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billboard

 
Dictionary: bill·board1   (bĭl'bôrd', -bōrd') pronunciation
 
n.
  1. A panel for the display of advertisements in public places, such as alongside highways or on the sides of buildings.
  2. The advertisement or message posted on such a panel.
  3. An introductory list of highlights from the program or text that follows, as in a broadcast or magazine.
tr.v., -board·ed, -board·ing, -boards.

To advertise or proclaim on or as if on a billboard: billboarded as the workers' candidate.

[BILL1 + BOARD.]


bill·board2 (bĭl'bôrd', -bōrd') pronunciation
n. Nautical.

A ledge on the bow of a ship on which the bill of an anchor rests when the anchor is secured to the cathead.

[BILL2 + BOARD.]


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How Products are Made: How is a billboard made?
 

Background

Billboard is the common term used to describe a type of outdoor advertising found along major highways. This name is most frequently given to large steel-framed signs, which are mounted on poles 20-100 ft (6.1-30.5 m) above the ground. Most often, the sign is printed on large poster sheets, which are affixed to the face of the sign. These signs may also be equipped with a variety of special lighting and display effects. This type of sign is one component of a unique advertising medium that communicates to audiences on the go. Such promotions are also referred to as "out of home" advertising because the intended audience is usually in transit, and is always away from their homes. As recently as 25 years ago, 90% of outdoor advertising consisted of billboards. Today, the industry has expanded to include smaller signs on bus shelters, kiosks, and malls. There are over 500 companies nationwide that specialize in this type of advertising (although not all of them construct large road-side billboards.) The Federal Highway Administration estimates that in 1996 there were over 400,000 billboards on federally controlled roads, which generated revenues in excess of $1.96 billion. According to Competitive Media Reporting the top 10 billboard revenue categories for 1996 included: entertainment and amusements; tobacco; retail; business and consumer services; automotive; travel, hotels and resorts; publishing and media; beer and wine; insurance and real estate; and drugs and remedies.

History

Born out of necessity, billboards were probably first used to convey a message to the majority of individuals who were illiterate. The oldest known billboard ad was posted in the Egyptian city of Thebes over 3,000 years ago and offered a reward for a runaway slave. Prior to the late 1700s, the predecessor to the modern day billboard—billposting—was prevalent throughout Europe, but only as an informal source of information. It wasn't until the invention of lithography in the late eighteenth century that billboards as a medium expanded into an art form. The first art poster was created in 1871 by Englishman Frederick Walker, who was commissioned to create the playbill for the play "Lady in White" in London. By the early 1900s, schools for poster art were being formed and artists like Talouse Lautrec were making names for themselves.

The first large scale use of the billboard as an advertising tool was as circus posters printed or secured on horse-drawn trucks that would precede a show to town in order to increase interest and attendance. At this time, billboards were not standardized or controlled by any laws. During 1872-1912, organizations in the United States met to create billboard standards. Originally, the standard set was 24-sheet poster panels with a total size of 19.5 x 8.7 ft (6 x 2.6 m). Today, that size remains the same, while technology has reduced 24 sheets to 10.

It was also during the early 1900s that electric billboards were used to light up cities. Prior to the electric billboard, cities were dark, foreboding places. The electric bill-board brought the cities to life at night, creating a more hospitable atmosphere that induced people to stay on the streets. Hence, the birth of nightlife.

By the late 1920s, more people were purchasing automobiles and traveling beyond the city. Billboard advertising expanded as well, and for the first time, billboard advertising had to consider a wider range of demographic audiences. Billboard art and design changed with the times, reflecting new technologies and the mood of a generation. With the use of photography and comics, billboards portrayed a world without problems during the depression of the 1930s. The 1950s gave rise to the hand-painted billboard and use of sexual innuendo in campaigns. Billboards were extensively used in China to promote Red Army politics. It was also during this time that billboard companies utilized the boom truck with a crane to move billboards and place them in more prominent positions. During the 1960s, celebrity endorsements became essential and the advent of the superstar was born. Focus shifted from the family to the singles lifestyle and the medium itself was emulated in the Pop Art movement. As interest in environmentalism increased during the late 1960s and early 1970s, billboard ads borrowed images from nature. It was at this time that the Marlboro man on horseback was born. In the 1970s and 1980s, campaigns used sexually explicit rather than implied themes. Objects were omnipotent and were created larger than life with little or no accompanying text.

