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bhakti

  (bŭk') pronunciation
n. Hinduism.

The devotional way of achieving salvation, emphasizing the loving faith of a devotee for a deity and open to all persons irrespective of sex or caste.

[Sanskrit bhaktiḥ, devotion, from bhajati, he apportions.]


 
 

Southern Asian devotional movement, particularly in Hinduism, emphasizing the love of a devotee for his or her personal god. In contrast to Advaita, bhakti assumes a dualistic relationship between devotee and deity. Though Vishnu, Shiva, and Shakti (see shakti) all have cults, bhakti characteristically developed around Vishnu's incarnations as Rama and Krishna. Practices include reciting the god's name, singing hymns, wearing his emblem, and making pilgrimages. The fervour of South Indian hymnists in the 7th – 10th centuries spread bhakti and inspired much poetry and art. Poets such as Mirabai conceived of the relationship between the worshiper and the god in familiar human terms (e.g., the lover and beloved), while more abstract poets such as Kabir and his disciple Nanak, the first Sikh Guru and founder of Sikhism, portrayed the divinity as singular and ineffable.

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(Sanskrit, worship) The devotion due to God, the blessed one (Bhagavat).

 

The Sanskrit word for something approximating “devotion” or “reverence,” bhakti is expressed traditionally through Hindu ritual sacrifices, ascetic practices, and hymns and prayers. Different kinds of bhakti apply to the worship of particular deities. Thus followers of Śiva (see Śaivas) have one kind of bhakti and devotees of Devī as śakti (see śakti, Śāktas), or creative goddess power, have another. Worshippers following a bhaktimarga, a bhakti path, generally believe in only one personal god, the īśvara or IṣṠadevatā. The goal of the bhakta is union of some sort with the deity in question.

 
(bŭk') [Skt.,=devotion], theistic devotion in Hinduism. Bhakti cults seem to have existed from the earliest times, but they gained strength in the first millennium A.D. The first full statement of liberation and spiritual fulfillment through devotion to a personal god is found in the Bhagavad-Gita. The Puranas (from the 1st cent. A.D.) further elaborated theistic ideas. Devotion to Shiva and Vishnu and to the latter's avatara (incarnations), Rama and Krishna, continues to be practiced throughout India. Intense love for God and surrender to Him, reliance on His grace rather than on rituals, learning, or austerities, and the continuous repetition of His name are the means to the goal of His constant presence. The devotee may worship the chosen deity as child, parent, friend, master, or beloved. The bhakti tradition has tended to stress authentic inner feelings as opposed to institutional forms of religion and to disregard caste distinctions. Great devotees and saints such as the Alvars of S India (a Vaishnavite group of wandering singers), Mirabai, Tukaram, Tulsidasa, Kabir, and Chaitanya have continuously inspired the cults, founded their own sects, and produced a great literature of songs and poems in their vernaculars.


 
Wikipedia: Bhakti

Bhakti (Devanāgarī: भक्ति) is a word of Sanskrit origin meaning devotion. Within Hinduism the word is used exclusively to denote devotion to a particular deity or form of God. Within Vaishnavism bhakti is only used in conjunction with Vishnu or one of his associated incarnations, it is likewise used towards Shiva by some traditions of Shaivism.

Bhakti as a process of yoga (Bhakti yoga) is described in detail famously within the Bhagavad Gita, wherein it is given as the ultimate form of religious expression[1], for which all other dharmas should be abandoned[2] and also in other texts such as the Narada Bhakti Sutra.

History

There is no exact information as to the early origins of Bhakti, however it is believed that it was present to at least some extent in Vedic times. It appears to have started in Tamil Nadu and spread slowly northwards, eventually becoming an accepted doctrine within a number of paths within Hinduism. The Alvars are known to have been particularly influential throughout this time. Between 1200-1700 A.D., the Bhakti Movements in India increased in popularity and numbers, growing into the various branches known today.

The ultimate goal

The forces that cause creation sustain and maintain that which has become created and eventually cause the destruction of that which was created – named Brahman, by the Upanishads – permeates everything in the Creation. Brahman is the self creating force that is in all that has a name and form as well as that which remains formless and nameless.

The Bhagavata Purana describes three different levels of Brahman realisation. The first is an impersonal state of blissful consciousness, similar to nirvana where one is aware of the great universal Brahman effulgence permeating everything; the second is classified as Paramatma realisation, wherein one is actually able to see the Form of Godhead alongside one's own soul (atma); the third and ultimate realisation is described as Bhagavan[3], in this state one has a direct loving relationship with The Supreme Personality of Godhead himself, in one or more of His transcendental forms.

