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Astarte

 

(West Asian mythology)

The mother goddess in the Ras Shamra texts appears as Anat, Athirat, and Athtart, or Astarte. The consort and sister of Baal, the most active Canaanite god, Anat was called the ‘lady of the mountain’, and it was through her flattery of El that Baal was allowed to build a house on Saphon, a mountain situated in ‘the sides of the north’. In spite of titles like ‘the maiden’ and ‘the virgin’, Anat was an aggressive goddess: she slew Baal's enemies, waded in the blood of her human victims, and desired to possess Aqhat's bow. She was portrayed with helmet, battle-axe, and spear. In Egypt, where she was introduced by the Hyksos invaders, the cow's horns of Hathor became a part of her iconography.

Athirat, ‘the lady of the sea’, appears to be the consort of El, an equivalent of the Hebrew god Yahweh. Her role was restricted to fertility. Less remote than Athirat and almost as fierce as Anat was Astarte, ‘the queen of heaven’. The Hebrews knew her as the goddess of the Sidonians, and gave her worship. Yahweh told the prophet Jeremiah that ‘the children gather wood, and the fathers kindle the fire, and the women knead their dough, to make cakes to the queen of heaven, and to pour out drink offerings unto other gods, that they may provoke me to anger’. At Mizpah temples to Yahweh and Astarte were actually erected side by side, while in Upper Egypt the Hebrew community still regarded the moon goddess as a divine consort in the fifth century BC. As in the cases of Ishtar and Inanna, the sacred marriage and temple prostitution were prominent features of the cult. ‘When I fed them to the full,’ Yahweh complained, ‘they then committed adultery, and assembled themselves by troops in the harlots' houses.’

Astarte was dangerous as well as beautiful. She wore the horns of the bull: hers was victory in the fray as ‘mistress of horses and chariots’. An Arabian variant could have been the god Athtar, also known as the ‘terrible’ lord who unsuccessfully tried to oust Baal.

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Dictionary: As·tar·te   (ə-stär') pronunciation
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n. Mythology
An ancient Semitic goddess of love and war, being the Phoenician, Syrian, and Canaanite counterpart to Ishtar. In the Bible, her name sometimes appears in the plural, perhaps referring to a group of goddesses. Also called Ashtoreth.

[Greek Astartē, of Phoenician origin.]



Goddess of the ancient Middle East and chief deity of the Mediterranean seaports of Tyre, Sidon, and Elath. Astarte shared many qualities, and perhaps a common origin, with her sister Anath. The goddess of love and war, Astarte was worshiped in Egypt and in Canaan, as well as among the Hittites. Her Akkadian counterpart was Ishtar. She is often mentioned in the Bible under the name Ashtaroth; Solomon is said to have worshipped the goddess, and Josiah destroyed the shrines dedicated to her. In Egypt she was assimilated with Isis and Hathor; in the Greco-Roman world she was assimilated with Aphrodite, Artemis, and Juno.

For more information on Astarte, visit Britannica.com.

Bible Guide: Ashtoreth (Astarte)
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A goddess in the Canaanite pantheon, the Canaanite version of the Mesopotamian goddess Ishtar, goddess of war and love. Ashtoreth plays only a minor role in the Canaanite literature of Ugarit. In the myth of Baal and the Waters she is named consort of Baal, and in the other few references to her she is connected with this important god.

Ashtoreth is better known from Egyptian references. Her cult, probably introduced by the Semitic Hyksos, became important in the New Kingdom. She had a joint temple with Baal in Memphis, where she seems to have been worshiped as a foreign goddess of war. She is closely associated with Anath, another Canaanite war goddess.

Her military aspects were appreciated by the Philistines, who hung Saul's armor in her temple (I Sam 31:10).

The cult of Astarte penetrated ancient Israel, although it does not seem to have figured very prominently. In the early days of the Judges she was worshiped alongside Baal (Judg 10:6; I Sam 7:3-4; 12:10). Somewhat later, after she became particularly closely connected with the town of Sidon, her cult was introduced into Jerusalem in the time of King Solomon under the influence of one of his wives (I Kgs 11:5, 33). The cult of this Ashtoreth of the Sidonites survived in Jerusalem for some 350 years until it was purged in Josiah's religious reforms (II Kgs 23:13).

Ashtoreth seems to have been the best represented Canaanite goddess. Hundreds of small clay plaques and many metal statuettes of the Late Bronze Age found in greater Canaan are referred to as Ashtoreth figurines. They depict her as a nude figure, emphasizing her qualities as a fertility goddess. Sometimes she stands on a horse or a lion, often brandishing a weapon in her right hand, a clear depiction of her warlike function. In the majority of plaques, however, she is standing holding flowers, especially lotus flowers, in her hands. The lotus, and the special coiffure of two thick locks curling down to the shoulders, are Egyptian elements connected with the goddess Hathor with whom Astarte is sometimes identified in Egypt. However, whenever Ashtoreth is identified in both representation and inscription she is modestly dressed, and her warlike rather than her fertility aspects are emphasized. This has led some scholars to reject the identification of the nude figure on the plaques and statuettes with Ashtoreth.