Design

Billboard design depends on such factors as location of the sign, the advertising budget, and the type of product being promoted. The industry uses market research firms to aid in the design process. These firms supply detailed information on the number of people in vehicles in different metropolitan regions, even projecting traffic patterns 10-15 years into the future. They can estimate the frequency and number of exposures the advertising will have upon its target audience. Using data generated by Global Positioning Systems (GPS), billboard location data can be merged with other geographic and demographic business information to create customized marketing solutions for outdoor advertisers. Computerized data analysis is available that incorporates census data, traffic origins, travel patterns, trading zones, competitor locations, and other key facts to help optimize the use and location of billboards.

The location of the billboard also helps determine the type of sign selected by the advertiser. The term billboard is actually a generic classification, referring to several types of signs. The most common forms are known as bulletins and poster panels. Bulletins, the largest sign style, may be as large as 20 x 60 ft (6.1 x 18.3 m) and are found in high-density traffic locations. They use computer or hand-painted messages as advertising artwork and are usually purchased for multi-month contract periods. Poster panels are somewhat smaller and are designated by the number of sheets employed on the sign. Thirty-sheet poster panels are approximately 12 x 25 ft (3.6 x 7.6 m) and are found on primary and secondary traffic ways. They are lithograph- or silkscreen-printed and are usually displayed for 30 days. Eight sheets are somewhat smaller (6 x 12 ft [1.8 x 3.6 m]) and are designed more for pedestrian and some vehicular traffic. They are placed in high-density urban neighborhoods and suburban shopping malls. The larger bulletin style is the most challenging type to construct.

Components

Large billboards have three main components: steel used to construct and support the frame, artwork that conveys the advertising message, and electrical equipment for lighting and other special effects.

Steel structure

Modern billboards, also known as monopoles, are supported by steel poles ranging from 36-72 in (91.4-183 cm) in diameter and up to 100 ft (30.5 m) tall. At the top of the mounting pole is a frame constructed from steel I-beams. This frame supports the artwork and lighting equipment. Standard sizes for a large steel frame assembly are 20 x 60 ft (6.1 x 18.3 m), 20 x 48 ft (6.1 x 14.6 m), or 10 x 36 ft (3 x 11 m). When a company is interested in constructing one of these signs, they contact a steel erection firm with expertise in billboard construction. Typically, a customer will seek bids from three or four competitive vendors. These bids estimate the cost of designing the sign as well as the materials, transportation, and labor used to construct it. Some smaller billboards may be available from the steel company as stock items that are pre-made and stored in their warehouse awaiting a customer's order. Larger signs, or signs that have special design requirements like the ability to withstand severe weather or moving parts, must be custom ordered. After the design is finalized, the erection company orders the appropriate steel. Some common sizes and grades of steel are kept in stock and are quickly accessible. Unusual steel components, such as those designed for use in high wind conditions, must be specially ordered from the steel fabricators.

Artwork

The steel frame is covered with a backing material, known as a facing. The artwork is affixed to the facing. The art is either preprinted on paper or vinyl sheets that are pasted onto the facing, or in some cases, the art is painted directly onto a plywood or canvas facing.

Electrical systems

Most billboards are electrically lit and therefore require appropriate lighting and power systems along with a significant number of high wattage bulbs. Activation of these lighting systems is no simple matter. While many billboards are located in major metropolitan areas, others can be found in remote areas along interstates. In both cases, it is very impractical to have to travel to each sign every night to turn on the lights. Therefore, automatic switches have been developed to turn on the lights at specified times. Other systems use photosensitive cells to turn on the lights when dusk sets. Still other more advanced systems turn lights on and off electronically with a signal from a satellite system.

The Manufacturing
Process

Billboard manufacture requires three separate types of contractors. First, a steel erection firm is hired to install support pole and frame. Next, a company specializing in graphics creates and mounts the artwork, and finally electricians install the power and lighting.

