aubade

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(ō-bäd') pronunciation
n.
  1. A song or instrumental composition concerning, accompanying, or evoking daybreak.
  2. A poem or song of or about lovers separating at dawn.

[French, from Old French albade, from Old Provençal albada, from alba, dawn, aubade, from Latin, feminine of albus, white.]


(Fr.)

‘Dawn song’: term for music to be performed in the morning; now simply a generic title.



aubade [oh‐bahd], also known by its Provençal name alba and in German as Tagelied (plural ‐lieder), a song or lyric poem lamenting the arrival of dawn to separate two lovers. The form, which has no fixed metrical pattern, flourished in the late Middle Ages in France; it was adopted in Germany by Wolfram von Eschenbach and in England by Chaucer, whose Troilus and Criseyde includes a fine aubade. Later English examples include Donne's ‘The Sunne Rising’ and Act III scene v of Shakespeare's Romeo and Juliet.

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a song or poem greeting the dawn or about lovers parting at dawn
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A song or poem with a motif of greeting the dawn, often involving the parting of lovers, or a call for a beloved to arise.

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pronunciation

IN BRIEF: Noun- A morning love song; A song or poem of lovers parting at daybreak.

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An aubade is a morning love song (as opposed to a serenade, which is in the evening), or a song or poem about lovers separating at dawn.[1] It has also been defined as "a song or instrumental composition concerning, accompanying, or evoking daybreak".[2]

In the strictest sense of the term, an aubade is a song from a door or window to a sleeping woman.[3] Aubades are generally conflated with what are strictly called albas, which are exemplified by a dialogue between parting lovers, a refrain with the word alba, and a watchman warning the lovers of the approaching dawn.[3]

Aubades were in the repertory of troubadours in Europe in the Middle Ages. An early English example is in Book III of Chaucer's Troilus and Criseyde. The love poetry of the 16th century dealt mostly with unsatisfied love, so the aubade was not a major genre in Elizabethan lyric.[original research?][citation needed]

The aubade gained in popularity again with the advent of the metaphysical fashion; John Donne's poem "The Sunne Rising" is an example of the aubade in English; aubades were written from time to time into the 18th and 19th century. In the 20th century, the focus of the aubade shifted from the genre's original specialized courtly love context into the more abstract theme of a human parting at daybreak. In this reformulated context several notable aubades were published in the 20th century, such as "Aubade" by Philip Larkin[4]. French composers of the turn of the 20th century wrote a number of aubades. In 1883, the French composer Emmanuel Chabrier composed an "Aubade" for piano solo, inspired by a four-month visit to Spain.[5] Maurice Ravel included a Spain-inspired aubade entitled Alborada del gracioso in his 1906 piano suite Miroirs.[6] The composer Francis Poulenc later wrote (in concerto form) a piece titled Aubade; it premiered in 1929.[7]

See also

References

  1. ^ "Aubade". Merriam-Webster Online. 2010. http://www.merriam-webster.com/dictionary/aubade. Retrieved 2010-11-05. 
  2. ^ Aubade. http://www.thefreedictionary.com/aubade.  Cites the American Heritage Dictionary of the English Language, Fourth Edition, 2000.
  3. ^ a b Sigal, Gale (1996). Erotic dawn-songs of the Middle Ages: voicing the lyric lady. p. 5. 
  4. ^ Brennan, Maeve (2002). The Philip Larkin I knew. p. 64. 
  5. ^ Murray, James (2002). "Sleeve notes: Chabrier - Piano Works Regis RRC 1133". Kernow Classics. http://www.kernowclassics.co.uk/consultancy/sleeve-notes.htm. Retrieved 2010-11-05. 
  6. ^ Hewitt, Angela (2002). "The Complete Piano Works of Ravel: Sleeve notes". http://www.angelahewitt.com/record.php?record_id=3. Retrieved 2010-11-05. 
  7. ^ Schwartz, Steve (2006). "A Side of French". Classical Net. http://www.classical.net/music/recs/reviews/e/ess01086a.php. Retrieved 2010-11-05. 

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