("service," "worship"). Term used in a liturgical context to designate the High Priest's Order of Service in the Temple on the Day of Atonement
Acccording to Sephardi and Ḥasidic practice, the Avodah begins with a poem arranged in alphabetical acrostics and entitled Attah konanta olam me-rosh ("You first established the world"). Its theme, emphasizing man's history of disobedience and need to atone for his sins, resembles that of Ammits Ko'aḥ ("Powerful and Mighty"), the equivalent poem in the Ashkenazi rite. Of special importance are the triple confession, Ve-khakh hayah omer ("Thus did he say"); Ve-ha-kohanim ve-ha-am ("When the priests and the people"), recalling the once-yearly pronunciation of the Ineffable Name; and the congregational response of Barukh Shem Kevod Malkhuto. These three related passages are quoted from the Mishnah (Yoma 6:2). At a designated point in Ve-ha-kohanim ve-ha-am, Orthodox Jews (Ashkenazim, Ḥasidim, and some Sephardim) observe the ancient ritual of prostrating themselves and bowing their heads to the ground. This practice is followed by some Conservative Jews as well, but was abandoned by Reform Judaism. Apart from the High Priest's confession, none of the traditional Avodah survives in Reform liturgy; most of the Hebrew text has been retained by Conservative Judaism, although the English translation has been modified. A modern orchestral work on the theme is Ernest Bloch's Avodah: A Yom Kippur Melody.




