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Attila Zoller

 
Artist: Attila Zoller
  • Born: June 13, 1927, Visegrad, Hungary
  • Died: January 25, 1998, Townshend, VT
  • Active: '60s, '70s, '80s, '90s
  • Genres: Jazz
  • Instrument: Guitar
  • Representative Albums: "Memories of Pannonia," "Gypsy Cry," "Zoller Koller Solal"
  • Representative Songs: "When It's Time," "Common Cause," "Meant to Be"

Biography

The Hungarian-born Attila Zoller was never quite a household name, but jazz musicians in the know considered him one of the music's finest and most original guitarists. After initially achieving a reputation as an excellent bop-oriented player, Zoller developed an interest in free jazz, and in the '60s became one of the music's most accomplished practitioners.

As a child, Zoller was taught classical violin by his father, a professional violinist. In his teens, he switched to flügelhorn, then jazz bass, and finally guitar. Zoller quit school during the Russian occupation of Hungary following World War II and began playing professionally in Budapest jazz clubs. He escaped Hungary in 1948 just before the permanent Soviet blockade of the country, hiking across the mountains to Austria, carrying just his guitar and a few articles of clothing. Zoller became an Austrian citizen, settling in Vienna, where he formed a jazz group with the accordionist Vera Auer. Zoller moved to Germany in the '50s, where he played with pianist Jutta Hipp and saxophonist Hans Koller. Visiting American musicians (notably Oscar Pettiford and Lee Konitz) admired Zoller's work and urged him to move to the U.S., which he did in 1959 after winning a scholarship to the Lenox School of Jazz. There he studied with Jim Hall and roomed with Ornette Coleman, whose influence sparked Zoller's interest in free jazz. Zoller played in drummer Chico Hamilton's group in 1960 and with flutist Herbie Mann from 1962-1965. In 1965, Zoller began leading a free jazz-influenced group with the pianist Don Friedman, and in 1968 co-led a group with Konitz and trombonist Albert Mangelsdorff. Zoller never turned his back on more traditional forms of jazz, playing swing with vibist Red Norvo and clarinetist Benny Goodman, and bop with saxophonist Stan Getz, among many others. In 1974, Zoller founded the Attila Zoller Jazz Clinics in Vermont (Zoller incorporated in 1985 and the clinics became the Vermont Jazz Center). He remained active as a performer -- in the U.S. and overseas -- until the end of his life. During the '80s and '90s, he recorded several albums for the Enja label with such artists as vibist Wolfgang Lackerschmidt and guitarist Jimmy Raney, as well as longtime collaborators Konitz and Friedman.

Zoller was also a designer of electronic instruments; he patented a bi-directional pickup for guitars in 1971 and helped design his own signature line of guitars with the Framus and Hoefner companies. He also designed a line of strings for the LaBella company. Zoller's final gig was at New York's Zinc Bar with pianist Tommy Flanagan and bassist George Mraz on January 6, 1998; the trio recorded the next day. Zoller died of colon cancer less than three weeks later. ~ Chris Kelsey, All Music Guide
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Attila Cornelius Zoller (June 13, 1927January 25, 1998) was the first guitarist to discover free jazz and is considered as one of the innovators of modern jazz guitar.

Born in Visegrád, Hungary, as a child, Zoller was taught classical violin by his father, a professional violinist. In his teens, he switched to flugelhorn, then jazz bass, and finally guitar. Zoller quit school during the Russian occupation of Hungary following World War II and began playing professionally in Budapest jazz clubs. He escaped Hungary in 1948 just before the permanent Soviet blockade of the country and began his serious music career after he moved to Vienna in 1948, He formed a jazz group with the accordionist and vibraphonist Vera Auer. Zoller moved to Germany in 1954, where he played with pianist Jutta Hipp, saxophonist Hans Koller and trombonist Albert Mangelsdorff. Visiting American musicians (notably Oscar Pettiford and Lee Konitz) admired Zoller's work and urged him to move to the U.S., which he did in 1959 after winning a scholarship to the Lenox School of Jazz. There he studied with Jim Hall and roomed with Ornette Coleman and Don Cherry, whose influence sparked Zoller's interest in free jazz.

Zoller played in drummer Chico Hamilton's group in 1960, with Benny Goodman and with flutist Herbie Mann from 1962-1965. In 1965, Zoller began leading a free jazz-influenced group with the pianist Don Friedman, and in 1968 co-led a group with Konitz and Mangelsdorff.

Zoller played and recorded with among others with Tony Scott, Stan Getz, Red Norvo, Jimmy Raney, Herbie Hancock, Ron Carter, Shirley Scott, Cal Tjader and many more. In addition to his activities on stage which take him regularly to the European festival circuit, to Japan and to the various US jazzclubs,

Zoller was a renowned teacher and founding president of the Vermont Jazz Center (since 1985). In 1995 Zoller received the New England Foundation for the Arts Achievement Award for his lifelong musical contribution to jazz. He was also a designer of musical instruments; he patented a bi-directional pickup for guitars in 1971 and helped design his own signature line of guitars with different companies. He died in Townshend, Vermont.

Discography

  • 1965: Zo-Ko-So (MPS) mit Martial Solal, Hans Koller
  • 1965: The Horizon Beyond (Emarcy/Act) mit Don Friedman, Barre Phillips und Daniel Humair
  • 1969: Gypsy Cry (Embryo Records)
  • 1979: The K & K in New York (L & R) mit Koller und George Mraz
  • 1992: Live Highlights (Bhakti) mit Wolfgang Lackerschmidt

External links


 
 
Learn More
Zo-Ko-Ma (1968 Album by Lee Konitz)
My Kinda Groove (1964 Album by Herbie Mann)
Vienna Blues: The Complete Sessions (1959 Album by Oscar Pettiford)

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