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Bill Watterson

Bill Watterson is the author of Calvin and Hobbes, an immensely popular comic strip about a hyperactive, imaginative 6 year-old and his relationship with his plush tiger Hobbes, who comes to life when no one is looking. Watterson, who studied political science in college, began his career with a brief, unsuccessful stint drawing political cartoons for the Cincinnati Post. In the year following its debut on November 18, 1985, Calvin and Hobbes was picked up by over 400 newspapers. It received both popular and critical acclaim, with Watterson winning the National Cartoonist Society's Reuben Award in both 1986 and 1988.

Watterson saw his work as an art form, and he battled to be allowed to structure his Sunday cartoons in ways that differed with the norms of the time; as a result, in many of his cartoons, the panels overlap or contain internal panels and action takes place on the diagonal. Similarly, Watterson never agreed to allow the sale of merchandise based on his Calvin and Hobbes characters, for fear that it would compromise his artistic integrity. Like Gary Larson of The Far Side, Watterson ended his comic strip at the height of its popularity. He retired in 1996 at age 38 and, tired of daily deadlines and working in small panels, took up painting. Watterson has published several anthologies of Calvin and Hobbes, and the comic strip continues to be reprinted in newspapers.

Last updated: July 01, 2007.

 
 
Who2 Biography: Bill Watterson, Cartoonist

  • Born: 5 July 1958
  • Birthplace: Washington, D.C.
  • Best Known As: Creator of the comic strip Calvin and Hobbes

Artist Bill Watterson became famous in the 1980s for his newspaper comic strip Calvin and Hobbes. A 1980 graduate of Ohio's Kenyon College, Watterson began his career in Cincinatti with a brief stint as a political cartoonist. After a few years of trying to find his niche, he started Calvin and Hobbes, a daily strip about a mischief-seeking 6 year-old boy, Calvin, and his stuffed tiger, Hobbes. First published 18 November 1985, the strip quickly became a hit and was eventually featured in more than 2,400 newspapers across the United States. In the early 1990s Watterson began taking extended vacations from the strip, and in December 1995 announced he was quitting, saying, "I've done what I can do within the constraints of daily deadlines and small panels." The last strip ran 31 December 1995, although unlicensed images of the characters, especially Calvin, are still a common sight. Although famously wary of the public eye, Watterson has occasionally spoken out against the "cheapening" of the comics industry and its treatment of artists. One of the most successful newspaper cartoonists of the 20th century, Watterson won the Reuben Award for Outstanding Cartoonist of the Year in 1986 and 1988.

In 2005 many newspapers began running old Calvin and Hobbes strips in preparation for the publication of The Complete Calvin and Hobbes, featuring all 3,160 published strips.

 
Wikipedia: Bill Watterson
Bill Watterson
Birth name William B. Watterson II
Born July 5 1958 (1958--) (age 49)
Washington, D.C.
Nationality
Flag_of_the_United_States.svg
American
Area(s) artist, writer
Notable works Calvin and Hobbes
Awards full list

William B. "Bill" Watterson II (born July 5, 1958) is an American cartoonist, and the author of the comic strip Calvin and Hobbes and select Target: The Political Cartoon Quarterly Magazine drawings.

Biography

Watterson was born in Washington, D.C., where his father, James G. Watterson worked as a patent examiner while going to law school, before becoming a patent attorney in 1960. The family moved to Chagrin Falls, Ohio, where his mother Kathryn became a city council member, when Bill was six years old. He has a younger brother, Tom, who is an English teacher at McCallum High School in Austin, Texas[1]

Early career

In 1980, Watterson graduated from Kenyon College, with a BA in Political Science. Immediately the Cincinnati Post offered him a job drawing political cartoons for a six-month trial period:

The agreement was that they could fire me or I could quit with no questions asked if things didn't work out during the first few months. Sure enough, things didn't work out, and they fired me, no questions asked.

