Béla Fleck
| Béla Fleck | |
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 Béla Fleck (right) with Victor Wooten
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| Background information | |
| Born | July 10 1958 New York City, New York  United States |
| Origin | Boston, Massachusetts United States |
| Genre(s) | Bluegrass Jazz fusion Folk Classical |
| Occupation(s) | Songwriter, composer, banjoist |
| Instrument(s) | Banjo |
| Years active | 1978— |
| Associated acts |
Béla Fleck and the Flecktones TRIO! Strength In Numbers New Grass Revival |
| Website | www.BélaFleck.com |
Béla Fleck (born July 10, 1958 in New York City, New York) is an American virtuoso banjo player. He is best known for his work with the band Béla Fleck and the Flecktones, with bassist Victor Wooten, saxophonist Jeff Coffin, and percussionist Future Man.
Life and early career
Béla Anton Leoš Fleck, who is named after famous Hungarian composer Béla Bartók and Czech
composers Antonín Dvořák and Leoš Janáček, was
drawn to the banjo when he first heard Earl Scruggs play the theme song for the television
show Beverly Hillbillies. He received his first banjo at age fifteen from
his grandfather (1973).[1][2] He was a member of the class of 1970 at P.S. 75 (the Emily Dickinson School) in Manhattan. Later, Fleck enrolled in New York City's
Fleck played on the streets of Boston with bassist Mark Schatz; and the two formed in 1981. Fleck toured with Spectrum until 1981. That year, Sam Bush asked Fleck to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, Drive. It was nominated for a Grammy Award in the then first-time category of Best Bluegrass Album (1988).
Béla Fleck and the Flecktones
Bela Fleck and Victor Wooten formed Béla Fleck and the Flecktones in 1988, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Levy left the group in 1992, making the band a trio until Saxophonist Jeff Coffin joined the group with the 1998 album Left of Cool.
With the Flecktones, Fleck has been nominated for and won several Grammy awards.
Other music and recordings
Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, spoken word, composition, and arranging.
In 2001, Fleck collaborated with long-time friend and playing-partner Edgar Meyer to
record Perpetual Motion, an album of classical material played on the
banjo along with an assortment of accompanists, including John Williams,
Evelyn Glennie, Joshua Bell and Gary Hoffman. The album includes such staggeringly difficult selections as Chopin's Etude Op. 10 No. 4 in C# minor, Debussy's Doctor Gradus ad Parnassum, and Paganini's Moto Perpetuo (from which is derived the name), as
well as more lyrical pieces such as the first movement of Beethoven's
Moonlight Sonata, two of Chopin's mazurkas, and two Scarlatti keyboard
Fleck names Chick Corea, Charlie Parker and the aforementioned Earl Scruggs as influences. He regards Scruggs as "certainly the best" banjo player of the three-finger style.[3]
Solo and with the Flecktones, Fleck has appeared at Telluride Bluegrass
Festival, Merlefest, Montreal
International Jazz Festival, Toronto Jazz Festival, Newport Folk Festival, Austin City Limits
Music Festival, Bonnaroo, and
He has also appeared as a sideman with artists ranging from Tony Rice to Ginger Baker and Phish.
In 2005, while the Flecktones were on hiatus, Fleck undertook several new projects. These included recording with African traditional musicians; cowriting a documentary film called Bring it Home about the Flecktones' first year off in 17 years and their reunion after that time; coproducing Song of the Traveling Daughter, the debut album by Abigail Washburn, a young banjo player who mixes bluegrass and Chinese music; and forming the acoustic fusion supergroup TRIO! with fellow virtuosos Jean-Luc Ponty and Stanley Clarke. He also recorded an album as a member of the Sparrow Quartet, along with Abigail Washburn, Ben Sollee, and Casey Driessen.
In late 2006, Fleck teamed up with Chick Corea to record an album that is scheduled to be released in May of 2007. Fleck and Corea are touring together throughout 2007.
In July 2007 at the Winnipeg Folk Festival, he appeared and jammed with Toumani Diabate, the world famous kora player from Mali.
