singer; songwriter
Personal Information
Born Ben Harper on October 28, 1969, in Pomona, CA; son of Leonard and Ellen Harper; divorced; children: C. J. and Harris.
Career
Singer-songwriter. Performed on tour with Taj Mahal, 1992; collaborated with Mahal on soundtrack for The Drinking Gourd, a biography of Harriet Tubman; toured United States as both solo and warm-up act with his band The Innocent Criminals, 1994-95; toured United States, Europe, and New Zealand, 1995-97; recording artist for Virgin Records, 1994-01; headlined at HORDE Festival and Montreux Jazz Festival; founded own record label, Inland Emperor Records, 2001- .
Life's Work
Singer-songwriter Ben Harper came into the national spotlight as a retro 1960s- type folksinger, with songs such as "Like a King," which protested the Rodney King beating while referring at the same time to the legacy of Martin Luther King, Jr. He also appeared onstage singing his own adaptation of Maya Angelou's "And Still I Rise" without accompaniment, with his fist raised in the air. It soon became evident that Harper could do more than write earnest protest songs with just an acoustic guitar. In the years since the release of his first album, Harper has been called the heir to Bob Marley as well as Jimi Hendrix. On a recent album, Live From Mars, Harper performed quiet and reverent gospel songs and covered hard-rocking Led Zeppelin's "Whole Lotta Love." Harper's versatility has become a hallmark of his short but powerful career.
Harper was was October 28, 1969, in Pomona, California, and was raised in the Inland Empire region 50 miles east of Los Angeles. It is no wonder that Harper is able to draw from so many sources for his musical inspiration. His grandparents Charles and Dorothy Chase opened a music store in 1958 called the Claremont Folk Music Center. His grandfather played the lute and his grandmother played the guitar. Harper's parents were also musically inclined. His mother, Ellen, sang and played guitar while his father, Leonard, played the drums. Harper grew up in an environment saturated with many different types of music as well as books and different instruments from all over the world. When he was a teenager Harper listened to hip-hop, but his musical compass had already been set--he would play the music that he had grown up with--American roots music.
In his late teens Harper began to drift away from rap music and move toward the roots of today's popular music--the blues. He began to play Robert Johnson and Son House, key figures in the formation of the Delta Blues tradition from the 1920s. It was this reverence for the old traditional forms of music that led him to his trademark sound, which comes from playing bottleneck slide guitar.
Harper told Jas Obrecht of Guitar Player about the influence of the early blues masters on his development as an artist: "I'd play those records at night, and then I'd go to school and hear them in my mind. The music that I was brought up with puts me in a trance, and that's the channel to the spirit of my music. I woodshedded on the bottleneck for years, putting in hours and hours a day to where morning would turn to night. I did that from the time I was 18 to 20. I was really trying to learn Robert Johnson tunes ... Mississippi John Hurt just hit me like a truck, and that was something I had to play and be a part of. Then Taj Mahal called me up."
Harper had been playing acoustic blues sets in and around Los Angeles from the time he was 16 years old. At one of his shows, blues legend Taj Mahal noticed the serious young man playing the lap slide guitar and invited him on tour. In 1992 Harper appeared on the television show Austin City Limits as part of Mahal's band and collaborated with him on the soundtrack for The Drinking Gourd, a biography of Harriet Tubman. But Harper continued to play mostly the small local coffee shops with his vintage Weissenborn guitar, a completely hollow instrument handmade in the 1920s by Herman Weissenborn. Harper's childhood friend and producer J. P. Plunier was able to arrange meetings with Los Angeles record companies on the strength of the buzz surrounding "Like a King," but Harper's protest song scared some record executives away. In an article on the website of the American Society of Composers, Authors, and Publishers, Harper told Randy Grimmett about his meeting with the head of Virgin Records: "We were advised not to play 'Like a King' because it made the other A&R people nervous. So, of course, we get to the meeting and it's the first song I play. It turned out to be the song he liked most."
From that meeting Harper and Plunier received money to make a six-song demo, which turned into Harper's first album, 1994's Welcome to the Cruel World. The acoustic-based album was very different from the music that dominated the airwaves in the last gasp of the grunge era. But it was exactly that community that was most attracted to Harper's music. He and his band, The Innocent Criminals, began a marathon tour playing solo shows and warming up at the concerts of more well-known acts.