The main difference between bhakti philosophy and all others is that the goal is also the means of attaining the goal. In other words, bhakti, devotional service to the Supreme, is attained by engaging in devotional service to the Supreme. The difference between the starting and concluding stages is that in the beginning the activity of bhakti is a forced engagement, whereas in the conclusion it is a spontaneous, loving reciprocation. [4]

Archana: Deity worship

Deities of Rukmini and Krishna, as worshipped at a Vaishnava temple in Los Angeles
Enlarge
Deities of Rukmini and Krishna, as worshipped at a Vaishnava temple in Los Angeles

The Smarta tradition of Hinduism recommends that each person may choose a deity of worship (ishta-devata) to which they are most attracted. If the grossest manifestation is the only thing that suits one’s taste, or mood, or psychological make-up or intellect, one is free to worship God in that form, as long as the form itself is bonafide and from scripture (not imaginary). It is in this spirit that Sahasranama stotras (1000 names of God) and ashtottara-stotras (poems of praise through 108 names) are found in abundance in Hindu religious literature for almost every deity. It is this train of thought in the Smarta Hindu mind that lives with different puranas though they extoll different deities.

In contrast, the Vaishnava tradition teaches that only Vishnu is to be worshipped. Meanwhile, the Saivite tradition teaches that only Shiva is to be worshipped.

Six traditional favourites

There are six popular traditions which embrace bhakti as a process of worship to a particular deity:

  • Vishnu, belonging to the classic Trinity and His concrete manifestations in the forms of Rama, Krishna and other avatars.
  • Maheshvara or Shiva, the third God of the classic Trinity.
  • Devi, the Mother Goddess, in her three forms of Durga or Parvati, Lakshmi and Saraswati.
  • Ganesha, the elephant-faced deity who is said to remove obstacles on the path of devotion.
  • Suryadev, the Sun-God.
  • Subrahmanya, the six-faced deity known also as Murugan or Kumaran to the Tamil world.

All-encompassing eclecticism

In addition, the choice of ishta-devata became, over the centuries, a choice of one among the thousands of temples scattered throughout the country and the deity chosen may very well be the particular deity enshrined in a specific temple, though certainly belonging to one of the six major streams listed above.

It is this variety and possibility of ‘to each according to his needs and capabilities’ that brings together under one banner of Hinduism people with varying practices, attitudes and states of evolution. Accordingly carving of images of deity forms both for worship at home and in the temples became one of the most highly developed art and profession in India. The religious life of India was thus nourished through the ages on a visual statement, unmatched perhaps, in the history of civilization.

Classifications of Bhakti

The scripture known as the Narad Bhakti Sutra, believed to be spoken by the sage Narada distinguishes eleven forms of bhakti based on the different relationship to God that the devotee can assume.

The devotee Prahlada, as explained in Srimad Bhagavatam, enunciates Nine Expressions of Bhakti. See also Bhakti yoga.

According to Adi Shankara, bhakti is the seeking after one's real nature[5]. Adi Shankara, in verse 61 of his Sivanandalahari lists five analogies of Bhakti. See Five Graded Analogies of Bhakti.

Theory of divine grace

In any theory of grace it is the surrender to God’s will and humility that matters. The practitioner has to surrender by their own free will with the understanding that living people have the free will to obey or disobey God. The fatalist view of reality is only a fragmentary part of Hinduism. A person's fate is reflected mainly in the tendencies that he has created for himself through committed actions. He has total free will to surrender to God or not. But if he surrenders to Him heart and soul, He promises that He will take care of his pure devotee. This is famously illustrated in one of Krishna's final statements to Arjuna in the Bhagavad Gita:

  • "Abandon all varieties of religion and just surrender unto Me. I shall deliver you from all sinful reactions. Do not fear". (Bhagavad Gita 18.66)

See also

Footnotes

  1. ^ Bhagavad-Gita 18.55
  2. ^ Bhagavad-Gita 18.66
  3. ^ Bhag-P 1.2.11 "Learned transcendentalists who know the Absolute Truth call this nondual substance Brahman, Paramatma or Bhagavan."
  4. ^ Complete review of Vedic literature
  5. ^ Verse 31, Viveka_Chudamani

References

  • Swami Nikhilananda, Hinduism, George Allen and Unwin, London, 1958
  • D.S. Sarma, Hinduism through the ages, Bharatiya Vidya Bhavan, 1973
  • Swami Chinmayananda, Love Divine – Narada Bhakti Sutra, Chinmaya Publications Trust, Madras, 1970
  • Swami Tapasyananda, Bhakti Schools of Vedanta, Sri Ramakrishna Math, Madras, 1990
  • A.C. Bhaktivedanta Swami Prabhupada, Srimad Bhagavatam (12 Cantos), The Bhaktivedanta Book Trust,2004

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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
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