My guess is that the editor wanted his own Jeff MacNelly (a Pulitzer winner at 24), and I didn't live up to his expectations. My Cincinnati days were pretty kafkaesque. I had lived there all of two weeks, and the editor insisted that most of my work be about local, as opposed to national, issues. Cincinnati has a weird, three-party, city manager-government, and by the time I figured it out, I was standing in the unemployment lines. I didn't hit the ground running. Cincinnati at that time was also beginning to realize it had major cartooning talent in Jim Borgman, at the city's other paper, and I didn't benefit from the comparison.

– Watterson explaining his short career with Cincinnati Post [2]

Bill Watterson designed grocery advertisements for four years prior to working on Calvin and Hobbes.[3]

Rise to success

Calvin and Hobbes was first published on November 18, 1985. Bill Watterson wrote in his Calvin and Hobbes Tenth Anniversary Book that his influences include Charles Schulz, for his work in Peanuts; Walt Kelly for his comic Pogo; and George Herriman for Krazy Kat. (Watterson also wrote the introduction to the first volume of The Komplete Kolor Krazy Kat.) Watterson's style also reflects the influence of Little Nemo in Slumberland, a popular early 20th century comic strip by Winsor McCay.[4][5]

Watterson spent much of his career trying to change the climate of newspaper comics. He believed that the artistic value of comics was being undermined, and that the space they occupied in newspapers continually decreased, subject to arbitrary whims of short-sighted publishers. Furthermore, he opined that art should not be judged by the medium for which it is created (i.e., that there is no "high" art or "low" art, just art).[6]

Watterson opposed the structure publishers imposed on Sunday newspaper cartoons: the standard cartoon starts with a large, wide rectangle featuring the cartoon's logo, and the rest of the strip is presented in a series of rectangles of different widths. In his opinion this format limited the cartoonist's options of allowable presentation. Watterson managed to gain an exception to these constraints for Calvin and Hobbes, allowing him to draw his Sunday cartoons the way he wanted. In many of his strips, the panels overlap or contain their own panels; in some the action progresses diagonally across the strip.

Watterson also battled against pressure from publishers to merchandise his work, something that he felt would cheapen his comic.[7] He refused to merchandise his creations on the grounds that pasting Calvin and Hobbes images on commercially-sold coffee mugs, stickers and t-shirts would devalue the characters and their personalities. He also refused to allow the strip to appear as an animated series.

Watterson was awarded the National Cartoonists Society Humor Comic Strip Award in 1988, and awarded the society's Reuben Award in 1986[8] (he was the youngest person ever to receive the award). In 1988, Watterson received the Reuben award again, and he was nominated again in 1992. Following his 1992 nomination, the National Cartoonists Society declared that no artist could win the award more than once.

Watterson wrote a brief, tongue-in-cheek autobiography in the late 1980s.[9]

Retirement

Dear Reader:

I will be stopping Calvin and Hobbes at the end of the year. This was not a recent or an easy decision, and I leave with some sadness. My interests have shifted however, and I believe I've done what I can do within the constraints of daily deadlines and small panels. I am eager to work at a more thoughtful pace, with fewer artistic compromises. I have not yet decided on future projects, but my relationship with Universal Press Syndicate will continue.

That so many newspapers would carry Calvin and Hobbes is an honor I'll long be proud of, and I've greatly appreciated your support and indulgence over the last decade. Drawing this comic strip has been a privilege and a pleasure, and I thank you for giving me the opportunity.

Sincerely,
Bill Watterson

– Watterson's letter to newspaper editors announcing his retirement, November 9, 1995

The last strip of Calvin and Hobbes was published on December 31, 1995. Since retiring, Bill Watterson has taken up painting, often drawing landscapes of the woods with his father. He has also published several anthologies of Calvin and Hobbes strips.

Since ending the strip, Watterson has kept away from the public eye and has given no indication of resuming the strip, creating new works based on the characters, or embarking on other projects. He refuses to sign autographs or license his characters, staying true to his stated principles. In previous years, he was known to sneak autographed copies of his books onto the shelves of the Fireside Bookshop, a family-owned bookstore in his home of Chagrin Falls, Ohio. However, after discovering that some people were selling the autographed books online for high prices, he ended this practice as well.