Harper told Jeffrey Pepper Rodgers of Acoustic Guitar magazine about one of his typical early shows: "I'll never forget opening up for P. J. Harvey--she invited us to tour with her. I'd sit down with an acoustic Weissenborn in front of 12-year-old girls with black eyeliner packed in the front row, looking up at me going, 'What in the hell is he playing?' But by the third or fourth song, the heads would start to nod, and then it would be on, you know. We never got stoned or anything like that--not yet."
It was during this ceaseless touring that the band worked on material for Harper's next release, 1995's Fight For Your Mind. Harper's song "Look Like Gold" also garnered some radio airtime. The record also yielded a two-year worldwide tour that found Harper travelling the globe to spread his music. Harper and his band toured throughout the United States and also in Europe and places like Turkey and New Zealand. While on the road Harper wrote material for his next album, which was released in 1997 and called The Will To Live. This record proved to be somewhat of a departure for Harper, as it featured a harder, more electric sound, especially on the record's single, "Faded," which featured a grinding electric guitar over Harper's hushed vocals. Harper was now playing with the heavyweights of the music industry such as Pearl Jam, Dave Mathews Band, and the Fugees, as well as blues and soul icons like John Lee Hooker and Ray Charles. He headlined at the HORDE Festival and played at the legendary Montreux Jazz Festival. It was this variety of influences that led to the next album, Burn to Shine, which was released in 1999. On this record Harper fully spread his musical wings, showing his quiet spiritual side in "Two Hands Of A Prayer," and from there going to the light and playful "Steal My Kisses," which attracted significant radio airplay. He went all electric on the album's title track and on "Forgiven," and ventured into the realms of reggae, soul, and even ragtime jazz on "Suzie Blue." Harper told Rodgers of Acoustic Guitar about his musical progression: "I do have to say that playing and expressing myself on electrics of late is renewing my focus and enthusiasm and excitement about acoustics. If I played only acoustic for my entire life, I would get bored. So for my own musical growth, I need to venture out into other worlds of music and sound."
Harper's versatility was showcased on 2001's Live From Mars, a two-disc concert recording. One disc features his acoustic music, including a soulful rendition of Marvin Gaye's "Sexual Healing," and the other disc features his more hard-edged music. Though Live From Mars was met with critical acclaim, Harper's life took a turn from the touring and recording cycle that he had known for the past six years. Harper's name began to appear in the gossip columns as much as it did in the music section of the newspapers. Late in 2001 it was reported that Harper had divorced his wife, Joanna, and bought a house in Los Angeles with actress Laura Dern. In 2002 The New York Post reported that Harper would be dropped from EMI's financially troubled Virgin record label in the midst of recording his next album. Harper also took time to found his own record label--Inland Emperor Records. His first artist, who had also appeared on selected recordings throughout Harper's four studio albums, was Patrick Brayer, the man who had given Harper his first paid gig. Brayer was the man who organized the Starvation Café series of concerts. The local concert promoter paid the stunned 16-year-old Harper half of the gate, which at that time was $75.
Whatever direction Harper's next project takes, he will remain true to his roots. He told Lisa Wilton of the Calgary Sun: "I'll never be a rock star and I'll never care to be. It doesn't interest me. It's not me being a rock star, it's me being perceived as a rock star. There's a difference. I feel no physical, spiritual, psychological or egotistical connection to that term at all. My commitment and discipline is in writing songs and playing them well live."
Works
Selected discography
- Welcome To The Cruel World, Virgin Records, 1994
- Fight For Your Mind, Virgin Records, 1995
- The Will To Live, Virgin Records, 1997
- Burn To Shine, Virgin Records, 1999
- Live From Mars, Virgin Records, 2001
Further Reading
Periodicals
- Calgary Sun, August 22, 2000
- Guitar Player, September, 1997
On-line- About Ben, www.benharper.com/bio/
- Acoustic Guitar, www.acousticguitar.com/issues/ag88/CoverStory.shtml
- American Society of Composers, Authors and Publishers, www.ascap.com/musicbiz/harper.html
- Ben Harper, www.benharper.net
— Michael J. Watkins
