
An electronic circuit that accepts a signal and filters out unwanted frequencies, allowing only a particular frequency or frequency range (band of frequencies) to reach the output side.
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A tuned circuit designed to pass a band of frequencies between a lower cut-off frequency (f1) and a higher cut-off frequency (f2). Frequencies above and below the pass band are heavily attenuated.
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A band-pass filter is a device that passes frequencies within a certain range and rejects (attenuates) frequencies outside that range.
Optical band-pass filters are of common usage.
An example of an analogue electronic band-pass filter is an RLC circuit (a resistor–inductor–capacitor circuit). These filters can also be created by combining a low-pass filter with a high-pass filter.[1]
Bandpass is an adjective that describes a type of filter or filtering process; it is frequently confused with passband, which refers to the actual portion of affected spectrum. Hence, one might say "A dual bandpass filter has two passbands." A bandpass signal is a signal containing a band of frequencies away from zero frequency, such as a signal that comes out of a bandpass filter.[2]
An ideal bandpass filter would have a completely flat passband (e.g. with no gain/attenuation throughout) and would completely attenuate all frequencies outside the passband. Additionally, the transition out of the passband would be instantaneous in frequency. In practice, no bandpass filter is ideal. The filter does not attenuate all frequencies outside the desired frequency range completely; in particular, there is a region just outside the intended passband where frequencies are attenuated, but not rejected. This is known as the filter roll-off, and it is usually expressed in dB of attenuation per octave or decade of frequency. Generally, the design of a filter seeks to make the roll-off as narrow as possible, thus allowing the filter to perform as close as possible to its intended design. Often, this is achieved at the expense of pass-band or stop-band ripple.
The bandwidth of the filter is simply the difference between the upper and lower cutoff frequencies. The shape factor is the ratio of bandwidths measured using two different attenuation values to determine the cutoff frequency, e.g., a shape factor of 2:1 at 30/3 dB means the bandwidth measured between frequencies at 30 dB attenuation is twice that measured between frequencies at 3 dB attenuation.
Outside of electronics and signal processing, one example of the use of band-pass filters is in the atmospheric sciences. It is common to band-pass filter recent meteorological data with a period range of, for example, 3 to 10 days, so that only cyclones remain as fluctuations in the data fields.
In neuroscience, visual cortical simple cells were first shown by David Hubel and Torsten Wiesel to have response properties that resemble Gabor filters, which are band-pass.[3]
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A band-pass filter can be characterised by its Q-factor. The Q-factor is the inverse of the fractional bandwidth. A high-Q filter will have a narrow passband and a low-Q filter will have a wide passband. These are respectively referred to as narrow-band and wide-band filters.
In his first novel, V., Thomas Pynchon quips that the popular graffiti character, Kilroy "had sprung into life, in truth, as part of a band-pass filter".[4][5]
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