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Barney Kessel

 
Artist: Barney Kessel
  • Born: October 17, 1923, Muskogee, OK
  • Died: May 06, 2004, San Diego, CA
  • Active: '40s, '50s, '60s, '70s, '80s, '90s, 2000s
  • Genres: Jazz
  • Instrument: Guitar, Guitar (Electric)
  • Representative Albums: "Barney Kessel, Vol. 3: To Swing or Not to Swing," "Some Like It Hot," "Red Hot and Blues"
  • Representative Songs: "North of the Border," "Louisiana," "Moten Swing"

Biography

One of the finest guitarists to emerge after the death of Charlie Christian, Barney Kessel was a reliable bop soloist throughout his career. He played with a big band fronted by Chico Marx (1943), was fortunate enough to appear in the classic jazz short Jammin' the Blues (1944), and then worked with the big bands of Charlie Barnet (1944-1945) and Artie Shaw (1945); he also recorded with Shaw's Gramercy Five. Kessel became a busy studio musician in Los Angeles, but was always in demand for jazz records. He toured with the Oscar Peterson Trio for one year (1952-1953) and then, starting in 1953, led an impressive series of records for Contemporary that lasted until 1961 (including several with Ray Brown and Shelly Manne in a trio accurately called the Poll Winners). After touring Europe with George Wein's Newport All-Stars (1968), Kessel lived in London for a time (1969-1970). In 1973, he began touring and recording with the Great Guitars, a group also including Herb Ellis and Charlie Byrd. A serious stroke in 1992 put Barney Kessel permanently out of action, but many of his records (which include dates for Onyx, Black Lion, Sonet, and Concord, in addition to many of the Contemporaries) are available, along with several video collections put out by Vestapol. Kessel was diagnosed with inoperable cancer in 2001, which eventually took his life in May of 2004. He was 80 years old. ~ Scott Yanow, All Music Guide
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Discography: Barney Kessel
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Blues for a Playboy

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Barney Kessel and Friends

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Breakfast at Tiffany's/Bossa Nova/Contemporary Latin Rhythms

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Plays for Lovers

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Hair Is Beautiful

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Poll Winners Ride Again

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Salute to Charlie Christian

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It's a Blue World

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Barney Kessel, Vol. 3: To Swing or Not to Swing

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Barney Kessel, Vol. 3: To Swing or Not to Swing

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Wikipedia: Barney Kessel
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Barney Kessel

Background information
Born October 17, 1923(1923-10-17)
Origin Muskogee, Oklahoma, USA
Died May 6, 2004 (aged 80)
San Diego, California
Genres Jazz, pop
Occupations Guitarist
Instruments guitar
Years active 1940's–1992
Associated acts Chico Marx, Oscar Peterson, Ray Brown, Sonny Rollins, Phil Spector, The Beach Boys, The Monkees, The Wrecking Crew, many others

Barney Kessel (October 17, 1923May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma, USA. He was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians known as The Wrecking Crew.

Contents

Biography

Kessel began his career as a teenager touring with local dance bands before moving on to bands such as that led by Chico Marx. He quickly established himself as a key post-Charlie Christian jazz guitarist. In 1944 he participated in the film Jammin' the Blues, which featured Lester Young, and in 1947 he recorded with Charlie Parker's New Stars on the Relaxin' at Camarillo session for Dial Records. He is featured on the compilation Charlie Parker on Dial.[1] He was rated the #1 guitarist in Esquire, Down Beat, and Playboy magazine polls between 1947 and 1960.[2]

Barney Kessel is known for his innovative work in the guitar trio setting. In the 1950s, he made a series of albums called The Poll Winners with Ray Brown on bass and Shelly Manne on drums. He was also the prominent guitarist on Julie London's definitive recording of "Cry Me a River". Also from the 50s, his three Kessell Plays Standards volumes contain some of his most polished work.

Kessel was also a member of the Oscar Peterson Trio with Ray Brown for a year, leaving in 1953. The guitar chair was called the hardest gig in show business since Peterson often liked to play at breakneck tempos. Herb Ellis took over from Kessel. Kessel also played with Sonny Rollins in the late 50s and can be heard on the Sonny Rollins And The Contemporary Leaders album on songs like "How High the Moon".

A "first call" guitarist at Columbia Pictures, during the 1960s Kessel became one of the most in-demand session guitarists in America, and is considered a key member of the group of first-call session musicians now usually known as The Wrecking Crew. In this capacity he played on hundreds of famous pop recordings including albums and singles by Phil Spector, The Beach Boys, The Monkees and many others. He appeared in an acting part playing a jazz guitarist named "Barney" in one episode of the Perry Mason TV show. He also wrote and arranged the source music, including a jazz version of "Here Comes the Bride", provided by the jazz combo that figured in the story.

In 1961 The Gibson Guitar Corporation introduced The Barney Kessel model guitar onto the market and continued to make them until 1973.

One custom instrument Kessel played was essentially a 12-string guitar neck attached to a mandolin body (similar to Vox's mando guitar), which may have been played on the intro to The Beach Boys' "Wouldn't It Be Nice."

During the 1970s, Kessel presented his seminar 'The Effective Guitarist' in various locations around the world.

Kessel released several solo albums even late into his life.

Kessel died of a brain tumor in San Diego, California. He had been in poor health after suffering a stroke in 1992.

Discography

Barney Kessel.jpg

References

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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