Pre-assembly of structural
components

  • The steel erection company orders all the support components required for the job. Upon receipt of the components, they bolt and weld together as many pieces as possible before shipping them to the job site. Some of the longer steel pipes may be connected together as telescoping sections. Pre-assembly saves time on the job site and improves ease of shipping. The pre-assembled parts are then transported to the job site by truck.

Steel erection

  • The job site must be properly prepared prior to installation of the steel. A subcontractor is typically assigned to drill a hole in the ground in which to place the support pole. Approximately 20-30 ft (6.1-9.1 m) deep, the hole is filled with concrete and the support pole is put into place.
  • Next, the frame is bolted into place on top of the pole which may be as little as 20 ft (6.1 m) or as much as 100 ft (30.5 m) above the ground. The term haggle is used to describe the distance from the sign face to ground level. The frame is equipped with catwalk-style walkways to allow access to the surfaces where the advertising elements are mounted. These catwalks may run along the front as well as the back of the sign with an access ladder located in the rear. The walkways are also built with attachments for safety cables used by the workers. The entire installation process takes a crew of three or four men approximately one week to complete.

Artwork fabrication

The artwork is added after the structural elements are in place. The method of application depends on the design of the sign. Some advertisements are hand painted directly onto plywood sections that are directly attached to the billboard frame; others use lithographic prints prepared on large vinyl sheets, which are pasted onto the sign face. Usually, hand-painted billboards are used for small campaigns that want to achieve a higher quality look.

  • The pounce pattern technique is used to create a billboard-sized stencil of an original artwork. Using this technique, the artwork is projected onto a billboard-size sheet that is placed over a grounded copper mesh screen. Charcoal pencils with 500 volts of electricity passing through them transfer the enlarged image to the paper by creating pounce points.
  • Once attached to the plywood sections, the initial pattern of dots is defined further by charcoal dust. The charcoal is spread over the rough image, and it adheres to the points that were made by the electrically charged charcoal.
  • Artists work using a reducing glass to paint the enlarged version of the original. Oftentimes, several artists work on one billboard, each focusing on either the detailed images or the background. Mechanical scaffolding increases the artists' maneuverability.
  • Poster panels are printed on lithographic printers that mass produces the original artwork onto sheets of poster paper.
  • Once the campaign is completed, hand-painted panels are disassembled and whitewashed. Poster panels remain on the billboard where they are covered by the next ad campaign.

Electrical connection

  • Typically, local electrical contractors are hired to install the power and lighting systems. In many cases, both sides of the sign are used for artwork, so lighting assemblies are required for both sides. In addition, the sign may require special wiring to operate moving parts or other special effects. All wiring must be done in accordance with relevant electrical codes.

Quality Control

There are no universal guidelines for billboard construction. Each company has its own proprietary standards. However, firms engaged in this type of work expend significant effort in repairing and maintaining the quality of the signs. These efforts are necessary due to the effects of weathering which causes deterioration of the sign components, particularly the paper and vinyl used to post the artwork. In addition, steel components can rust after extended exposure to the elements. Severe weather conditions can cause damage to signs that require more serious repairs.

In 1965, the Highway Beautification Act was passed in the United States. It governs the amount, spacing, and quality of bill-boards placed along highways. As a result, many dilapidated frames were removed. In the late 1990s, cigarette manufacturers, who traditionally used billboards to advertise their products, made an agreement with the federal government in order to prevent total regulation of the industry. One of their concessions was to replace their ads with anti-smoking campaigns.

Byproducts/Waste

The processes used in billboard manufacture generate little usable byproducts or waste material. However, after a billboard has outlived its usefulness a steel firm may be required to cut the sign down. In some cases, the components may be recycled for use in other jobs.

The Future

Billboard manufacture is becoming increasingly sophisticated. More and more sign companies are taking advantage of computerized market research data to optimize the placement of their billboards. This trend is likely to continue as marketers continue to seek out the most effective advertising mediums. Bar coding technology is becoming a popular way of tracking information related to billboards. Some companies even videotape their signs and put together a computer display for their clients so they can just click on a location and see a picture or video of the billboard that is there. Satellite technology will also play a larger role in the billboard market of the future. Already satellite systems are being used to control lighting and to track sign locations.