In 2005, Watterson and his wife, Melissa, moved from Chagrin Falls to the City of Cleveland.[10][11] On December 21, 1999, a short piece called "Drawn Into a Dark But Gentle World," written by Watterson to mark the forthcoming end of the comic strip Peanuts, was published in the Los Angeles Times[12]. In October of 2005, Watterson answered fifteen questions submitted by readers.[13] His most recent foray into public was on October 17, 2007, with a review of Schulz and Peanuts, a biography of Charles Schulz, in the Wall Street Journal.[1]

Trivia

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  • Is an avid cyclist and has incorporated much of this theme into Calvin and Hobbes.
  • Was vocally critical of Jim Davis and his decision to license his strip Garfield to so many different things, saying that it "cheapened" the originality of the strip. He particularly hated U.S. Acres, citing it as "an abomination" and "an insult to the intelligence."[2]
  • The theme of Calvin's father making Calvin suffer in order to "build character" came from his own father.
  • Had thirty-six of his Sunday cartoon strips exhibited at Ohio State University Cartoon Research Library from September 10 2001 to January 16 2002.
  • Watterson's cat, "Sprite" very much inspired the personality and physical features of Hobbes.

Awards

References

  1. ^ Steven Powell (2007). McCallum Staff Directory. Retrieved on 2007-05-03.
  2. ^ a b Andrew Christie (1987). Bill Watterson, the creator of Calvin and Hobbes on cartooning, syndicates, Garfield, Charles Schulz, and editors. Honk Magazine, Issue 2. Retrieved on 2006-03-17.
  3. ^ Bill Watterson (2005). "Introduction", The Complete Calvin and Hobbes. Andrew McMeel, 491 (Book 1). ISBN 0-7407-4847-5. 
  4. ^ Winsor McCay: Little Nemo; Dreams of the Rarebit Fiend. Bob's Comics Reviews (November 1996).
  5. ^ Winsor McCay, Richard Marschall (1987). "An Incredible Ride To the End: An appreciation by Bill Watterson", The Best of Little Nemo in Slumberland. Stewart, Tabori, & Chang, 195. ISBN 1-55670-647-2. Retrieved on 2006-03-17. 
  6. ^ Bill Watterson (1995). The Calvin and Hobbes Tenth Anniversary Book. Andrews McMeel, 208. ISBN 0-8362-0438-7. 
  7. ^ Bill Watterson (October 27, 1989). The Cheapening of the Comics. Festival of Cartoon Art, Ohio State University. Retrieved on 2006-03-17.
  8. ^ a b The Reuben Award, 1975 to present day. National Cartoonist Society. Retrieved on 2006-03-17.
  9. ^ Bill Watterson. The Brief Tongue-in-Cheek Autobiography of Bill Watterson. Retrieved on 2006-03-17.
  10. ^ Neely Tucker, "The Tiger Strikes Again," The Washington Post 4 Oct. 2005.
  11. ^ Joe Milicia, "Calvin and Hobbes Creator Keeps Privacy," Associated Press 22 Oct. 2005.
  12. ^ Bill Watterson. "Drawn Into a Dark But Gentle World", Los Angeles Times, December 21, 1999. Retrieved on 2006-03-17. 
  13. ^ Fans From Around the World Interview Bill Watterson. Andrews McMeel (October 4, 2005). Retrieved on 2006-03-17.

External links

Wikiquote has a collection of quotations related to:
Calvin and Hobbes by Bill Watterson
Characters Calvin · Hobbes · Secondary characters · Calvin's alter egos
Terms and objects Horrendous Space Kablooie · Transmogrifier
Other Calvin and Hobbes in translation · List of Calvin and Hobbes books

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From Today's Highlights
April 27, 2005

Amazingly, much of the best cartoon work was done early on in the medium's history. The early cartoonists, with no path before them, produced work of such sophistication, wit, and beauty that it increasingly seems to me that cartoon evolution is working backward.
- Bill Watterson

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