Representative Albums: "Bill Coleman in Paris 1936-1938," "Plus Four," "Bill Coleman 1936-1938"
Representative Songs: "Bill Street Blues," "I'm in the Mood for Love," "Bill Coleman Blues"
Biography
A mellow-toned swing trumpeter with a distinctive sound and a lyrical style, Bill Coleman was a consistent if never particularly famous musician. In 1927, he went to New York with Cecil and Lloyd Scott's band, with whom he made his recording debut. He worked with Luis Russell (1929-1932) and Charlie Johnson, and then in 1933 traveled to France with Lucky Millinder. Coleman recorded with Fats Waller (1934) and played with Teddy Hill's Orchestra (1934-1935), but then moved to France for the first time in 1935. While overseas, he recorded frequently as a leader (really coming into his own), with Willie Lewis' Orchestra, and on dates with Django Reinhardt. He ventured as far as Bombay, and spent 1938-1940 in Egypt with Herman Chittison. Returning to New York, Coleman played with Benny Carter, Teddy Wilson, Andy Kirk, Mary Lou Williams, and John Kirby during 1940-1945, and recorded with Lester Young and Coleman Hawkins (both in 1943). However, he preferred life in Europe and, after a period with groups led by Sy Oliver and Billy Kyle, in 1948, Coleman moved permanently back to France, staying active and recording fairly regularly up until his death in 1981. ~ Scott Yanow, All Music Guide
He had his musical debut in 1927. Coleman's first recordings were with the Luis Russell orchestra, but all solos on record went to the rising star Henry "Red" Allen. This led to Bill Coleman's departure from the band. By 1935 he worked with Fats Waller.[1] In 1935 he also moved for the first time to France. This led to his working with European musicians like Django Reinhardt in the mid-1930s. He later spent time in Egypt working with Herman Chittison. In 1941-42 he was with Andy Kirk's Clouds of Joy.[2] In 1943 he worked with the American saxophonists Lester Young and Coleman Hawkins.