However, perhaps the most interesting innovations in the industry are occurring in the area of advertising artwork. For example, one new type of sign uses a multi-faceted prismatic facing to actually deliver two different advertising messages. As the viewer approaches the sign, they see one picture, but as they pass the sign, their angle of view changes, revealing a different picture. This type of clever innovation continues to make billboards a popular and economically viable method of advertising.

Where To Learn More

Books

Henderson, Sally and Robert Landau. Billboard Art. San Francisco: Chronicle Books, 1986.

Other

Erected Steel Products. Steve McDowell, VP Operations. PO Box 360347, Birningham, AL 35236. (205) 481-3700.

[Article by: Randy Schueller]


 
Marketing Dictionary: billboard
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Advertising: 129 3 259 structure used for outdoor advertising. The billboard, or poster panel, is usually anchored in the ground, although it may be affixed to a wall or roof, in an area of high traffic volume. In the advertising industry, a billboard is actually termed a poster because the advertiser's message is printed on large sheets of poster paper that are then mounted by hand on a panel. Poster sizes are referred to in terms of sheets. Originally a billboard required 24 of the largest sheets a printing press could hold; thus a billboard is often called a 24-sheet. (Although press sizes have changed and the advent of the computer offers many unique size options, the term 24-sheet is still used.) Billboard advertising has the advantages of ready communication of simple ideas, repeated exposure to a message, and promotion for locally available products. Typically it is used in support of advertising campaigns using other media or to achieve long-term exposure. Relatively low in cost, billboard advertising accounts for approximately 1% of all advertising expenditures.

Broadcast: 10-second announcement at the beginning or end of a broadcast that identifies a sponsor or lists the cast of a program.

See also painted display.

 
Thesaurus: billboard
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noun

    A usually public posting that conveys a message: bill, notice, placard, poster, sign. See show/hide.

 
Dictionary of Dance: Billboards
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Ballet in four sections with choreography by Laura Dean, Charles Moulton, Margot Sappington, and Peter Pucci, set to rock music by Prince. Premiered 27 Jan. 1993 by the Joffrey Ballet at the University of Iowa in Iowa City. Choreographed to thirteen songs by the pop star Prince, the full-length rock ballet single-handedly saved the Joffrey from going under in the 1990s. Although not an artistic or critical triumph, Billboards earned millions of dollars at the box office in its first three years.

 
Word Tutor: billboard
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pronunciation

IN BRIEF: A large board on which signs or advertisements are posted.

pronunciation I saw the ad on the billboard by the freeway.

 
Wikipedia: Billboard
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A billboard is a large outdoor advertising structure (a billing board), typically found in high traffic areas such as alongside busy roads. Billboards present large advertisements to passing pedestrians and drivers. Typically showing large, ostensibly witty slogans, and distinctive visuals, billboards are highly visible in the top designated market areas. Bulletins are the largest, most impactful standard-size billboards. Located primarily on major highways, expressways or principal arterials, they command high-density consumer exposure (mostly to vehicular traffic). Bulletins afford greatest visibility due not only to their size, but because they allow creative "customizing" through extensions and embellishments. Billboards are a great place to advertise business because rather than you having to find your customers, your customers will find your advertising.

Posters are the other common form of billboard advertising, located chiefly in commercial and industrial areas on primary and secondary arterial roads. Posters are a smaller format than bulletins and are viewed principally by residents and commuter traffic, with some pedestrian exposure.

Contents

Advertising style

Billboard advertisements are designed to catch a person's attention and create a memorable impression very quickly, leaving the reader thinking about the advertisement after they have driven past it. They have to be readable in a very short time because they are usually read while being passed at high speeds. Thus there are usually only a few words, in large print, and a humorous or arresting image in brilliant color.

Some billboard designs spill outside the actual space given to them by the billboard, with parts of figures hanging off the billboard edges or jutting out of the billboard in three dimensions. An example in the United States around the turn of the 21st century were the Chick-fil-A billboards (a chicken sandwich fast food chain), which had three-dimensional cow figures in the act of painting the billboards with misspelled anti-beef slogans such as "frendz don't let frendz eat beef."

