddess of war. She is closely associated with Anath, another Canaanite war goddess.
Her military aspects were appreciated by the Philistines, who hung Saul's armor in her temple (I Sam 31:10).
The cult of Astarte penetrated ancient Israel, although it does not seem to have figured very prominently. In the early days of the Judges she was worshiped alongside Baal (Judg 10:6; I Sam 7:3-4; 12:10). Somewhat later, after she became particularly closely connected with the town of Sidon, her cult was introduced into Jerusalem in the time of King Solomon under the influence of one of his wives (I Kgs 11:5, 33). The cult of this Ashtoreth of the Sidonites survived in Jerusalem for some 350 years until it was purged in Josiah's religious reforms (II Kgs 23:13).
Ashtoreth seems to have been the best represented Canaanite goddess. Hundreds of small clay plaques and many metal statuettes of the Late Bronze Age found in greater Canaan are referred to as Ashtoreth figurines. They depict her as a nude figure, emphasizing her qualities as a fertility goddess. Sometimes she stands on a horse or a lion, often brandishing a weapon in her right hand, a clear depiction of her warlike function. In the majority of plaques, however, she is standing holding flowers, especially lotus flowers, in her hands. The lotus, and the special coiffure of two thick locks curling down to the shoulders, are Egyptian elements connected with the goddess Hathor with whom Astarte is sometimes identified in Egypt. However, whenever Ashtoreth is identified in both representation and inscription she is modestly dressed, and her warlike rather than her fertility aspects are emphasized. This has led some scholars to reject the identification of the nude figure on the plaques and statuettes with Ashtoreth.
Concordance
Judg 2:13; 10:6. I Sam 7:3-4; 12:10; 31:10. I Kgs 11:5, 33. II Kgs 23:13
Mixed-media ballet with choreography by Joffrey, music by Crome Syrcus, design and lighting by Thomas Skelton, and film by Gardner Compton. Premiered 20 Sept. 1967 by City Center Joffrey Ballet at City Center, New York, with Trinette Singleton and Maximiliano Zomosa. It is loosely based on the story of the Phoenician goddess Astarte and its fusion of rock music, strobe lighting, and film was regarded at the time as startlingly theatrical.

| Deities of the Ancient Near East |
|---|
| Religions of the ancient Near East |
Astarte[1] ([pronunciation?]; Greek Ἀστάρτη, "Astártē") is the Greek name of a goddess known throughout the Eastern Mediterranean from the Bronze Age to Classical times. Originally the deified evening star, she is found as Ugaritic 𐎓𐎘𐎚𐎗𐎚 ʻṯtrt ("ʻAṯtart" or "ʻAthtart"); Phoenician "ʻštrt" (ʻAshtart); and Hebrew עשתרת (Ashtoret, singular, or Ashtarot, plural), and appears in Akkadian as 𒀭𒊍𒁯𒌓 D, the grammatically masculine name of the goddess Ishtar; the form Astartu is used to describe her age.[2] The name appears also in Etruscan as 𐌖𐌍𐌉 𐌀𐌔𐌕𐌛𐌄 Uni-Astre (Pyrgi Tablets), Ishtar or Ashtart.
|
Contents
|
Astarte was connected with fertility, sexuality, and war. Her symbols were the lion, the horse, the sphinx, the dove, and a star within a circle indicating the planet Venus. Pictorial representations often show her naked.
Astarte was accepted by the Greeks under the name of Aphrodite. The island of Cyprus, one of Astarte's greatest faith centers, supplied the name Cypris as Aphrodite's most common byname.
Other major centers of Astarte's worship were Sidon, Tyre, and Byblos. Coins from Sidon portray a chariot in which a globe appears, presumably a stone representing Astarte. "She was often depicted on Sidonian coins as standing on the prow of a galley, leaning forward with right hand outstretched, being thus the original of all figureheads for sailing ships." [3] In Sidon, she shared a temple with Eshmun. Coins from Beirut show Poseidon, Astarte, and Eshmun worshipped together.
Other faith centers were Cythera, Malta, and Eryx in Sicily from which she became known to the Romans as Venus Erycina. A bilingual inscription on the Pyrgi Tablets dating to about 500 BC found near Caere in Etruria equates Astarte with Etruscan Uni-Astre that is, Juno. At Carthage Astarte was worshipped alongside the goddess Tanit.
Donald Harden in The Phoenicians discusses a statuette of Astarte from Tutugi (Galera) near Granada in Spain dating to the 6th or 7th century BC in which Astarte sits on a throne flanked by sphinxes holding a bowl beneath her pierced breasts. A hollow in the statue would have been filled with milk through the head and gentle heating would have melted wax plugging the holes in her breasts, producing an apparent miracle when the milk emerged.
The Syrian goddess Atargatis (Semitic form ʻAtarʻatah) was generally equated with Astarte and the first element of the name appears to be related to the name Astarte.
Astarte appears in Ugaritic texts under the name ʻAthtart', but is little mentioned in those texts. ʻAthtart and ʻAnat together hold back Baʻal from attacking the other deities. Astarte also asks Baʻal to "scatter" Yamm "Sea" after Baʻal's victory. ʻAthtart is called the "Face of Baʻal".