Discography
Solo/with multiple other musicians
- Crossing the Tracks (Rounder Records, 1979)
- Natural Bridge (Rounder Records, 1982)
- Double Time (Rounder Records, 1984)
- Inroads (Rounder Records, 1986)
- Daybreak (Rounder Records, 1987)
- Drive (Rounder Records, 1988)
- Places (Rounder Records, 1988)
- Tales From The Acoustic Planet (Warner Brothers, 1995)
- The Bluegrass Sessions: Tales from the Acoustic Planet, Vol. 2 (Warner Brothers, 1999)
- Perpetual Motion (Sony Classical, 2001)
- Drive (Mobile Fidelity, 2004) (SACD reissue)
As part of a musical group
Tasty Licks
- Tasty Licks (Rounder Records, 1978)
- Anchored to the Shore (Rounder Records, 1979)
Spectrum
- Opening Roll (Rounder Records, 1981)
- Too Hot For Words (Rounder Records, 1982)
- Live in Japan (Rounder Records, 1983)
- On the Boulevard (Sugar Hill 1984)
- New Grass Revival (EMI 1986)
- Hold to a Dream (Capitol 1987)
- Live, (Sugar Hill 1989)
- Friday Night in America (Capitol 1989)
- Anthology (Capitol 1989)
- Deviation (Rounder Records, 1984) [billed as Bela Fleck with the New Grass Revival—sometimes considered a solo album]
- Best of New Grass Revival (Liberty 1994)
- Grass Roots: The Best of the New Grass Revival (Capitol 2005)
- Béla Fleck And The Flecktones (Warner Brothers, 1990)
- Flight of the Cosmic Hippo (Warner Brothers, 1991)
- UFO Tofu (Warner Brothers, 1992)
- Three Flew Over the Cuckoo's Nest (Warner Brothers, 1993)
- Live Art (Warner Brothers, 1996)
- Left of Cool (Warner Brothers, 1998)
- Greatest Hits of the 20th Century (Warner Brothers, 1999)
- Outbound (Columbia Records, 2000)
- Live at the Quick (Columbia Records, 2002)
- Little Worlds (Columbia Records, 2003)
- Ten From Little Worlds (Selections from Little Worlds, Columbia Records, 2003)
- The Hidden Land (Columbia Records, 2006)
One-off collaborations
- Fiddle Tunes For Banjo with Tony Trischka and
Bill Keith (Rounder Records, 1981) - Snakes Alive! as part of The Dreadful Snakes (Rounder Records, 1983)
- Telluride Sessions as part of Strength In Numbers (MCA Nashville Records, 1989)
- Solo Banjo Works with Tony Trischka (Rounder Records, 1992)
- The Great Dobro Sessions (Sugar Hill Records, 1994)
- Tabula Rasa with Jie-Bing Chen and Vishwa Mohan Bhatt (Water Lily Acoustics, 1996)
- Uncommon Ritual with Mike Marshall and Edgar Meyer (Sony, 1997)
- Music For Two with Edgar Meyer (Sony, 2004)
- The Sparrow Quartet with Abigail Washburn, Casey Driessen, and Ben Sollee (Nettwerk Records, 2005)
- The Enchantment with Chick Corea (Concord Records, 2007)
As a guest musician
- Late as Usual (Rounder Records, 1984)
Curandero
- Aras (Silver Wave, 1996)
- Before These Crowded Streets (RCA, 1998)
- Live Trax Vol. 1: 12.8.98 Centrum Centre, Worcester, MA (2004)
- Live Trax Vol. 7: 12.31.96 Hamptom Coliseum, Hampton, VA (2006)
- Looking Out the Fishbowl (Vriginia Soul Records, 1999)
- Blue Country Heart (2002)
- Full Circle (2004)
- Hoist (Elektra Records, 1994)
- Farmhouse (Elektra Records, 2000)
- Dream (2007)
Grammy awards
- 1996
- Best Country Instrumental Performance, "Hightower" by Asleep at the Wheel with Béla Fleck and Johnny Gimble
- 2001
- Best Country Instrumental Performance, "Leaving Cottondale" by Alison Brown and Béla Fleck
- 2002
- Best Instrumental Arrangement, "Doctor Gradus Ad Parnassum" from Children's Corner Suite (Debussy) by Béla Fleck and Edgar Meyer
- Best Classical Crossover Album, Perpetual Motion by Béla Fleck with Edgar Meyer, Joshua Bell, and others
Grammy nomination
- 1988
- Best Bluegrass Album, "Drive", by Béla Fleck
- Best Jazz Instrumental or Instrumental Composition, "Blu-bop", by Béla Fleck and the Flecktones
- 1992
- Best Jazz Instrumental or Instrumental Composition, "Magic Fingers", Béla Fleck and the Flecktones
- 1994
- Best Spoken Word for Children, "The Creation", by Amy Grant with Béla Fleck
- 1995
- Best Country Instrumental, "Cheeseballs in Cowtown", by Béla Fleck
- 1996
- Best World Music Album, "Tabula Rasa", by Béla Fleck et al
- 1998
- Best Country Instrumental, "The Ride", by Jerry Douglas with Béla Fleck
- 1999
- Best Bluegrass Album, "Tales from the Acoustic Planet: Volume 2: the Bluegrass Sessions", by Béla Fleck
- 2002
- Best Country Instrumental Performance, "Bear Mountain Hop", from The Country Bears Soundtrack (with Béla Fleck)
Notes and references
References
- [3] Bela Fleck: Biography
- [4] The Flecktone Zoo: by Wendell Norman
- [5] Bela Fleck, Official Biography
- Gray, Michael (1998). "Béla Fleck". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 174-5.
External links
- Interview with Bela Fleck
- Béla Fleck and the Flecktones World Headquarters Web Site
- Béla Fleck - The Official Website
- Béla Fleck and the Flecktones live recordings
- Bela Fleck articles and CD reviews at Country Standard Time
| Béla Fleck and the Flecktones |
|---|
| Béla Fleck • Victor Wooten • Future Man • Jeff Coffin Howard Levy |
| Discography |
| Studio releases: Béla Fleck and the Flecktones • Flight of the Cosmic Hippo • UFO Tofu • Three Flew Over the Cuckoo's Nest • Left of Cool • Greatest Hits of the 20th Century • Outbound • Little Worlds • The Hidden Land |
| Live releases: Live Art • Live at the Quick |
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