Placement of billboards

Some of the most prominent billboards are alongside highways; since passing drivers typically have little to occupy their attention, the impact of the billboard is greater. Billboards are often drivers' primary method of finding food and fuel on unfamiliar highways. There were approximately 450,000 billboards on United States highways as of 1991. Somewhere between 5,000 and 15,000 are erected each year. In Europe billboards are a major component and source of income in urban street furniture concepts.

1940s 3AW billboard advertising For the Term of his Natural Life in Melbourne

An interesting use of billboards unique to highways was the Burma-Shave advertisements between 1925 and 1963, which had 4- or 5-part messages stretched across multiple signs, keeping the reader hooked by the promise of a punchline at the end. This example is in the National Museum of American History at the Smithsonian Institution:

Shaving brushes
You'll soon see 'em
On a shelf
In some museum
Burma-Shave

These sort of multi-sign advertisements are no longer common, though they are not extinct. One example, advertising for the NCAA, depicts a basketball player aiming a shot on one billboard; on the next one, 90 yards (82 meters) away, is the basket. Another example is the numerous billboards advertising the roadside attraction South of the Border near Dillon, SC, stretching along I-95 for many states.

Many cities have high densities of billboards, especially in places where there is a lot of pedestrian traffic—Times Square in New York City is a good example. Because of the lack of space in cities, these billboards are painted or hung on the sides of buildings and sometimes are free-standing billboards hanging above buildings. Billboards on the sides of buildings create different stylistic opportunities, with artwork that incorporates features of the building into the design, such as using windows as eyes, or for gigantic frescoes that adorn the entire building.

Visual and environmental concerns

The Animal Liberation Front modified this Chick-fil-A billboard to support its vegan aims.

Many groups such as Scenic America have complained that billboards on highways cause excessive clearing of trees and intrude on the surrounding landscape, with billboards' bright colors, lights and large fonts making it difficult to focus on anything else, making them a form of visual pollution. Other groups believe that billboards and advertising in general contribute negatively to the mental climate of a culture by promoting products as providing feelings of completeness, wellness and popularity to motivate purchase. One focal point for this sentiment would be the magazine AdBusters, which will often showcase politically motivated billboard and other advertising vandalism, called culture jamming.

In 2000, rooftops in Athens had grown so thick with billboards that it was difficult to see its famous architecture. In preparation for the 2004 Summer Olympics, the city embarked on a successful four-year project demolishing the majority of rooftop billboards to beautify the city for the tourists the games will bring, overcoming resistance from advertisers and building owners. Most of these billboards were illegal, but had been ignored up to then.

In 2007, São Paulo, Brazil instituted a billboard ban because there were no viable regulations of the billboard industry. Today, São Paulo, Brazil, is working with outdoor companies in the region to rebuild the outdoor infrastructure in a way that will reflect the vibrant business climate of the city while adopting good regulations to control growth.

Road safety concerns

Lingerie Ad on a billboard in Chişinău, Moldova.

In the United States, many cities tried to put laws into effect to ban billboards as early as 1909 (California Supreme Court, Varney & Green vs. Williams) but the First Amendment has made these attempts difficult. A San Diego law championed by Pete Wilson in 1971 cited traffic safety and driver distraction as the reason for the billboard ban, but was narrowly overturned by the Supreme Court in 1981, in part because it banned non-commercial as well as commercial billboards.

Billboards have long been accused of being distracting to drivers and causing accidents. However, the evidence is that these assertions are not true. Researchers at the University of North Carolina prepared a thorough report on driver distraction for the AAA Foundation for Traffic Safety. This study, released in June 2001, said: "The search appears to suggest that some items—such as CB radios, billboards, and temperature controls—are not significant distractions."

Traffic safety experts have studied the relationship between outdoor advertising and traffic accidents since the 1950s, finding no authoritative or scientific evidence that billboards are linked to traffic accidents. However, many of these studies were funded by the Outdoor Advertising Association of America, which has led to accusations of bias. The methodology used in certain studies is also questionable.