Astarte arrived in Ancient Egypt during the 18th dynasty along with other deities who were worshipped by northwest Semitic people. She was especially worshipped in her aspect as a warrior goddess, often paired with the goddess Anat.
In the Contest Between Horus and Set, these two goddesses appear as daughters of Ra and are given in marriage to the god Set, here identified with the Semitic name Hadad. Astarte also was identified with the lioness warrior goddess Sekhmet, but seemingly more often conflated, at least in part, with Isis to judge from the many images found of Astarte suckling a small child. Indeed there is a statue of the 6th century BC in the Cairo Museum, which normally would be taken as portraying Isis with her child Horus on her knee and which in every detail of iconography follows normal Egyptian conventions, but the dedicatory inscription reads: "Gersaphon, son of Azor, son of Slrt, man of Lydda, for his Lady, for Astarte." See G. Daressy, (1905) pl. LXI (CGC 39291).
Plutarch, in his On Isis and Osiris, indicates that the King and Queen of Byblos, who, unknowingly, have the body of Osiris in a pillar in their hall, are Melcarthus (i.e. Melqart) and Astarte (though he notes some instead call the Queen Saosis or Nemanūs, which Plutarch interprets as corresponding to the Greek name Athenais)[dubious ].
In the description of the Phoenician pantheon ascribed to Sanchuniathon, Astarte appears as a daughter of Epigeius (Greek: Uranus) and Ge (Earth), and sister of the god Elus. After Elus overthrows and banishes his father Epigeius, as some kind of trick Epigeius sends Elus his "virgin daughter" Astarte along with her sisters Asherah and the goddess who will later be called Ba`alat Gebal, "the Lady of Byblos". It seems that this trick does not work, as all three become wives of their brother Elus. Astarte bears Elus children who appear under Greek names as seven daughters called the Titanides or Artemides and two sons named Pothos "Longing" and Eros "Desire". Later with Elus' consent, Astarte and Hadad reign over the land together. Astarte puts the head of a bull on her own head to symbolize Her sovereignty. Wandering through the world, Astarte takes up a star that has fallen from the sky (a meteorite) and consecrates it at Tyre.
Ashteroth Karnaim (Astarte was called Ashteroth in the Hebrew Bible) was a city in the land of Bashan east of the Jordan River, mentioned in Genesis 14:5 and Joshua 12:4 (where it is rendered solely as Ashteroth). The name translates literally to 'Ashteroth of the Horns', with 'Ashteroth' being a Canaanite fertitility goddess and 'horns' being symbolic of mountain peaks. Figurines of Astarte have been found at various archaeological sites in Palestine, showing the goddess with two horns.[4]
Astarte's most common symbol was the crescent moon (or horns), according to religious studies scholar Jeffrey Burton Russell, in his book The Devil: Perceptions of Evil from Antiquity to Primitive Christianity.[5]
Ashtoreth is mentioned in the Hebrew Bible as a foreign, non-Judahite goddess, the principal goddess of the Sidonians or Phoenicians, representing the productive power of nature. It is generally accepted that the Masoretic "vowel pointing" adopted ca. 135 AD, indicating the pronunciation ʻAštōreṯ ("Ashtoreth," "Ashtoret") is a deliberate distortion of "Ashtart", and that this is probably because the two last syllables have been pointed with the vowels belonging to bōšeṯ, ("bosheth," abomination), to indicate that that word should be substituted when reading.[6] The plural form is pointed ʻAštārōṯ ("Ashtaroth"). The biblical Ashtoreth should not be confused with the goddess Asherah, the form of the names being quite distinct, and both appearing quite distinctly in the Book of 1st Kings. (In Biblical Hebrew, as in other older Semitic languages, Asherah begins with an aleph or glottal stop consonant א, while ʻAshtoreth begins with an ʻayin or voiced pharyngeal consonant ע, indicating the lack of any plausible etymological connection between the two names.) The biblical writers may, however, have conflated some attributes and titles of the two, as seems to have occurred throughout the 1st millennium Levant.[7] For instance, the title "Queen of heaven" as mentioned in Jeremiah has been connected with both. (In later Jewish mythology, she became a female demon of lust; for what seems to be the use of the Hebrew plural form ʻAštārōṯ in this sense, see Astaroth).
Some ancient sources assert that in the territory of Sidon the temple of Astarte was sacred to Europa. According to an old Cretan story, Europa was a Phoenician princess whom Zeus transformed into a white bull, abducted, and carried to Crete.[8]
Some scholars claim that the cult of the Minoan snake goddess who is identified with Ariadne (the "utterly pure") [9] was similar to the cult of Astarte. Her cult as Aphrodite was transmitted to Cythera and then to Greece.[10] Herodotus wrote that the religious community of Aphrodite originated in Phoenicia and came to Greeks from there. He also wrote about the world's largest temple of Aphrodite, in one of the Phoenician cities. Her name is the second name in an energy chant sometimes used in Wicca: "Isis, Astarte, Diana, Hecate, Demeter, Kali, Inanna."[11]
| Wikimedia Commons has media related to: Astarte (goddess) |
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)