A reliable hard bop-oriented trumpeter, Bill Hardman never became famous, but he helped out on many sessions. While a teenager, Hardman gigged with Tadd Dameron, and after graduating high school he was with Tiny Bradshaw (1953-1955). He debuted on record with Jackie McLean (1955), played with Charles Mingus (1956), and gained recognition for his work with Art Blakey's Jazz Messengers (1956-1958). Hardman worked with Horace Silver (1958), Lou Donaldson (on and off during 1959-1966), re-joined Blakey twice (1966-1969 and in the late '70s), was with Mingus again during parts of 1969-1972, and led a group with Junior Cook (1979-1981). Bill Hardman had an appealing style in the Clifford Brown tradition and recorded as a leader for Savoy (1961) and Muse. ~ Scott Yanow, All Music Guide
William Franklin Hardman, Jr. (born April 6, 1933 in Cleveland, Ohio; died December 5, in 1990 Paris, France) was an Americanjazztrumpeter and flugelhornist who chiefly played hard bop.
While in high school he appeared with Tadd Dameron, and after graduating he joined Tiny Bradshaw's band. While not well-known, he appeared and recorded with some of the foremost jazz musicians. His first recording was with Jackie McLean in 1955. He later played with Charles Mingus, Art Blakey and the Jazz Messengers, Horace Silver, and Lou Donaldson, and led a group with Junior Cook. He also recorded as a leader. A most underrated musician — boasting three separate tours of duty in as many decades with Art Blakey's Jazz Messengers — Hardman's bad luck was to not be with the Messengers at the time of their popular Blue Note recordings. Originally a crackling hard bop player with blazing technique, crisp articulations, and a no-frills sound, Hardman soon began to play with some of the fuller, more extroverted romantic passion of a Clifford Brown, a direction he would take increasingly throughout the 1960s and 1970s. When put to the test, few could match and none exceed his pyrotechnical or imaginative gifts (Blakey would occasionally feature him playing several extended choruses unaccompanied). In the New York City jazz scene of the 1970s it was not uncommon to attend all-star trumpet sessions on which the unassuming, self-effacing Hardman would go head to head with heralded trumpet stars and emerge the clear and decisive winner.
Discography
As leader
1956 - Jackie's Pal (OJC) with Jackie McLean, Mal Waldron, Paul Chambers, Philly Joe Jones