The U.S. Department of Transportation, State Department of Transportation and property/casualty insurance companies statistics on fatal accidents indicate no correlation between billboards and traffic accidents. A broad sampling of law enforcement agencies across the country found no evidence to suggest that motor vehicle accidents were caused by billboards. Property and casualty insurance companies have conducted detailed studies of traffic accident records and conclude no correlation between billboards and traffic accidents.

However, studies based on correlations between traffic accidents and billboards face the problem of under-reporting: drivers are unwilling to admit responsibility for a crash, so will not admit to being distracted at a crucial moment. Even given this limitation, some studies have found higher crash rates in the vicinity of advertising using variable message signs[1] or electronic billboards.[2]

It is possible that advertising signs in rural areas reduce driver boredom, which many believe is a contribution to highway safety. On the other hand, drivers may fixate on a billboard which unexpectedly appears in a monotonous landscape, and drive straight into it (a phenomenon known as "highway hypnosis").[3]

Surveys of drivers and road users show that the lighting provided by billboards provide security and visibility to many motorists. The Federal Highway Administration (FHWA) went on record (Federal Register, March 5, 1999) stating that the agency agrees that appropriately regulated billboards do not compromise highway safety. It should be noted that this statement was made before the release of the FHWA report Research review of potential safety effects of electronic billboards on driver attention and distraction[2] in 2001. What level of regulation is appropriate for billboards in different areas is still under discussion by road safety experts around the world.

Laws limiting billboards

In 1964, the negative impact of the over-proliferation of signage was abundantly evident in Houston, Texas, and it motivated Lady Bird Johnson to ask her husband to create a law. At the same time the outdoor advertising industry was becoming aware that excessive signs, some literally one in front of the other, was bad for business.

In 1965, the Highway Beautification Act was signed into law. The act applied only to "Federal Aid Primary" and "Defense" highways and limited billboards to commercial and industrial zones created by states and municipalities. It required each state to set standards based on "customary use" for the size, lighting and spacing of billboards, and prohibited city and state governments from removing billboards without paying compensation to the owner. The act requires states to maintain "effective control" of billboards or lose 5% of their federal highway dollars.

The act also required the screening of junk yards adjacent to regulated highways.

Around major holidays, volunteer groups erected highway signs offering free coffee at the next rest stop. These were specifically exempted from the limits in the act.

Currently, four states—Vermont, Alaska, Hawaii, and Maine—have prohibited billboards.

In the UK, billboards are controlled as adverts as part of the planning system. To display such an advert is a criminal offence with a fine of up to £2500 per offence (per poster). All of the large UK outdoor advertisers such as JCDecaux, Clear Channel, Titan and Primesight have numerous convictions for such crimes.[4][5]

Usages

Highway

Many signs advertise local restaurants and shops in the coming miles, and are crucial to drawing business in small towns. One example is Wall Drug, which in 1931 erected billboards advertising "free ice water" and the town of Wall, South Dakota was essentially built around the 20,000 customers per day those billboards brought in (as of 1981). Some signs were placed at great distances, with slogans such as "only 827 miles to Wall Drug, with FREE ice water." In some areas the signs were so dense that one almost immediately followed the last. This situation changed after the Highway Beautification Act was passed; the proliferation of Wall Drug billboards is sometimes cited as one of the reasons the bill was passed. After the passage of the act, other states (such as Oregon[6]) embarked on highway beautification efforts.

ATB Financial ad, Edmonton

Golf courses

Billboards are becoming smaller and focusing their messages to specifically targeted groups of people.[citation needed] Traditionally billboards have been huge roadside structures that concentrated on delivering mass messages to huge numbers of viewers. Although this approach is excellent for certain types of advertisers there has been a shift to using smaller format billboards with specific messages aimed at a well defined group of consumers. Placing small billboards on golf courses and on GPS screens on golf carts has allowed both large and smaller advertisers to reach a demographically desirable group of people with specific messages.

Big name advertisers

Billboards are also used to advertise national or global brands, particularly in more densely populated urban areas. According to the Outdoor Advertising Association of America, the top three companies advertising on billboards as of 2003 were McDonald's, Anheuser-Busch and Miller. A large number of wireless phone companies, movie companies, car manufacturers and banks are high on the list as well.