Concordance
Judg 2:13; 10:6. I Sam 7:3-4; 12:10; 31:10. I Kgs 11:5, 33. II Kgs 23:13


Dictionary of Dance: Astarte
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Mixed-media ballet with choreography by Joffrey, music by Crome Syrcus, design and lighting by Thomas Skelton, and film by Gardner Compton. Premiered 20 Sept. 1967 by City Center Joffrey Ballet at City Center, New York, with Trinette Singleton and Maximiliano Zomosa. It is loosely based on the story of the Phoenician goddess Astarte and its fusion of rock music, strobe lighting, and film was regarded at the time as startlingly theatrical.

 
Astarte (ăstär'), Semitic goddess of fertility and love. She was the most important goddess of the Phoenicians and corresponds to the Babylonian Ishtar and the Greek Aphrodite. She took a dominant place in Middle Eastern religions, and the Jews strictly forbade use of her name. She is referred to in the Bible.


Wikipedia: Astarte
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Ancient Near Eastern deities
Levantine deities

Adonis | Anat | Asherah | Ashima | Athtart/Astarte | Atargatis | Ba'al | Berith | Chemosh | Dagon | Derceto | El | Elyon | Eshmun | Hadad | Kothar-wa-Khasis | Melqart | Moloch | Mot | Qetesh | Resheph | Shahar | Shalim | Shapash | Yam | Yarikh

Mesopotamian deities

Abzu/Apsu | Adad | Amurru | An/Anu | Anshar | Ashur | Enki/Ea | Enlil | Ereshkigal | Inanna/Ishtar | Kingu | Kishar | Lahmu & Lahamu | Marduk | Mummu | Nabu | Nammu | Nanna/Sin | Nergal | Ningizzida | Ninhursag | Ninlil | Tiamat | Utu/Shamash

Egyptian deities
Amun | Ra | Apis | Bakha | Isis | Horus | Osiris | Ptah
Astarte riding in a chariot with four branches protruding from roof, on the reverse of a Julia Maesa coin from Sidon

Astarte (from Greek Ἀστάρτη (Astártē)) or Ashtart is the Greek form of the name of a goddess as known from Northwestern Semitic regions, cognate in name, origin and functions with the goddess Ishtar in Mesopotamian texts. The Phoenician is 𐤕𐤓𐤕𐤔𐤏 ‘Ashtart; other names for the goddess include Hebrew עשתרת (transliterated Ashtoreth), Ugaritic 𐎓𐎘𐎚𐎗𐎚 ‘ṯtrt (also ‘Aṯtart or ‘Athtart (sometimes confused with another goddess, transliterated Atirat, also known as Asherah), Akkadian 𒀭𒊍𒁯𒌓 DAs-tar-tú (also Astartu) and Etruscan 𐌖𐌍𐌉 𐌀𐌔𐌕𐌛𐌄 Uni-Astre (Pyrgi Tablets).

According to scholar Mark S. Smith, Astarte may be the Iron Age (after 1200 BC) incarnation of the Bronze Age (to 1200 BC) Asherah.[1]

Contents

General discussion

Astarte was connected with fertility, sexuality, and war. Her symbols were the lion, the horse, the sphinx, the dove, and a star within a circle indicating the planet Venus. Pictorial representations often show her naked.

Astarte was accepted by the Greeks under the name of Aphrodite. The island of Cyprus, one of Astarte's greatest faith centers, supplied the name Cypris as Aphrodite's most common byname.

Other major centers of Astarte's worship were Sidon, Tyre, and Byblos. Coins from Sidon portray a chariot in which a globe appears, presumably a stone representing Astarte. In Sidon, she shared a temple with Eshmun. At Beirut coins show Poseidon, Astarte, and Eshmun worshipped together.

Other faith centers were Cytherea, Malta, and Eryx in Sicily from which she became known to the Romans as Venus Erycina. A bilingual inscription on the Pyrgi Tablets dating to about 500 BC found near Caere in Etruria equates Astarte with Etruscan Uni-Astre that is, Juno. At Carthage Astarte was worshipped alongside the goddess Tanit.

Donald Harden in The Phoenicians discusses a statuette of Astarte from Tutugi (Galera) near Granada in Spain dating to the 6th or 7th century BC in which Astarte sits on a throne flanked by sphinxes holding a bowl beneath her breasts which are pierced. A hollow in the statue would have been filled with milk through the head and gentle heating would have melted wax plugging the holes in her breasts, producing an apparent miracle when the milk emerged.

The Syrian goddess Atargatis (Semitic form ‘Atar‘atah) was generally equated with Astarte and the first element of the name appears to be related to the name Astarte.

Astarte in Ugarit

Astarte appears in Ugaritic texts under the name ‘Athtart', but is little mentioned in those texts. ‘Athtart and ‘Anat together hold back Ba‘al from attacking the other deities. Astarte also asks Ba‘al to "scatter" Yamm "Sea" after Ba‘al's victory. ‘Athtart is called the "Face of Ba‘al".

