Bart van der Leck

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Oxford Grove Art:

Bart (Anthonij) van der Leck

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(b Utrecht, 26 Nov 1876; d Blaricum, 13 Nov 1958). Dutch painter and designer. He served his apprenticeship in several stained-glass studios in Utrecht (1891-9), after which he received a scholarship to study at the Nationaal school voor Kunstnijverheid, Amsterdam (1900-04). At the same time he attended evening classes at the Rijksakademie van Beeldende Kunsten, Amsterdam, under August Alleb?. His earliest work reflected several stylistic sources. His paintings were influenced first by the Symbolists Anton Derkinderen and Jan Toorop and then by the Amsterdam Impressionists George Hendrik Breitner and Isaac Isra?ls, while his designs for a collector's edition of the Song of Solomon, which he produced in 1905 in collaboration with his close friend, the architect and furniture maker Piet Klaarhamer, showed an Egyptian influence. Following a brief and uninfluential visit to Paris in 1907, van der Leck spent the next nine years moving between Amsterdam, Utrecht, Amersfoort, The Hague and the province of Overijssel.

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Wikipedia on Answers.com:

Bart van der Leck

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Bart van der Leck (26 November 1876, Utrecht - 13 November 1958, Blaricum) was a Dutch painter, designer, and ceramacist. With Theo van Doesburg and Piet Mondrian he founded the De Stijl art movement.

Son of a house painter, he started his career learning how to make stained glass in a shop in Utrecht. An example of his later stained glass work is in the Kröller-Müller Museum in Hoge Veluwe, Netherlands.

After having met Mondrian and van Doesburg and having founded the Stijl movement with them, his style became completely abstract, as did Mondrian's. But after disagreements with Mondrian his abstract style became based on representational images. His painting Tryptich is an example, in which he transformed sketches of a mine in Spain into seemingly abstract shapes.

In 1919-1920 he created the interior design for St Hubertus Hunting Lodge, in the Hoge Veluwe estate. The hunting lodge was designed by Hendrik Petrus Berlage. In 1930, he was commissioned by Jo de Leeuw, owner of the prestigious Dutch department store Metz & Co. to design interiors, window packaging, branding and advertising. For these print materials van der Leck developed a rectilinear, geometrically constructed alphabet. In 1941, he designed a typeface based on this alphabet for the avant garde magazine Flax. Architype van der Leck, a digital revival of that face by David Quary and Freda Sack of The Foundry, was released in 1994.

Bart van der Leck claimed to be the father of the avant-garde movement. In his own words he said: "Mondrian came to my place one day with Doesburg, whom I had never seen before. When Doesburg noticed an abstract painting right on the easel, he exlaimed: 'If that is to be the painting of the future, may I be hanged right now!' Well, a few months later, he was painting in precisely that manner. That's the sort of person Doesburg was. No ideas of his own. And a cheat in bargain..." [1]

References

  • Haley, Allen. Type: Hot Designers Make Cool Fonts. Rockport Publishers Inc, Gloucester; 1998. ISBN 1-56496-317-9
  • Hoek, Els, Marleen Blokhuis, Ingrid Goovaerts, Natalie Kamphuys, et al. Theo Van Doesburg: Oeuvre Catalogus. Centraal Museum: 2000. ISBN 90-6868-255-5.
  • Toos van Kooten (ed.). Bart van der Leck. Rijksmuseum Kröller-Müller, Otterlo, 1994 (in Dutch).
  • Ceuphor, Michel. Piet Mondrian. New York, NY: Harry N. Abrams Inc.; 1971.

External links

  1. ^ Ceuphor, Michael (1971). Piet Mondrian. New York, NY: Harry N. Abrams Inc.. pp. 138. 

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