Tobacco advertising

Mail Pouch Barn advertisement: A bit of Americana in southern Ohio. Mail Pouch painted the barns for free.

Prior to 1999, billboards were a major venue of cigarette advertising; 10% of Michigan billboards advertise alcohol and tobacco, according to the Detroit Free Press.[7] This is particularly true in countries where tobacco advertisements are not allowed in other media. For example, in the US, tobacco advertising was banned on radio and television in 1971, leaving billboards and magazines as some of the last places tobacco could be advertised. Billboards made the news in America when, in the tobacco settlement of 1999, all cigarette billboards were replaced with anti-smoking messages.[citation needed] In a parody of the Marlboro Man, some billboards depicted cowboys riding on ranches with slogans like "Bob, I miss my lung."

Likely the best-known of the tobacco advertising boards were those for "Mail Pouch" chewing tobacco in the United States during the first half of the 20th century (pictured above). The company agreed to paint two or three sides of a farmer's barn any color he chose in exchange for painting their advertisement on the one or two sides of the structure facing the road. The company has long since abandoned this form of advertising, and none of these advertisements have been painted in many years, but some remain visible on rural highways.

Non-commercial use

Not all billboards are used for advertising products and services—non-profit groups and government agencies use them to communicate with the public. In 1999 an anonymous person created the God Speaks billboard campaign in Florida "to get people thinking about God", with witty statements signed by God. "Don't make me come down there", "We need to talk" and "Keep using my name in vain, I'll make rush hour longer" were parts of the campaign, which was picked up by the Outdoor Advertising Association of America and continues today on billboards across the country.

South of Olympia, Washington is the privately owned Uncle Sam billboard. It features conservative, sometimes inflammatory messages, changed on a regular basis. Chehalis farmer Al Hamilton first started the board during the Johnson era, when the government was trying to make him remove his billboards along interstate 5. He had erected the signs after he lost a legal battle to prevent the building of the freeway across his land. Numerous legal and illegal attempts to remove the Uncle Sam billboard have failed, and it is now in its third location.[8] One message, attacking a nearby liberal arts college, was photographed, made into a postcard and is sold in the College Bookstore.

Governance

The Traffic Audit Bureau for Media Measurement Inc. (TAB) was established in 1933 as a non-profit organization whose historical mission has been to audit the circulation of out-of-home media in the United States. TAB's role has expanded to lead and/or support other major out of home industry research initiatives. Governed by a tripartite board composed of advertisers, agencies and media companies, the TAB acts an independent auditor for traffic circulation in accordance to guidelines established by its Board of Directors.

Similarly, in Canada, the Canadian Outdoor Measurement Bureau (COMB) was formed in 1965 as a non-profit organization independently operated by representatives composed of advertisers, advertising agencies and members of the Canadian out-of-home advertising industry. COMB is charged with the verification of traffic circulation for the benefit of the industry and its users.

History

1908 billboard, Salt Lake City, Utah

Early billboards were basically large posters on the sides of buildings, with limited but still appreciable commercial value. As roads and highways multiplied, the billboard business thrived.

  • 1794 – Lithography was invented, making real posters possible
  • 1835 – Jared Bell was making 9x6 posters for the circus in the U.S.
  • 1867 – Earliest known billboard rentals (source: OAAA)
  • 1872 – International Bill Posters Association of North America was established (now known as the Outdoor Advertising Association of America) as a billboard lobbying group.
  • 1889 - The world's first 24 sheet billboard was displayed at the Paris Exposition and later at the 1893 World's Columbian Exposition in Chicago. The format was quickly adopted for various types of advertising, especially for circuses, traveling shows, and movies
  • 1908 – The Model T automobile is introduced in the U.S., increasing the number of people using highways and therefore the reach of roadside billboards.
  • 1919 - Japanese candy company Glico introduces its building-spanning billboard, the Glico Man
  • 1925 – Burma-Shave makes its billboards lining the highways
  • 1931 – The Wall Drug billboards start to go up nationwide
  • 1960 - The mechanized Kani Doraku billboard is built in Dotonbori, Osaka
  • 1965 – the Highway Beautification Act is passed after much campaigning by Lady Bird Johnson
  • 1971 – The Public Health Cigarette Smoking Act bans cigarette ads in television and radio, moving that business into billboards
  • 1981 – The Supreme Court overturns a San Diego billboard ban, but leaves room open for other cities to ban commercial billboards
  • 1997 – Tobacco advertising is no longer allowed on outdoor billboards in America
  • 2007 – Industry adopts one sheet plastic poster replacement for paper poster billboards and begins phase-out of PVC flexible vinyl, replacing it with eco-plastics such as polyethylene

