Representative Albums: "Footnotes to Jazz, Vol. 1," "Baby Dodds Drum Method: Trio," "Jazz à la Creole: The Baby Dodds Trio"
Biography
Arguably the first important jazz drummer, Baby Dodds was one of the earliest to vary his patterns during a performance; a strong example of his adventurous style can be heard on a trio performance (with Jelly Roll Morton and Baby's brother Johnny) of "Wolverine Blues" in 1927. A major influence on Gene Krupa, Dodds worked in New Orleans with Willie Hightower, Bunk Johnson, Oscar Celestin, and others and played with Fate Marable's riverboat band in 1918. He joined King Oliver in San Francisco in 1922 and settled in Chicago the following year. In addition to recording with Oliver's classic Creole Jazz Band, Dodds was an important part of sessions led by Jelly Roll Morton and Louis Armstrong's Hot Seven. He remained in Chicago for decades, performing and recording regularly with his brother, Johnny Dodds, until the clarinetist's death in 1940. During the traditional jazz revival, Baby played with Jimmie Noone, Sidney Bechet, Bunk Johnson, and Art Hodes, appeared on the This Is Jazz radio broadcasts of 1947, and visited Europe with Mezz Mezzrow the following year. During 1945-1946, he recorded the first unaccompanied drum solos. Despite ill health in the 1950s, Baby Dodds kept playing until two years before his death; his memoirs are well worth reading. ~ Scott Yanow, All Music Guide
"Baby" Dodds was the younger brother of clarinetist Johnny Dodds. He is regarded as one of the very best jazz drummers of the pre-big band era, and one of the most important early jazz drummers. Dodds was among the first drummers who improvised while performing to be recorded. He varied his drum patterns with accents and flourishes.
Dodds gained reputation as a top young drummer in New Orleans, then worked on Mississippi River steamship bands with young Louis Armstrong. He moved to California in 1921 to work with Joe "King" Oliver there, and followed Oliver to Chicago, which would be his base of operations.
Dodds recorded with Louis Armstrong, Jelly Roll Morton, Art Hodes, and his brother Johnny Dodds. In the late 1940s he worked at Jimmy Ryan's in New York City. On some of his trips back to New Orleans, he recorded with Bunk Johnson. Dodds died in Chicago at age 60.
Dodds continues to be admired for the creativity of his playing. He believed in playing something different for every chorus of every tune. Additionally Dodds is perhaps the first jazz drummer to record unaccompanied: in 1945 he recorded two solos for Circle Records, and the next year recorded a series of solos and reminiscences for Folkways Records.[1]