Bartolomeo Schedoni

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Bartolomeo Schedoni

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(b Formigine, nr Modena, 1578; d Parma, 23 Dec 1615). Italian painter and draughtsman. He was the son of Giulio Schedoni, a mask-maker, who served the Este court in Modena and the Farnese in Parma; in 1598 Schedoni and his father are recorded as residing in Parma, both serving the court. In 1595 Ranuccio I, Duke of Parma, sent Bartolomeo to Rome, to train in the studio of Federico Zuccaro. Schedoni fell ill shortly after, however, and returned to Parma. His earliest surviving works show no evidence of Roman influence. The matter of Schedoni's training remains somewhat problematic. Carlo Cesare Malvasia claimed that he was a pupil of Annibale Carracci in Bologna, but there are reasons to doubt this. First, this would have been prior to Annibale's departure for Rome in 1595, a period when Schedoni was still apparently under his father's jurisdiction. Secondly, the early pictures indicate that initially his style was formed primarily by studying the work of Correggio in Parma. To a lesser degree he was influenced by the Parmesan culture of Parmigianino, Girolamo Mazzola Bedoli and Michelangelo Anselmi. As a boy in Parma he was also known to have frequented the studio of the Fleming Giovanni Sons (1547/8-1611). His painting was also enriched by his knowledge of the work of Nicol? dell'Abate in Modena, and Dosso Dossi and Scarsellino in Ferrara. Once these initial influences were assimilated, however, Schedoni's stylistic development was guided primarily by the innovations of the Carracci.

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Bartolomeo Schedoni

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Bartolomeo Schedoni, Charity, Museo di Capodimonte, Naples, 1611

Bartolomeo Schedoni(sometimes Schedone)[1] (1578–1615) was an Italian early Baroque painter from Reggio Emilia.

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Biography

He was born in Modena, but moved to Parma with his father. Soon he was sent to be apprenticed under Federico Zuccari in Rome after 1598, with the sponsorship of Ranuccio I Farnese, Duke of Parma. He soon returned to Parma. The baroque art historian Count Carlo Cesare Malvasia also claims he trained under Annibale Carracci in Bologna. He may have died of suicide after a night of heavy gambling losses. His painting shows knowledge of Caravaggio’s work.

His masterpieces are now in the Galleria Nazionale of Parma, and were the two paintings intended for the altar of the church of the Capuchin convent in Fontevivo, near Parma.

Anthology of works

  • The Entombment
  • Three Maries at the Tomb
  • Rest on the Flight to Egypt
  • Charity

References

  1. ^ Lawrence Gowing (1987). Paintings in the Louvre. Stewart, Tabori and Chang. p. 308. ISBN 1-55670-007-5. 
  • Francis P. Smyth and John P. O'Neill (Editors in Chief) (1986). National Gallery of Art, Washington DC. ed. The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 526–533. 

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