(b Paris, 18 Aug 1849; d Cannes, 10 Jan 1895). French composer. He studied at the Paris Conservatoire. Though most of his works are sentimental salon pieces for piano, his serious music (e.g. the piano studies opp. 42 and 107 and the symphonies, chamber music and violin pieces) shows a more classical orientation.
The music of French composer Benjamin Godard, whose meteoric rise to fame during the late 1870s earned him a general popularity that eluded most of his Parisian contemporaries, has fallen out of the general repertory since his death in 1895. Godard was born in Paris on August 18, 1849, and was trained on the violin as a young boy (he was fortunate enough receive lessons from famed virtuoso Henri Vieuxtemps). After entering the Paris Conservatoire in 1863 (composition with Henri Reber) and making two unsuccessful bids in for the Prix de Rome (1866 and 1867), Godard earned a living as a violist until his music began to attract the attention of publishers during the final years of the 1860s. Godard's reputation as a skilled and prolific composer grew steadily during the 1870s, and when his Le Tasse (dramatic symphony for chorus, soloists, and orchestra) was awarded the Prix de la Ville de Paris in 1878 Godard entered the front rank of Parisian musicians.
Godard gained further attention when his music was made a focus of conductor Jules Étienne Pasdeloup's Concerts Populaires; Godard himself took over direction of the concerts during the mid-1880s, renaming them the Concerts Modernes, but the series never regained the success it had achieved under Pasdeloup. An interest in opera during the 1880s and 1890s led to the production of five dramatic operas, all popular failures (though the "Berceuse" from the 1888 opera Jocelyn is Godard's only well-known work). A comic opera, La vivandière, was left unfinished at the composer's death in 1895; the orchestration of the work was finished by another musician and the work was premiered in Paris later in the year.
Given Godard's instrumental background, it is not surprising that his chamber and symphonic works have the most to offer performers and listeners. The five symphonies (some with fanciful titles, e.g. Symphonie gothique or Symphonie orientale), while perhaps less rewarding than the music for violin (five sonatas for piano and violin, two concertos, of which the Concerto romantique is considered the superior, and an important solo violin sonata), are nevertheless superior to the operas, which fall rather short of their dramatic ambitions due to a lack of potent musical substance. Godard seems to have had little innate sympathy for the piano, and, although works for this instrument actually constitute a substantial portion of his total output, his piano music is generally rather trite. Perhaps Godard's widespread fame as a salon composer compelled him to compose such trifles, but he was not a miniaturist at heart, and his efforts in this vein are generally unsuccessful.
From 1887 on Godard was a member of the faculty at the Paris Conservatoire, and in 1889 he was named a Chevalier of the Légion d'honneur. ~ Blair Johnston, All Music Guide
Born in Paris, Benjamin Godard was a student of Henri Vieuxtemps. He entered the Conservatoire de Paris in 1863 where he studied under Vieuxtemps (violin) and Henri Reber (harmony) and accompanied Vieuxtemps twice to Germany. He composed music with great facility.
In 1876, his Concerto romantique was performed at the Concerts Populaires, and other of his large works were also performed at these concerts. In 1878, Godard was the co-winner of the Prix de la Ville de Paris. His winning composition, a dramatic symphony entitled Le Tasso, remains among his most admired works.
From that time until his death Godard wrote a surprisingly large number of compositions. These include eight operas, among them: Jocelyn - the "Berceuse" from which remains Godard's most well-known composition - was given in Paris in 1888; Dante, played at the Opéra-Comique two years later; and La Vivandière, left unfinished and completed by another hand. This last work was heard at the Opéra-Comique in 1895, and has been played in England by the Carl Rosa Opera Company. He became a professor at the Conservatoire de Paris in 1887, and was made a Chevalier (Knight) of the Légion d'honneur in 1889.
Godard's long list of works in other forms included three symphonies: Symphonie gothique (1883), Symphonie orientale (1884, and Symphonie légendaire (1886); Concerto romantique for violin and orchestra (1876), two piano concertos, three string quartets, four sonatas pour violin and piano, a sonata for cello and piano, two piano trios, and various other orchestral works.
Among his piano pieces may be mentioned the 2nd Mazurka, the 2nd Valse, Au Matin, Postillon, En Courant, En Train, and Les Hirondelles.Florian's Song is also very popular in many arrangements. He wrote four sonatas for violin and piano. One of these contains a scherzo written in the unusual time signature of 5/8. He wrote more than one hundred exquisite songs.
According to the Encyclopædia Britannica Eleventh Edition, "Godard's compositions are unequal, if only because his productivity was enormous. He was at his best in works of smaller dimensions. Among his more ambitious works, the Symphonie légendaire may be singled out as being one of the most distinctive." His music has also been noted for its charm.
Les Guelfes, grand opéra (5 acts, L. Gallet), ms. 1880-82, f.p. 17 January 1902, Théâtre des Arts, Rouen.
Pedro de Zalamea opéra (4 acts, L. Détroyat & A. Silvestre, after P. Caldéron de la Barca), f.p. 31 January 1884, Théâtre Royal, Antwerp.
Jocelyn, op. 109, opéra (4 acts, Capoul & Silvestre, after A. de Lamartine), f.p. 25 February 1888, Théâtre de la Monnaie, Brussels.
Dante, op.111, drame lyrique (4 acts, E. Blau) f.p. 13 May 1890, Opéra Comique (Favart), Paris.
Jeanne d'Arc, op. 125, drame historique (5 acts, J. Fabre) f.p. 13 January 1891, Théâtre de la Châtelet, Paris.
Ruy Blas, 1891, unperformed.
La vivandière, opéra comique (3 acts, H. Cain) incomplete score performed: 21 March 1893, Théâtre de la Monnaie, Brussels; with orchestration completed by P.A. Vidal: 1 April 1895, Salle Favart, Paris.
Sadie, Stanley (Ed.) (1994) [1992]. The New Grove Dictionary of Opera. vol. 2, E-Lom, chpt: "Godard, Benjamin (Louis Paul)" by John Trevitt & Robert Orledge. New York: MacMillan. ISBN0-935859-92-6.
G. Schirmer has published two volumes of piano works by Godard (New York, 1895).
Discography
There are at least 90 recordings available of Godard's music, including the following CD selected in 2008 by the classical music magazine Gramophone as an "Editor's Choice":
Benjamin Godard: Concerto for violin No. 2 in G minor, Concerto for violin "Romantique" and Scènes poétiques performed by Chloë Hanslip (violin) with the Kosice Slovak State Philharmonic Orchestra conducted by Kirk Trevor (Naxos 8.570554)