See also

References

  1. ^ Cairney, P., & Gunatillake, T. (2000). Does roadside advertising really cause crashes? Paper presented at the Road Safety: research, enforcement and policy., Brisbane, Australia.
  2. ^ a b Farbry, J., Wochinger, K., Shafer, T., Owens, N., & Nedzesky, A. (2001). Research review of potential safety effects of electronic billboards on driver attention and distraction. Washington, DC: Federal Highway Administration
  3. ^ Wallace, B. (2003). Driver distraction by advertising: genuine risk or urban myth? Municipal Engineer, 156, 185-190.
  4. ^ http://www.wandsworth.gov.uk/NR/Wandsworth/localpdf/brightside/bside_oct07.pdf
  5. ^ http://es.homesandproperty.co.uk/property_news/articles/writing.html
  6. ^ Trevision, Catherine and Wozniacka, Gosia. [1] "The Oregonian. 12 August 2007. Retrieved December 26, 2007.
  7. ^ http://www.cancer.org/docroot/NWS/content/NWS_2_1x_December_Mixed_Month_for_Tobacco_Opponents.asp
  8. ^ http://seattletimes.nwsource.com/news/nation-world/infocus/mideast/iraq/homefront0402.html

 
Translations: Billboard
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Dansk (Danish)
1.
n. - plakattavle, plakatsøjle
v. tr. - reklamere på plakatsøjler

2.
n. - introduktion, præsentation

Nederlands (Dutch)
reclamebord, ankerbrug

Français (French)
1.
n. - panneau d'affichage
v. tr. - apposer un panneau d'affichage

2.
n. - (Naut) rebord sur le bossoir d'un navire sur lequel repose le bec d'une ancre

Deutsch (German)
1.
n. - Reklametafel
v. - Reklame auf die Reklametafel setzen, werben

2.
n. - Ankerfütterung

Ελληνική (Greek)
n. - χώρος/πίνακας τοιχοκολλήσεων, μενού προγράμματος

Italiano (Italian)
cartello pubblicitario

Português (Portuguese)
n. - quadro (m) para afixar avisos ou cartazes

Русский (Russian)
афишная тумба

Español (Spanish)
1.
n. - cartelera
v. tr. - poner en cartelera

2.
n. - apeadero de la uña del ancla

Svenska (Swedish)
n. - affischtavla

中文(简体)(Chinese (Simplified))
1. 布告板, 广告牌, 揭示栏, 宣传

2. 放锚小台

中文(繁體)(Chinese (Traditional))
1.
n. - 布告板, 廣告牌, 揭示欄
v. tr. - 宣傳

2.
n. - 放錨小台

한국어 (Korean)
1.
n. - 게시판
v. tr. - 을 게시하다

2.
n. - 프로그램의 배역

日本語 (Japanese)
n. - 広告板

العربيه (Arabic)
‏(الاسم) لوحه اعلانات ملصقه‏

עברית (Hebrew)
n. - ‮לוח מודעות‬
v. tr. - ‮פרסם, הכריז‬
n. - ‮מדף בחרטום האוניה עליו מניחים את ציפורן העוגן כשמחברים אותו לזיז העוגן‬


 
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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
How Products are Made. How Products are Made. Copyright © 2002 by The Gale Group, Inc. All rights reserved.  Read more
Marketing Dictionary. Dictionary of Marketing Terms. Copyright © 2000 by Barron's Educational Series, Inc. All rights reserved.  Read more
Thesaurus. Roget's II: The New Thesaurus, Third Edition by the Editors of the American Heritage® Dictionary Copyright © 1995 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.  Read more
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