Astarte in Egypt

Astarte first appears in Ancient Egypt beginning in the Eighteenth dynasty of Egypt along with other deities who were worshipped by northwest Semitic people. She was worshipped especially in her aspect of a warrior goddess, often paired with the goddess Anat.

In the Contest Between Horus and Set, these two goddesses appear as daughters of Re and are given in marriage to the god Set, here identified with the Semitic name Hadad. Astarte also was identified with the lioness warrior goddess Sekhmet, but seemingly more often conflated, at least in part, with Isis to judge from the many images found of Astarte suckling a small child. Indeed there is a statue of the 6th century BC in the Cairo Museum, which normally would be taken as portraying Isis with her child Horus on her knee and which in every detail of iconography follows normal Egyptian conventions, but the dedicatory inscription reads: "Gersaphon, son of Azor, son of Slrt, man of Lydda, for his Lady, for Astarte." See G. Daressy, (1905) pl. LXI (CGC 39291).

Plutarch, in his On Isis and Osiris, indicates that the King and Queen of Byblos, who, unknowingly, have the body of Osiris in a pillar in their hall, are Melcarthus (ie. Melqart) and Astarte (though he notes some instead call the Queen Saosis or Nemanūs, which Plutarch interprets as corresponding to the Greek name Athenais).

Astarte described by Sanchuniathon

In the description of the Phoenician pantheon ascribed to Sanchuniathon Astarte appears as a daughter of Sky and Earth and sister of the God El. After El overthrows and banishes his father Sky, as some kind of trick Sky sends to El his "virgin daughter" Astarte along with her sisters Asherah and the goddess who will later be called Ba`alat Gebal, "the Lady of Byblos". It seems that this trick does not work as all three become wives of their brother El. Astarte bears to El children who appear under Greek names as seven daughters called the Titanides or Artemides and two sons named Pothos "Longing" and Eros "Desire".

Later we see, with El's consent, Astarte and Hadad reigning over the land together. Astarte, puts the head of a bull on her own head to symbolize Her sovereignty. Wandering through the world Astarte takes up a star that has fallen from the sky (meteorite) and consecrates it at Tyre.

Astarte in Judea

The Masoretic pointing in the Hebrew Tanach (bible) indicate the pronunciation as ʻAštōreṯ instead of the expected ʻAštereṯ, probably because the two last syllables have here been pointed with the vowels belonging to bōšeṯ "abomination" to indicate that word should be substituted when reading. The plural form is pointed ʻAštārōṯ.

For what seems to be the use of the Hebrew plural form ʻAštārōṯ as the name of a demon, see also Astaroth.

Astarte, or ʻAštōreṯ in Hebrew, was the principal goddess of the Phoenicians, representing the productive power of nature. She was a lunar goddess and was adopted by the Egyptians as a daughter of Ra or Ptah.

In Jewish mythology, She is referred to as Ashtoreth, supposedly interpreted as a female demon of lust in Hebrew monotheism. The name Asherah may also be confused with Ashtoreth, but is probably a different goddess.

Literary references

Came ASTORETH, whom the PHOENICIANS call'd
ASTARTE, Queen of Heav'n, with crescent Horns;
To whose bright Image nightly by the Moon
SIDONIAN Virgins paid their Vows and Songs,
In SION also not unsung, where stood
Her Temple on th' offensive Mountain [the Mount of Olives], built
By that uxorious King [Solomon], whose heart though large,
Beguil'd by fair Idolatresses, fell
To Idols foul.

Other associations

Some sources[who?] claim that the Greek goddess Aphrodite (especially in her aspect as Aphrodite Erycina) is another name for Astarte.[citation needed] Herodotus wrote that the religious community of Aphrodite originated in Phoenicia and came to Greeks from there. He also wrote about the world's largest temple of Aphrodite, in one of the Phoenician cities.

Her name is the second name in an energy chant sometimes used in Wicca: "Isis, Astarte, Diana, Hecate, Demeter, Kali, Inanna." [1]

References

  1. ^ Smith, Mark S (2002), The early history of God : Yahweh and the other deities in ancient Israel (2nd ed.), Grand Rapids WI: William B. Eerdmans Pub. Co., ISBN 080283972X 
  • Donald Harden, The Phoenicians (2nd ed., revised, London, Penguin 1980). ISBN 0-14-021375-9
  • G. Daressy, Statues de divinités, (CGC 38001-39384), vol. II (Cairo, Imprimerie de l'Institut français d'archéologie orientale, 1905).
  • Gerd Scherm, Brigitte Tast Astarte und Venus. Eine foto-lyrische Annäherung (Schellerten 1996), ISBN 3-88842-603-0.

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World Mythology Dictionary. A Dictionary of World Mythology. Copyright © Arthur Cotterell 1979, 1986, 2003. All rights reserved.  Read more
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